Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
Published: 1894
Total Pages: 732
ISBN-13:
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Author: Bernard Quaritch (Firm)
Publisher:
Published: 1894
Total Pages: 732
ISBN-13:
DOWNLOAD EBOOKAuthor: Anderson Galleries, Inc
Publisher:
Published: 1910
Total Pages: 470
ISBN-13:
DOWNLOAD EBOOKAuthor: Hispanic Society of America. Library
Publisher:
Published: 1962
Total Pages: 1014
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1060
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1062
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1917
Total Pages: 406
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry Sotheran Ltd
Publisher:
Published: 1908
Total Pages: 642
ISBN-13:
DOWNLOAD EBOOKAuthor: American Art Association
Publisher:
Published: 1920
Total Pages: 1078
ISBN-13:
DOWNLOAD EBOOKAuthor: Tom Stammers
Publisher: Cambridge University Press
Published: 2020-06-25
Total Pages: 375
ISBN-13: 1108807224
DOWNLOAD EBOOKOffering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.