An oversized (91/4x121/4") book with over 150 exquisite photographs displaying the works and techniques of 17 self-taught artists from the mountains between Virginia and Alabama. The sparse but well written text traces each artist's background and inspiration. Includes sculptors, painters, carvers, and basket weavers using materials from their environment. No index or bibliography. Annotation copyrighted by Book News, Inc., Portland, OR
John O’Brien was raised in Philadelphia by an Appalachian father who fled the mountains to escape crippling poverty and family tragedy. Years later, with a wife and two kids of his own, the son moved back into those mountains in an attempt to understand both himself and the father from whom he’d become estranged. At once a poignant memoir and a tribute to America's most misunderstood region, At Home in the Heart of Appalachia describes a lush land of voluptuous summers, woodsmoke winters, and breathtaking autumns and springs. John O'Brien sees through the myths about Appalachia to its people and the mountain culture that has sustained them. And he takes to task naïve missionaries and rapacious industrialists who are the real source of much of the region's woe as well as its lingering hillbilly stereotypes. Finally, and profoundly, he comes to terms with the atavistic demons that haunt the relations between Appalachian fathers and sons.
Getting acquainted with local flora and fauna is the perfect way to begin to understand the wonder of nature. The natural environment of Southern Appalachia, with habitats that span the Blue Ridge to the Cumberland Plateau, is one of the most biodiverse on earth. A Literary Field Guide to Southern Appalachia—a hybrid literary and natural history anthology—showcases sixty of the many species indigenous to the region. Ecologically, culturally, and artistically, Southern Appalachia is rich in paradox and stereotype-defying complexity. Its species range from the iconic and inveterate—such as the speckled trout, pileated woodpecker, copperhead, and black bear—to the elusive and endangered—such as the American chestnut, Carolina gorge moss, chucky madtom, and lampshade spider. The anthology brings together art and science to help the reader experience this immense ecological wealth. Stunning images by seven Southern Appalachian artists and conversationally written natural history information complement contemporary poems from writers such as Ellen Bryant Voigt, Wendell Berry, Janisse Ray, Sean Hill, Rebecca Gayle Howell, Deborah A. Miranda, Ron Rash, and Mary Oliver. Their insights illuminate the wonders of the mountain South, fostering intimate connections. The guide is an invitation to get to know Appalachia in the broadest, most poetic sense.
In this era of globalization's ruthless deracination, place attachments have become increasingly salient in collective mobilizations across the spectrum of politics. Like place-based activists in other resource-rich yet impoverished regions across the globe, Appalachians are contesting economic injustice, environmental degradation, and the anti-democratic power of elites. This collection of seventeen original essays by scholars and activists from a variety of backgrounds explores this wide range of oppositional politics, querying its successes, limitations, and impacts. The editors' critical introduction and conclusion integrate theories of place and space with analyses of organizations and events discussed by contributors. Transforming Places illuminates widely relevant lessons about building coalitions and movements with sufficient strength to challenge corporate-driven globalization. Contributors are Fran Ansley, Yaira Andrea Arias Soto, Dwight B. Billings, M. Kathryn Brown, Jeannette Butterworth, Paul Castelloe, Aviva Chomsky, Dave Cooper, Walter Davis, Meredith Dean, Elizabeth C. Fine, Jenrose Fitzgerald, Doug Gamble, Nina Gregg, Edna Gulley, Molly Hemstreet, Mary Hufford, Ralph Hutchison, Donna Jones, Ann Kingsolver, Sue Ella Kobak, Jill Kriesky, Michael E. Maloney, Lisa Markowitz, Linda McKinney, Ladelle McWhorter, Marta Maria Miranda, Chad Montrie, Maureen Mullinax, Phillip J. Obermiller, Rebecca O'Doherty, Cassie Robinson Pfleger, Randal Pfleger, Anita Puckett, Katie Richards-Schuster, June Rostan, Rees Shearer, Daniel Swan, Joe Szakos, Betsy Taylor, Thomas E. Wagner, Craig White, and Ryan Wishart.
Front cover -- Copyright -- Contents -- Introduction -- 1 Revisiting Appalachia, Revisiting Self -- 2 Carolina Chocolate Drops -- 3 Beyond a Wife's Perspective on Politics -- 4 Intersections of Appalachian Identity -- 5 Appalachia Beyond the Mountains -- 6 Digital Rhetorics of Appalachia and the Cultural Studies Classroom -- 7 Continuity and Change of English Consonants in Appalachia -- 8 Frackonomics -- 9 Revisiting Appalachian Icons in the Production and Consumption of Tourist Art -- 10 From the Coal Mine to the Prison Yard -- 11 Walking the Fence Line of The Crooked Road -- 12 "No One's Ever Talked to Us Before" -- 13 Strength in Numbers -- 14 When Collaboration Leads to Action -- 15 Participation and Transformation in Twenty-First-Century Appalachian Scholarship -- (Re)introduction -- Appendix -- Contributors -- Index.
Often referred to as the leader of inspiration in Appalachian studies, Helen Matthews Lewis linked scholarship with activism and encouraged deeper analysis of the region. Lewis shaped the field of Appalachian studies by emphasizing community participation and challenging traditional perceptions of the region and its people. Helen Matthews Lewis: Living Social Justice in Appalachia, a collection of Lewis's writings and memories that document her life and work, begins in 1943 with her job on the yearbook staff at Georgia State College for Women with Mary Flannery O'Connor. Editors Patricia D. Beaver and Judith Jennings highlight the achievements of Lewis's extensive career, examining her role as a teacher and activist at Clinch Valley College (now University of Virginia at Wise) and East Tennessee State University in the 1960s, as well as her work with Appalshop and the Highland Center. Helen Matthews Lewis connects Lewis's works to wider social movements by examining the history of progressive activism in Appalachia. The book provides unique insight into the development of regional studies and the life of a dynamic revolutionary, delivering a captivating and personal narrative of one woman's mission of activism and social justice.
Born in 1928, Mary Bremier has a remarkably keen eye, both for the beauty of her natural world and for the telling details of human frailty. The Shadows of Appalachia has a deft, musical voice that recalls the regional dialect as well as the songs, sayings, and prayers that shaped her Depression-era childhood. Her gentle irony lays bare the mindset of her hardworking, proud, ignorant, doomed-to-failure, beloved Appalachian family. The Appalachian culture, the same subject as Hillbilly Elegy, is expanded upon in The Shadows of Appalachia with empathy, a rich cast of characters, and some laugh-out-loud humor. The action and setting have similarities to Little House on the Prairie, although it is more nuanced and at times dark, with adult themes. This is a book about the power of language, and how education offers a route out and away from the limitations of narrow-mindedness. Young Mary, silenced and shamed by her mother, is also crippled by dyslexia. Her unconventional education results in her facile, engaging ability to play with words, and reveals how Mary ultimately thrives. After the tragic loss of her husband and young daughter, Mary returns to Appalachia to resolve her conflict with her painful past, her family's shortcomings, and the death of a way of life.
