Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
Published: 1907
Total Pages: 1028
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Bernard Quaritch (Firm)
Publisher:
Published: 1907
Total Pages: 1028
ISBN-13:
DOWNLOAD EBOOKAuthor: Anderson Galleries, Inc
Publisher:
Published: 1910
Total Pages: 470
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1911
Total Pages: 1044
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1909
Total Pages: 388
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1904
Total Pages: 228
ISBN-13:
DOWNLOAD EBOOKAuthor: Detroit Institute of Arts
Publisher:
Published: 1996
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKAnna Thomson Dodge, heiress to the automotive fortune, built a great home and decorated it with one of the finest groups of 18th-century French decorative arts in America. Here are more than 130 pieces of furniture, sculpture, metalwork, tapestries, Sevres porcelain, and paintings, many from royal collections.
Author:
Publisher:
Published: 1910
Total Pages: 394
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch
Publisher:
Published: 1909
Total Pages: 68
ISBN-13:
DOWNLOAD EBOOKAuthor: American Art Association, Anderson Galleries (Firm)
Publisher:
Published: 1923
Total Pages: 1246
ISBN-13:
DOWNLOAD EBOOKAuthor: Tom Stammers
Publisher: Cambridge University Press
Published: 2020-06-25
Total Pages: 375
ISBN-13: 1108807224
DOWNLOAD EBOOKOffering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.