This is a tale of the quest of young Peter Mcfall, whose life has been upset by the recent move of his family to a new home.His father helps him build a tree house, which he names, The Utopia Den. He finds unexpected adventure there as well as, some unusual friends; a Praying Mantis and a Ladybug. With them he travels magically to NoWhere Land. His quest is to stop a stubborn Draconis, from frightening the Citizens and taking over the Castle of Hamaso, King of this land. As he travels from his world to another, he discovers strange new people, new responsibilities, and an appreciation for his own family. With the use of magic and good thinking he comes face to face with Draconis. He must stop him, but how? His is a delightful journey. Join him!
After a young member of the Jehovah's Witness Church is abducted in conjunction with a ritualistic triple homicide in the mountains outside of Los Angeles, the church engages cult specialist Stephan Raszer to find her perilous trail. Based on evidence that the girl may have been trafficked into a sex and terrorism ring with a Middle Eastern nexus, Raszer soon unveils an inside–out reality that begins on the Internet and ends in a fabled fortress on the borderlands of Turkey, Iran, and Iraq, where a powerful figure known only as the Old Man is said to hold the strings. With the dubious aid of the abductee's wayward sister, along with a renegade CIA agent and a fraternity of sojourning gamesters, Raszer journeys far from the rational world and deep into a dangerous and erotically charged netherland. Piece by piece, he gathers evidence of a world–altering criminal conspiracy linked to an ancient Persian sect that uses an Internet role–playing game to recruit its foot soldiers. To solve the puzzle and find the girl, Stephan Raszer must play the game and try to hold on to his soul and his sanity in a world turned on its head.
A blizzard is coming to Nowhereland, land of endless winter. Nibs lives in the Snowy Wood like any other Lost Boy. The Pirates live over in the port town under rule of Governor Rackham. The Lost Boys used to be free before the Governor's men started in on them. Swords have been outlawed for the Lost Boys but after being hassled by Pirates and assaulted by Curly, Nibs wants one anyways. To afford a sword, Nibs works for Tootles in selling Pixie dust for the Lost Boy's parties. After the Governor's pistol is stolen from his study by Twin boys flying down his chimney, the oppression of the Snowy Wood is notched up. The Lost Boys aren't going to just take that, they fight back. Based on the universe of J. M. Barrie's Peter Pan.
Through an inter-subjective lens, this open access book investigates the initial labour market integration experiences of these migrants, refugees or asylum seekers, who are characterised by different biographies and migration/asylum trajectories. The book gives voice to the migrants and seeks to highlight their own experiences and understandings of the labour market integration process, in the first years of immigration. It adopts a critical, qualitative perspective but does not remain ethnographic. The book rather refers the migrants’ own voice and experience to their own expert knowledge of the policy and socio-economic context that is navigated. Each chapter brings into dialogue the migrant’s intersubjective experiences with the relevant policies and practices, as well as with the relevant stakeholders, whether local government, national services, civil society or migrant organisations. The book concludes with relevant critical insights as to how labour market integration is lived on the ground and on what migrants ‘do’ with labour market policies rather than on what labour market policies ‘do’ to or for migrants.
Peter and his friend Tony travel to a volcanic isle called Obsidia, where they must try to save it from a dangerous invader who desires to enslave its people and steal its obsidian gems.
Suddenly, in the twenty-first century, religion has become a political power. It affects us all, whether we’re religious or not. If we’re not in danger of being blown up by a suicide bomber we’ve got leaders to whom God speaks, ordering them to start a war. We’re beset by people who demand that we give ourselves to Jesus while they smugly assure us of their own superiority and inherent goodness. We’re surrounded by those who noisily reject science while making full use of the benefits science brings; by the ‘spiritual’ ones; the ones who believe in magic; and there’s the militant atheists berating us all for our stupidity. We wouldn’t object to what people believed if only they’d keep it to themselves. We want to make up our own minds about what we believe, but it’s difficult to do this. Everyone has to face the dilemma that we all die but no one knows for certain what death actually is. Is it the end of our identity or a doorway to another life? Whichever we choose, our choice is a fantasy that determines the purpose of our life. If death is the end of our identity, we have to make this life satisfactory, whatever ‘satisfactory’ might mean to us. If it is a doorway to another life, what are the standards we have to reach to go to that better life? All religions promise to overcome death, but there’s no set of religious or philosophical beliefs that ensures that our life is always happy and secure. Moreover, for many of us, what we were taught about a religion severely diminished our self-confidence and left us with a constant debilitating feeling of guilt and shame. Through all this turmoil comes the calm, clear voice of eminent psychologist Dorothy Rowe. She separates the political from the personal, the power-seeking from the compassionate. She shows how, if we use our beliefs as a defence against our feelings of worthlessness, we feel compelled to force our beliefs on to other people by coercion or aggression. However, it is possible to create a set of beliefs, expressed in the religious or philosophical metaphors most meaningful to us, which allow us to live at peace with ourselves and other people, to feel strong in ourselves without having to remain a child forever dependent on some supernatural power, and to face life with courage and optimism.
In Long and Winding Roads: The Evolving Artistry of the Beatles, Revised Edition, Kenneth Womack brings the band's story vividly to life-from their salad days as a Liverpool Skiffle group and their apprenticeship in the nightclubs and mean streets of Hamburg through their early triumphs at the legendary Cavern Club and the massive onslaught of Beatlemania itself. By mapping the group's development as an artistic fusion, Womack traces the Beatles' creative arc from their first, primitive recordings through Abbey Road and the twilight of their career. In this revised edition, Womack addresses new insights in Beatles-related scholarship since the original publication of Long and Winding Roads, along with hundreds of the group's outtakes released in the intervening years. The updated edition also affords attention to the Beatles' musical debt to Rhythm and Blues, as well as to key recent discoveries that vastly shift our understanding of formative events in the band's timeless story.
This thought-provoking and informative collection of essays covers a broad spectrum of topics including: - Why the communicative approach is dead and what to do about it - How to implement blended learning in day-to-day English teaching - Virtual worlds and why English teachers should get a second life - The different roles played by the language teacher - The value of translation in language teaching - Whether native English speakers really make better teachers - Why you should NOT be teaching International English - A more effective way to teach Technical English - The truth about Superlearning and suggestopaedia - The secret to being a good English teacher - Teaching the language of sex. Also included are chapters on the author's unique insight into the issue of complexity in language teaching as manifested in the correlation between language, set theory and fractal mathematics - and the consequences for learners and teachers of English.
Argues that much of what surrounds Americans is depressing, ugly, and unhealthy; and traces America's evolution from a land of village commons to a man-made landscape that ignores nature and human needs.
