Of Kings and Clowns

Of Kings and Clowns

Author: Tiran Manucharyan

Publisher: Taylor & Francis

Published: 2024-02-28

Total Pages: 276

ISBN-13: 1003855113

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This book examines the transformations Egyptian theatre has undergone since 1967. Through detailed analyses of the plays, the book investigates the ways Egyptian theatre represents, formulates, and imagines political and cultural leadership and, by implication, enacts its own leadership. Alongside the work of established playwrights, such as Yusuf Idris, Abul-ʿEla El-Salamouny, Fathia El-ʿAssal and Lenin El-Ramly, it also discusses the input in theatre of a younger generation, reflecting the new transformations in Egyptian theatre following the 2011 revolution. Relating the theoretical underpinnings of its analyses to theoretical discussions by Egyptian playwrights, the book contributes to current English-language scholarship in theatre studies, by providing a discourse largely absent from it. Considering the growing sense in English-language academia on the need for research and education beyond the Western canon this book offers an important addition to the study resources. This book will interest both scholars and students who study the Arab world, and researchers and students with an interest in cultural studies, more specifically twentieth- and twenty-first-century theatre, and literature studies. The book’s specific focus on political theatre and its gender perspective make it also of interest to the fields of political and gender studies.


Killer Clown of King's County

Killer Clown of King's County

Author: Betsy Haynes

Publisher: HarperTorch

Published: 1998-01-07

Total Pages: 160

ISBN-13: 9780061064739

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Clowns aren't kid stuff anymore when they make things disappear into thin air. Zeke is in over his head when he realizes the clown's next trick at his birthday bash is called Box of Doom. Will Zeke stop clowning around before he dies laughing?


The King of Things and the Cranberry Clown

The King of Things and the Cranberry Clown

Author: John Callahan

Publisher: William Morrow

Published: 1994

Total Pages: 102

ISBN-13: 9780688139759

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A poignant and rollicking fable from the author of Don't Worry, He Won't Get Far on Foot!!!--soon to be a movie staring Robin Williams. Known for his knack for cutting through to the pain, truth, and humor of life, Callahan offers a poetic parable that shows the only way to be free is to let go of the false feeling that you run the world. Illustrated.


Welcome to Camp Nightmare (Classic Goosebumps #14)

Welcome to Camp Nightmare (Classic Goosebumps #14)

Author: R. L. Stine

Publisher: Scholastic Inc.

Published: 2011-08-01

Total Pages: 145

ISBN-13: 0545296498

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Goosebumps now on Disney+! Next summer you'll stay home...if you survive!The food isn't great. The counselors are a little strange. And the camp director seems demented. Billy can handle all that. But then strange things start to happen after dark, his parents won't answer his letters, and his fellow campers start to disappear. What's going on? Camp Nightmoon is turning into Camp Nightmare! And Billy might be next.


Clowns, Fools and Picaros

Clowns, Fools and Picaros

Author: David Robb

Publisher: Rodopi

Published: 2007

Total Pages: 241

ISBN-13: 9042023406

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By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being "other." Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the "clownesque" from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology.


Bad Clowns

Bad Clowns

Author: Benjamin Radford

Publisher: UNM Press

Published: 2016-04-01

Total Pages: 217

ISBN-13: 0826356672

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Bad clowns—those malicious misfits of the midway who terrorize, haunt, and threaten us—have long been a cultural icon. This book describes the history of bad clowns, why clowns go bad, and why many people fear them. Going beyond familiar clowns such as the Joker, Krusty, John Wayne Gacy, and Stephen King’s Pennywise, it also features bizarre, lesser-known stories of weird clown antics including Bozo obscenity, Ronald McDonald haters, killer clowns, phantom-clown abductors, evil-clown panics, sex clowns, carnival clowns, troll clowns, and much more. Bad Clowns blends humor, investigation, and scholarship to reveal what is behind the clown’s dark smile.


Misrule and Reversals

Misrule and Reversals

Author: Rozaliya Yaneva

Publisher: Herbert Utz Verlag

Published: 2013-10-30

Total Pages: 294

ISBN-13: 383164313X

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How do Christopher Marlowe’s plays relate to interpretations of carnival as being either a beneficial repression inspired by anxiety or a deliberate expression of resistance towards all that is established and permanent? Where can one place carnival in his dramatic works? Renaissance drama invited a consideration of various forms of collective life and while great religious festivities of the Catholic calendar were affected by Reformation efforts to control festivity and detach it from religious worship, festive energies on Marlowe`s stage seem to have persisted. This book views Doctor Faustus, Tamburlaine the Great, The Jew of Malta and Edward the Second through concepts of irreverence, clowning, the high and the low in culture, degradation, laughter and feasting while viewing the plays’ worlds in terms of misrule, inversion and reversal. Who are the clowns in the plays, is the time for revelries restricted and how do the principle of the grotesque and the forces of debasement work are some of the intriguing questions to be pursued.