Calling himself an "historical anarchist", Norwegian artist Odd Nerdrum has rejected the modernist development in art of the past 100 years. Embracing the traditional values and techniques of the old masters, particularly Rembrandt and Caravaggio, Nerdrum creates a mythic Nordic world of barren landscapes populated with what appear to be lonely survivors of a lost civilization. His constant theme is that of estrangement -- of man from the world, from his fellows, from himself. Nerdrum repeatedly portrays a longing for reconciliation that can only be described as religious in intensity. A dual strangeness pervades these graphic works. Executed for the most part between 1985 and 1993, they reveal a desolate view of the human situation which the sumptuousness of their execution subtly contradicts. This coupling of a forlorn vision with a paradoxical faith in technical virtuosity and artistic tradition stems from his rejection of modernism, both as a style and as a progressive creed.
Not many artists of today s art world create an additional footprint through his or hers great number of pupils. Odd Nerdrum founded a school that was common for master painters in earlier centuries but not of today. His followers have a direct influence in their art from their master. This book shows how The Nerdrum School is an important part of the international art scene in our time.0The author of the preface, the art critic Richard Vine describes Nerdrum like this: For the last four decades, Odd Nerdrum has been, in that sense, a necessary artist not because he towers at the forefront of world acclaim or because his work engages contemporary issues in distinctly contemporary visual terms. On the contrary, he has been by his own account and in keeping with his own wish the odd man out. Most viewers and most art-world professionals have regarded him as simply too talented and too famous to ignore, and yet too contrarian to embrace. In his long rough gown, Nerdrum has stood at the door of art s Temple, so to speak, like a prophet reminding us of our artistic derelictions and sins. 0.
"Themes" is the most comprehensive collection of Odd Nerdrum's works ever published. Its 500 pages are filled with sketches, drawings and studies, along with excellent reproductions of the artist's most important and most recent finished works. A wide selection of close-up details offers the tightest possible view of Nerdrum's brushstrokes, which will be of particular interest to students--those who wish to learn his modern take on the Old Master style just as they would learn from the work of the Old Masters themselves. The selection is the artist's own, divided into 20 chapters devoted to space, nudes, portraits and other topics, and presented chronologically within each chapter to show the development of specific motifs over the course of his career. This structure and the wide range of work present provoke new insights into the central themes in Nerdrum's work, and his treatment of them from first sketches to final canvases. Nerdrum's latest works--more than 40 paintings in all, dating from the last five years--are presented here for the first time. They complete an unprecedented overview of his oeuvre, a must for everyone interested in the how and why behind one of today's most controversial and celebrated painters.
A provocative and prolific painter, Odd Nerdrum employs old-world techniques and an ancient Greek palette to craft paintings that follow in the tradition of the masters Rembrandt, Caravaggio and Titian. Ever since his beginnings as a painter in the early sixties, Nerdrum has been a provocative voice among his peers, often representing sociopolitical struggle and the plight of the oppressed. His depictions of the human figure glow with warmth and dignity, and his timeless themes resonate with his viewers regardless of culture and social standing. Just as the figures in Nerdrum's paintings struggle through barren, often post-apocalyptic landscapes, his vital and poignant works stand out amongst the stark abstractions of the world of modern art. He remains a provocateur in his native Norway, a challenging voice in contemporary society, and one of the most exciting creators of our time. Throughout the last 30 years of his painting, a recurring archetype emerges. He is the Refugee--an alien to his own time and place, an outcast ostracized by the deciders of politics, fashion and culture and a nomad searching to transcend the temporal and find refuge in the eternal. This new collection of paintings, carefully selected from the best of his body of work, is devoted to the story of the Refugee, as it has unfolded over time, in 172 brilliantly reproduced paintings, accompanied by 83 details. The book features an exposed binding, so that it can be laid flat for close inspection. Gregory David Roberts, author of the acclaimed novel Shantaram, lends a thoughtful introduction to the book, paying tribute to the enduring themes of Nerdrum's works.
For a painter who took his earliest bearings from Rembrandt, and who has defiantly espoused the values of old master painting, the self-portrait is a natural enough genre to pursue. For Odd Nerdrum, the attractions of self-portraiture run much deeper, however. Nerdum has frequently alluded to the "conflicted preoccupation with origins and personal identity" that his paintings express, and traces this preoccupation to his discovery that his father was not the father he had known growing up, but a previous lover of his mother's. Also abandoned by his mother at an early age, he recollects of his early years: "I was a beggar in a world ruled by others. The person I found in the mirror was myself, I saw myself reflected in my own eyes, not those of others." Nerdrum's difficult childhood and the isolation he has endured as a painter have greatly intensified the relevance of the self-portrait, a genre at which he has excelled, and for which he has become particularly well known. This volume collects Nerdum's self-portraits for the first time, with more than 100 color reproductions.
An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before: The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and—rare among figure-drawing books—features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history—from ancient Egypt and Greece to the present.
The art criticism of the painter David Humphrey merits an anthology. But neither Humphrey nor Periscope wanted to present his writing as archival documents from 1990 to 2008. We decided it would be more innovative to treat the texts as the starting point for a book that acknowledges and extends the connections between Humphrey's studio practice and his criticism. The outcome is Blind Handshake. It foregrounds the social life surrounding contemporary art-the practices and gestures, the dialogues and monologues that determine its place in the world. Organized thematically, the book considers Coupling Dramas, Unknowable Others, Collective Solitudes, Prosthetic Selves, and Good Liars. Artists drawn into the action include Richard Prince, Chris Ofili, Lucien Freud, Mamma Anderson, Tony Oursler, John Currin, Mary Heilmann, Catherine Murphy, and Amy Sillman. The book's designer Geoff Kaplan employed aspects of graphic novels, magazine layouts, and art monographs in translating the writing and illustrations into a mutant creature. Introductions by Chris Kraus and Alexi Worth provide contexts for understanding the book's presentation of the turbulent intersubjectivity that pervades contemporary art. AUTHOR: David Humphrey Has exhibited his art throughout the United States and curated several shows in New York City. He is a recipient of the Rome Prize and a Senior Critic at the Yale School of Art. His art criticism has appeared in Art in America, Art issues, among other publications. ILLUSTRATIONS 176 colour images *
A new breed of contemporary artists is celebrating new found international recognition for their style and approach to creating art that is sprouting from and largely influenced by visual subcultures. The Upset documents the burgeoning artists in this new movement whose works are often figurative and narrative employing classical techniques with great skills to create sculpture, illustration design and painting with the use of spray cans, sharpies and elaborate colour palettes on canvas. In addition to the striking visual work, the book features portraits of artists as well as in-depth interviews with selected artists who are creating outstanding cutting-edge contemporary fine art.
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
