Race, Music, and National Identity

Race, Music, and National Identity

Author: Paul McCann

Publisher: Associated University Presse

Published: 2008

Total Pages: 198

ISBN-13: 9780838641408

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Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on jazz was informed largely by a broad range of anxieties endemic to the turbulent decades of the mid-twentieth century. As the United States faced a new crisis in either foreign or domestic policy, writers and intellectuals often used jazz as a forum to change both the public's understanding of the musical tradition as well as the nation's understanding of itself. In many ways, the rise of jazz from low to high art was a product of this discourse. The study relies on a close reading of several notable authors including F. Scott Fitzgerald, Langston Hughes, Eudora Welty, Ralph Ellison, and Jack Kerouac but also responds to a broad range of popular writers from the decade whose contribution to the discourse on jazz has been largely forgotten. This book provides an insightful glimpse into how the United States negotiates and ultimately understands its own cultural artifacts. Paul McCann is an English Professor at Del Mar College.


Deep River

Deep River

Author: Paul Allen Anderson

Publisher: Duke University Press

Published: 2001-07-19

Total Pages: 347

ISBN-13: 0822383047

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“The American Negro,” Arthur Schomburg wrote in 1925, “must remake his past in order to make his future.” Many Harlem Renaissance figures agreed that reframing the black folk inheritance could play a major role in imagining a new future of racial equality and artistic freedom. In Deep River Paul Allen Anderson focuses on the role of African American folk music in the Renaissance aesthetic and in political debates about racial performance, social memory, and national identity. Deep River elucidates how spirituals, African American concert music, the blues, and jazz became symbolic sites of social memory and anticipation during the Harlem Renaissance. Anderson traces the roots of this period’s debates about music to the American and European tours of the Fisk Jubilee Singers in the 1870s and to W. E. B. Du Bois’s influential writings at the turn of the century about folk culture and its bearing on racial progress and national identity. He details how musical idioms spoke to contrasting visions of New Negro art, folk authenticity, and modernist cosmopolitanism in the works of Du Bois, Alain Locke, Zora Neale Hurston, Langston Hughes, Jean Toomer, Sterling Brown, Roland Hayes, Paul Robeson, Carl Van Vechten, and others. In addition to revisiting the place of music in the culture wars of the 1920s, Deep River provides fresh perspectives on the aesthetics of race and the politics of music in Popular Front and Swing Era music criticism, African American critical theory, and contemporary musicology. Deep River offers a sophisticated historical account of American racial ideologies and their function in music criticism and modernist thought. It will interest general readers as well as students of African American studies, American studies, intellectual history, musicology, and literature.


Montage of a Dream

Montage of a Dream

Author: John Edgar Tidwell

Publisher: University of Missouri Press

Published: 2007

Total Pages: 373

ISBN-13: 0826265960

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Over a forty six year career, Langston Hughes experimented with black folk expressive culture, creating an enduring body of extraordinary imaginative and critical writing. Riding the crest of African American creative energy from the Harlem Renaissance to the onset of Black Power, he commanded an artistic prowess that survives in the legacy he bequeathed to a younger generation of writers, including award winners Alice Walker, Paule Marshall, and Amiri Baraka. Montage of a Dream extends and deepens previous scholarship, multiplying the ways in which Hughes's diverse body of writing can be explored. The contributors, including such distinguished scholars as Steven Tracy, Trudier Harris, Juda Bennett, Lorenzo Thomas, and Christopher C. De Santis, carefully reexamine the significance of his work and life for their continuing relevance to American, African American, and diasporic literatures and cultures. Probing anew among Hughes's fiction, biographies, poetry, drama, essays, and other writings, the contributors assert fresh perspectives on the often overlooked "Luani of the Jungles" and Black Magic and offer insightful rereadings of such familiar pieces as "Cora Unashamed," "Slave on the Block," and Not without Laughter. In addition to analyzing specific works, the contributors astutely consider subjects either lightly explored by or unavailable to earlier scholars, including dance, queer studies, black masculinity, and children's literature. Some investigate Hughes's use of religious themes and his passion for the blues as the fabric of black art and life; others ponder more vexing questions such as Hughes's sexuality and his relationship with his mother, as revealed in the letters she sent him in the last decade of her life. Montage of a Dream richly captures the power of one man's art to imagine an America holding fast to its ideals while forging unity out of its cultural diversity. By showing that Langston Hughes continues to speak to the fundamentals of human nature, this comprehensive reconsideration invites a renewed appreciation of Hughes's work and encourages new readers to discover his enduring relevance as they seek to understand the world in which we all live.


Indian Removal

Indian Removal

Author: Grant Foreman

Publisher: University of Oklahoma Press

Published: 1976

Total Pages: 452

ISBN-13: 9780806111728

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Studies the means by which the nineteenth-century white man uprooted the Southern Indians and pushed them Westward


Langston Hughes: Short Stories

Langston Hughes: Short Stories

Author: Langston Hughes

Publisher: Macmillan + ORM

Published: 1997-08-15

Total Pages: 325

ISBN-13: 142992411X

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Stories capturing “the vibrancy of Harlem life, the passions of ordinary black people, and the indignities of everyday racism” by “a great American writer” (Kirkus Reviews). This collection of forty-seven stories written between 1919 and 1963—the most comprehensive available—showcases Langston Hughes’s literary blossoming and the development of his personal and artistic concerns in the decades that preceded the passage of the Civil Rights Act. Many of the stories assembled here have long been out of print, and others never before collected. These poignant, witty, angry, and deeply poetic stories demonstrate Hughes’s uncanny gift for elucidating the most vexing questions of American race relations and human nature in general. “[Hughes’s fiction] manifests his ‘wonder at the world.’ As these stories reveal, that wonder has lost little of its shine.” —The Cleveland Plain Dealer


The Jazz Fiction Anthology

The Jazz Fiction Anthology

Author: Sascha Feinstein

Publisher: Indiana University Press

Published: 2009-10-02

Total Pages: 529

ISBN-13: 0253221374

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What sounds throughout these stories is the universal voice of humanity that is the essence of the music.


Beyond the Sound Barrier

Beyond the Sound Barrier

Author: Kristin K Henson

Publisher: Routledge

Published: 2013-12-16

Total Pages: 168

ISBN-13: 113672673X

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Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural "mixing" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a culturally amalgamated, boundary-crossing form of expression that reflects and defines modern American identities.


Music Stories

Music Stories

Author: Wesley Stace

Publisher: Everyman's Library

Published: 2024-02-13

Total Pages: 465

ISBN-13: 1101908416

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A beautiful hardcover anthology of short stories about music by a remarkable array of literary greats, selected by someone who is both a musician and a writer Music may be a universal language that transcends words, but that hasn't stopped our most accomplished writers from trying to capture its essence on the page, paying homage to one art form through another. The dazzling examples collected here range from Virginia Woolf's "The String Quartet" to Langston Hughes's "The Blues I'm Playing" and Donald Barthelme's "The King of Jazz," and from Ivan Turgenev's "The Song of Triumphant Love" to Katherine Mansfield's "The Singing Lesson" and Ian McEwan's "A Duet." Here are melodious scenes from E. M. Forster's Howards End and Vikram Seth's An Equal Music, and stories by James Joyce, Gustave Flaubert, and Marcel Proust in harmony with pieces by Vladimir Nabokov, Maya Angelou, Kazuo Ishiguro, and Philip K. Dick. Together these twenty-four musical tales make up a gorgeous symphony of literary delights. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.