French Painting 1774-1830: the Age of Revolution
Author: Grand Palais (Paris, France)
Publisher:
Published: 1975
Total Pages: 740
ISBN-13:
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Author: Grand Palais (Paris, France)
Publisher:
Published: 1975
Total Pages: 740
ISBN-13:
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Publisher:
Published: 1892
Total Pages: 44
ISBN-13:
DOWNLOAD EBOOKAuthor: Darius A. Spieth
Publisher: BRILL
Published: 2017-11-06
Total Pages: 535
ISBN-13: 9004276750
DOWNLOAD EBOOKSeventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: British Museum. Department of Printed Books
Publisher:
Published: 1967
Total Pages: 1292
ISBN-13:
DOWNLOAD EBOOKAuthor: British Library
Publisher:
Published: 1946
Total Pages: 1082
ISBN-13:
DOWNLOAD EBOOKAuthor: J. Paul Getty Museum
Publisher:
Published: 1988
Total Pages: 380
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1946
Total Pages: 1136
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Dept. of Printed Books
Publisher:
Published: 1967
Total Pages: 1312
ISBN-13:
DOWNLOAD EBOOKAuthor: British Library (London)
Publisher:
Published: 1979
Total Pages: 536
ISBN-13:
DOWNLOAD EBOOKAuthor: Jan Dirk Baetens
Publisher: Studies in the History of Coll
Published: 2019
Total Pages: 351
ISBN-13: 9789004291980
DOWNLOAD EBOOKArt Crossing Bordersoffers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Bordersoffers a crucial contribution to the field of art market studies.