A Midsummer-night's Dream

A Midsummer-night's Dream

Author: William Shakespeare

Publisher:

Published: 1734

Total Pages: 72

ISBN-13:

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National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.


The Book of Oberon

The Book of Oberon

Author: Daniel Harms

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780738743349

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Translation of the anonymous 2 volume Latin manuscript, compiled from around 1577 to sometime after 1583, and held at the Folger Shakespeare Library in Washington, D.C, number V.b.26.


Dictionary of Shakespeare

Dictionary of Shakespeare

Author: Louise McConnell

Publisher: Taylor & Francis

Published: 2000

Total Pages: 344

ISBN-13: 9781579582159

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William Shakespeare is acknowledged to be the greatest writer in the English language. This new dictionary includes more than 1,500 entries that cover: Shakespeare's theatre and stagecraft; Elizabethan history and society; all of Shakespeare's plays and poems; his main characters; and terms used in critical reviews.Each of the encyclopedic entries provides a clear explanation of the term, its origins, relevance and use. Dictionary of Shakespeare has been carefully written in a non-technical way to insure that all levels of student and researcher will find the entries clear and uncomplicated.The entries help explain the terms used in Shakespeare's texts and in their execution and so provides the historical context required to give the reader a full background of the term. This feature sets the dictionary apart from others on the same subject that concentrate either on single plays or on the biographies of his characters. No other title explains so great a range of theatrical, historical, and"Shakespearean" terms.


Benjamin Britten, His Life and Operas

Benjamin Britten, His Life and Operas

Author: Eric Walter White

Publisher: Univ of California Press

Published: 1983

Total Pages: 324

ISBN-13: 9780520048942

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This new edition has been thoroughly revised and edited by John Evans (research scholar to the Britten Estate) who has updated the chronological list of published works and included in the bibliography the many books that have been written about the composer since his death in 1976. Although, as the title suggests, this book concentrates on Britten's operatic output, Mr White's account offers insights into the whole range of this prodigious composer's music. The text is lavishly illustrated with plates that reveal both the diversity of his operatic development and comprise a distinctive pictorial bibliography.


The Complete Idiot's Guide to Shakespeare's Plays

The Complete Idiot's Guide to Shakespeare's Plays

Author: Cynthia Greenwood

Publisher: Penguin

Published: 2008

Total Pages: 372

ISBN-13: 9781592577088

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Here art thou real Shakespeare. The resurgence of interest in Shakespeare's plays - largely due to recent film adaptations - has reminded the world that Shakespearean theatre is a social art form. This guide focuses on the essence of the spoken word of his plays rather than simply dissecting them. It also explores the cultural and historical contexts for the major plays, offering the director's and actor's perspective in addition to that of the scholar and close reader. Each major play is explored in depth, explaining Shakespearean terms Offers commentary on the experience of each play on and off stage with attention to language and verse Appendixes include Shakespeare's likely collaborations, a glossary, suggested further reading, and resources for viewing live performances and video/audio recordings Perfect for students, general readers, theatregoers, and actors Published to commemorate Shakespeare's 443rd birthday


Carl Maria von Weber

Carl Maria von Weber

Author: Joseph E. Morgan

Publisher: Rowman & Littlefield

Published: 2014-09-11

Total Pages: 329

ISBN-13: 1442235950

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Renowned music historian Philipp Spitta has written that “of all the German musicians of the 19th century, none has exercised a greater influence over his own generation and that succeeding it than Weber.” Spitta’s statement reflects Weber’s popularity at the end of the nineteenth 19th century—both for his place as a foundational figure of German Romantic opera and for his role in the early German Nationalist movement in music. Indeed, Weber’s Der Freischütz is still considered the first German Romantic opera, enjoying a place of privilege in the modern operatic repertoire with performances held the world over and at least two cinematic productions. Despite its enormous popularity throughout the 19th nineteenth century, however, Weber’s swan song, Oberon, has remained separate from the mainstream thrust of our modern understanding of German Romantic opera. In Carl Maria von Weber: Oberon and the Cosmopolitanism in the Early German Romantic, music historian and theorist Joseph E. Morgan reassesses Weber’s work and aesthetics not just for their influence but also as an expression of the aesthetics and cosmopolitanism that underlay the early Romantic and Nationalist movement in Germany. In a discussion with analyses that features nearly one- hundred musical examples, Morgan tracks the development of Weber’s musical style across his career. The investigation culminates with Weber’s last and long-misunderstood work, explaining its thematic and harmonic organization, its stylistic idiosyncrasies, and the tenuous place that it holds on the margins of the operatic canon. The discussion is enhanced and corroborated by frequent attention to correlating developments in other art from the period, including painting, poetry, and literature. This text will be of interest to students, scholars, and connoisseurs wishing to acquire a new insight on the performance, reception, and aesthetics of early German Romantic opera. Further, because of the interdisciplinary nature of the investigation, anyone researching the early Romantic and Nationalist movement in Germany will also certainly find valuable insights in this book.