The book is a collection of literary essays and epistles which are the author's reflections on reading those classics and well-known works of Literature. A few are essays on everyday life that affect people. The characters range from kings to queens to saints rogues and all kinds of people and their travails. Should they go for books or a well-packaged commodity; should they go around the world or feel snug and nestled at home. Should they complain about Indian cinema missing out on Oscars or should they roll with tide and time!
The Indian Man examines the life of James Mooney (1861?1921), the son of poor Irish immigrants who became a champion of Native peoples and one of the most influential anthropology fieldworkers of all time. As a staff member of the Smithsonian Institution for over three decades, Mooney conducted fieldwork and gathered invaluable information on rapidly changing Native American cultures across the continent. His fieldwork among the Eastern Cherokees, Cheyennes, and Kiowas provides priceless snapshots of their traditional ways of life, and his sophisticated and sympathetic analysis of the 1890 Ghost Dance and the consequent tragedy at Wounded Knee has not been surpassed a century later.
“Dunmore is my new find in historical romance. Her A League of Extraordinary Women series is extraordinary.”—Julia Quinn, #1 New York Times bestselling author “This series balances friendship, politics, history, and romance in just the right mix.”—U.S. Representative Katie Porter An Indie Next/LibraryReads pick! An Apple Must Listen Audiobook for September! A lady must have money and an army of her own if she is to win a revolution—but first, she must pit her wits against the wiles of an irresistible rogue bent on wrecking her plans…and her heart. Lady Lucie is fuming. She and her band of Oxford suffragists have finally scraped together enough capital to control one of London’s major publishing houses, with one purpose: to use it in a coup against Parliament. But who could have predicted that the one person standing between her and success is her old nemesis and London’s undisputed lord of sin, Lord Ballentine? Or that he would be willing to hand over the reins for an outrageous price—a night in her bed. Lucie tempts Tristan like no other woman, burning him up with her fierceness and determination every time they clash. But as their battle of wills and words fans the flames of long-smoldering devotion, the silver-tongued seducer runs the risk of becoming caught in his own snare. As Lucie tries to out-maneuver Tristan in the boardroom and the bedchamber, she soon discovers there’s truth in what the poets say: all is fair in love and war… "Rich with subplot, historical detail and beautifully descriptive writing that keeps the pages turning until the delightfully unconventional happy ending."—NPR
The half-century since Elizabeth II’s coronation in 1952 has witnessed many changes, some for good and some for ill. Among these, she has been one of the few constants. Fifty Years the Queen recounts her amazing life as Canada and the Commonwealth celebrate the Golden Jubilee of her accession to the throne. Elizabeth II is a figure whose faultless devotion to duty flourishes in an age of individual self-gratification. endowed with high spirits and a great sense of humour, she at the same time carries out her duties with unfailing dignity and decorum. The special Golden Jubilee tribute is filled with many beautiful illustrations, including some rarely seen.
Missionary Stories and the Formation of the Syriac Churches analyzes the hagiographic traditions of seven missionary saints in the Syriac heritage during late antiquity: Thomas, Addai, Mari, John of Ephesus, Simeon of Beth Arsham, Jacob Baradaeus, and Ahudemmeh. Jeanne-Nicole Mellon Saint-Laurent studies a body of legends about the missionariesÕ voyages in the Syrian Orient to illustrate their shared symbols and motifs. Revealing how these texts encapsulated the concerns of the communities that produced them, she draws attention to the role of hagiography as a malleable genre that was well-suited for the idealized presentation of the beginnings of Christian communities. Hagiographers, through their reworking of missionary themes, asserted autonomy, orthodoxy, and apostolicity for their individual civic and monastic communities, positioning themselves in relationship to the rulers of their empires and to competing forms of Christianity. Saint-Laurent argues that missionary hagiography is an important and neglected source for understanding the development of the East and West Syriac ecclesiastical bodies: the Syrian Orthodox Church and the Church of the East. Given that many of these Syriac-speaking churches remain today in the Middle East and India, with diaspora communities in Europe and North America, this work opens the door for further study of the role of saints and stories as symbolic links between ancient and modern traditions.
Part of a generation that came to prominence in the 1860s, the ‘rogue architects’ are a byword for Victorian Gothic at its most wayward and flamboyant. Their work ranges from town halls to country houses and from hotels to churches. It has drawn much attention, both from contemporary observers and 20th century commentators, such as Harry Goodhart-Rendel (who coined the term), Ian Nairn and John Summerson. But much about the rogues’ architecture – its inspiration, their aims, why they built where and how they did and why it caused such a stir – has been poorly understood until now. Based on extensive primary research and presenting a lot of material never published before, this book presents comprehensive studies of three of rogue architecture’s most important exponents – Robert Lewis Roumieu, Joseph Peacock and Bassett Keeling. Their careers, although all very different, provide valuable insights into a rich and complex episode in British architectural history. These studies are prefaced by an introductory chapter, which places them in context and looks at the numerous other architects who stand comparison with them, not only throughout Britain but also in France and America. It is handsomely illustrated with new photographs and archive material, including drawings from the RIBA Collection.
