"Of Genius" is an essay by the 18th-century English writer Aaron Hill that explores the nature of artistic genius. It discusses the qualities that makeup genius, the importance of imagination, and the connection between genius and hard work. Hill's insights into the creative process have made "Of Genius" a valuable resource for those interested in the arts.
Published in 1719, "Of Genius' in the Occasional Paper, and Preface to the Creation" is a religious text, written by Enligsh dramatist and writer Aaron Hill.
'The Life and Death of Doctor Faustus Made into a Farce' is a bawdy, comedy of manners play written by William Mountfort. As one can guess, it's a parody of sorts of the play Doctor Faustus by Christopher Marlowe. The difference between the two works is best summed up in the following: "Marlowe's tragedy has two distinct lines: the mighty verse which makes up the tragedy of an heroic overreacher, and a comic line of farcical lazzi. Mountfort has trimmed away the poetry of Marlowe and, for the most part, retained the farcical elements of the earlier play."
"The Harlot's Progress (1733), The Rake's Progress (Ms., ca. 1778-1780)" by Theophilus Cibber. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
DigiCat Publishing presents to you this special edition of "A Discourse Concerning Ridicule and Irony in Writing (1729)" by Anthony Collins. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
DigiCat Publishing presents to you this special edition of "Selected Poems (1685-1700)" by John Tutchin. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Enquiry into the Causes of the Frequent Executions at Tyburn was originally published as a series of letters to the British Journal. The first letter appeared on February 27, 1725; just twelve days before, Jonathan Wild, self-proclaimed "Thief-Catcher General of Great Britain and Ireland," had been arrested and imprisoned in Newgate. Thus the inquiry had special timeliness and forms a part of the contemporary interest in the increasingly notorious activities of Wild. Wild's systematic exploitation of the London underworld and his callous betrayal of his colleagues in criminality (he received £40 from the government for each capital conviction he could claim) had created public protest since at least 1718 when an act (which Mandeville cites in his Preface) directed against receivers of stolen goods was passed, most probably with the primary intention of curtailing Wild's operations. Wild's notoriety was at its peak in 1724-5 after his successful apprehension of Joseph Blake ("Blueskin") and Jack Sheppard, the latter figure becoming a kind of national hero after his five escapes from prison (he was recaptured by Wild each time). The timeliness of Mandeville's pamphlet extends, of course, beyond its interest in Jonathan Wild, who after all receives comparatively little of Mandeville's attention. The spectacle of Tyburn itself and the civil and moral failures it represented was one which Londoners could scarcely ignore and which for some provided a morbid fascination. Mandeville's vivid description of the condemned criminal in Newgate, his journey to Tyburn, and his "turning off," must have been strikingly forceful to his contemporaries, who knew all too well the accuracy of his description.
