Taking up where the author's book Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations and many hyperlinks.
Mosley's novels chronicling the investigations of Easy Rawlins chart Californian history from 1948, echoing Chandler (and John D. MacDonald) while challenging Ellroy's L.A. Quartet. He has also written other crime and SF novels, Young Adult fiction, a memoir, and activist non-fiction, and is widely involved in cultural and educational projects promoting writing by people of colour. Devil in a Blue Dress is the first novel in Mosley's outstanding 'Easy' Rawlins series. The Notes in this book provide an overview of Mosley's career and the series, give historical and literary backgrounds to the novel (including Chandler, Himes, Pinkerton Men and Private Eyes, Hollywood's Gumshoes, and the 'GI Bill'), and consider the film adaptation of Devil. Chapter by chapter Annotations detail allusions, slang, musical references, flora and fauna, and fashion, while disentangling Mosley's real and fictive Los Angeles. The Essay is 'In the Mortgage of his Skin', and uses Walcott's and Lamming's great phrase to ask about Easy's purest passion, the house that is his castle. The Bibliography covers all Mosley's work, with critical material on him and on (African-American) crime writing.
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.
The dominance of popular romance in the United States fiction market suggests that its trends and themes may reflect the politics of a significant proportion of the population. 'Pursuing Happiness' explores some of the choices, beliefs and assumptions which shape the politics of American Romance novels. In particular, it focuses on what romances reveal about American attitudes towards work, the West, race, gender, community cohesion, ancestral “roots” and a historical connection (or lack of it) to the land.
An illuminating study of Vladimir Nabokov's controversial novel with special attention to its film versions. From its first publication in 1955 Nabokov's Lolita has been denounced as immoral filth, hailed as a moral masterpiece, and both praised and damned for stylistic excess. In this fresh appraisal John Lennard provides convenient overviews of Nabokov's life and of the novel (including both Kubrick's and Lyne's film-adaptations), before considering Lolita as pornography, as lepidoptery, as film noir, and as parody.
Tamora Pierce is a prolific and very unusual modern master of fantasy for young adults and the first such author to appear regularly on the New York Times bestseller lists. The four books making up The Protector of the Small are the 9th to 12th (of 15) novels set in Tortall, and follow the progress of Keladry of Mindelan from the first openly female page in more than a century to her attainment of Knighthood and introduction to war. The Notes cover Tamora Pierce's life and work; the world of Tortall (including the geography, cast, and neighbouring cultures); the strange menagerie of immortal creatures who may be friend or foe; the pantheon of interfering multicultural god/desse/s; knighthood; and the school series format that Pierce adapts. The well-illustrated Annotations cover unusual words, ideas, and objects mentioned, real-world cultural, historical, and literary references, and the major thematic issues that develop throughout the quartet. First Test, Page, Squire, and Lady Knight are all covered on a chapter-by-chapter basis. The Essay considers The Protector of the Small as a revisioning of Song of the Lioness, the structure of the quartet, and the nature of Blayce and the killing devices. A Note on Fanfiction surveys the enormous Tortall archive of fanfic as a resource for readers of the quartet, and a Bibliography provides checklists both of Pierce's works and of writing about her. Tamora Pierce read the book in manuscript and has generously allowed her comments to be published, including new extracanonical facts about Jump, women in combat, the death magic that powers the killing devices, and much more.
A historically informed and informing study guide to of Scott's four great novels of British India - The Jewel in the Crown, The Day of the Scorpion, The Towers of Silence, A Division of the Spoils - and of the popular coda, Staying On. The book covers Paul Scott's Life and works, the British Raj, imperial decay, civil and military India, the Indian independence movement, the birth of India and Pakistan, Ghandi, Jinnah, Congress and the Muslim League, the characters of the novel, especially Edwina Crane, Daphne Manners, Ronald Merrick and Hari Kumar.John Lennard's The Poetry Handbook (OUP, 1996; 2/e 2005), with Mary Luckhurst The Drama Handbook (OUP, 2002), and Of Modern Dragons and other essays on Genre Fiction (HEB, 2007). He is General Editor of HEB's Genre Fiction Sightlines and Monographs series, for which he has written on Reginald Hill, Walter Mosley, Octavia E. Butler, Ian McDonald, and Tamora Pierce. For Literature Insights he has also written on Shakespeare's Hamlet and Nabokov's Lolita.
A theatre-based study guide to Shakespeare's greatest play, emphasising the conditions of Jacobethan production, textual variations, and aspects of modern performance, rather than the background of ideas or critical interpretations. This book aims to introduce students (including those with little or no prior experience of the field) to the worlds of Shakespeare and his theatre revealed in King Lear. It begins by 'Approaching Shakespeare' as utterly a man of the theatre, a professional actor before he was a playwright and a resident dramatist who knew intimately the actors for whom he wrote. It continues by discussing 'King Lear' in that light. The middle chapters look in detail at the 'Actors and Players' of the drama, and at Shakespeare's favourite 'Acts and Devices' as deployed within it. A final chapter considers the concept of 'comedic agony'. The annotated Bibliography includes the current major editions, major film-adaptations, and a selection of both the best criticism and the most useful websites.