When the cherry blossoms bloom it means the start of another school year―and for the girls at Sakuraki High, it signals the birth of new dreams, fears, and relationships. In "Even If We're Not Friends," Nana and Hitomi have been dear friends since childhood, but when Nana gets into the exclusive Sakuraki High while Hitomi doesn't, their true feelings for each other emerge. In "The Summer Closest to Heaven," Natsuka is a ghost who resides at the school, still in love with one of the former students who is now the school nurse. In "A Kiss, Love, and a Prince," Narumi gets her first kiss from Tachiba in the school play, and is shocked at being kissed by a girl. Fourteen stories of blossoming romance between girls are interspersed throughout this heartfelt and adorably illustrated manga collection.
Vivi, who lives in a big brown building and whose father is a truck driver, saves her money to buy a bride doll in a dress of perfect glistening pink, which she desperately wants, until she makes an unexpected discovery.
Cherry Blossom Epiphany - the poetry and philosophy of a flowering tree - a selection, translation and lengthy explication of 3000 haiku, waka, senryû and kyôka about a major theme from I.P.O.O.H. (In Praise Of Olde Haiku)by robin d. gill 1. Haiku -Translation from Japanese to English 2. Japanese poetry - 8c-20c - waka, haiku and senryû 3. Natural History - flowering cherries 4. Japan - Culture - Edo Era 5. Nonfiction - Literature 6. Translation - applied 7. You tell me! If the solemn yet happy New Year's is the most important celebration of Japanese (Yamato) ethnic culture, and the quiet aesthetic practice of Moon-viewing in the fall the most elegant expression of Pan-Asian Buddhism=religion, the subject of this book, Blossom-viewing - which generally means sitting down together in vast crowds to drink, dance, sing and otherwise enjoy the flowering cherry in full-bloom - is less a rite than a riot (a word originally meaning an 'uproar'). The major carnival of the year, it is unusual for being held on a date that is not determined by astronomy, astrology or the accidents of history as most such events are in literate cultures. It takes place whenever the cherry trees are good and ready. Enjoyed in the flesh, the blossom-viewing, or hanami, is also of the mind, so much so, in fact, that poetry is often credited with the spread of the practice over the centuries from the Imperial courts to the maids of Edo. Nobles enjoyed link-verse contests presided over by famous poet-judges. Hermits hung poems feting this flower of flowers (to say the generic "flower" = hana in Japanese connotes "cherry!") on strips of paper from the branches of lone trees where only the wind would read them. In the Occident, too, flowers embody beauty and serve as reminders of mortality, but there is no flower that, like the cherry blossom, stands for all flowers. Even the rose, by any name, cannot compare with the sakura in depth and breadth of poetic trope or viewing practice. In Cherry Blossom Epiphany, Robin D. Gill hopes to help readers experience, metaphysically, some of this alternative world. Haiku is a hyper-short (17-syllabet or 7-beat) Japanese poem directly or indirectly touching upon seasonal phenomena, natural or cultural. Literally millions of these ku have been written, some, perhaps, many times, about the flowering cherry (sakura), and the human activity associated with it, blossom-viewing (hanami). As the most popular theme in traditional haiku (haikai), cherry-blossom ku tend to be overlooked by modern critics more interested in creativity expressed with fresh subjects; but this embarrassment of riches has much to offer the poet who is pushed to come up with something, anything, different from the rest and allows the editor to select from what is, for all practical purposes, an infinite number of ku. Literary critics, take note: Like Rise, Ye Sea Slugs! (2003) and Fly-ku! (2004), this book not only explores new ways to anthologize poetry but demonstrates the practice of multiple readings (an average of two per ku) as part of a composite translation turned into an object of art by innovative clustering. Book-collectors might further note that while Cherry Blossom Epiphany may not be hardback, it takes advantage of the many symbols included with Japanese font to introduce design ornamentation (the circle within the circle, the reverse (Buddhist) swastika, etc.) hitherto not found in English language print. It is a one-of-a-kind work of design by the author.
After the bombing of Pearl Harbor, 10-year-old Michiko's family’s possessions are confiscated and they are sent to a small community. After a former Asahi baseball star becomes her new teacher, life gets better. Baseball fever hits town, and when Michiko challenges the adults to a game with her class, the whole town turns out.
160 page college-ruled paperback journal features beautiful watercolor cherry blossoms with the cursive name Jen written in vibrant purples and pinks across the front cover. Click on the author name above to find this magnificent journal personalized with other names. 160 pages or 80 sheets. Date: each page has a line for you to write the date at the top. Page numbers: each page has a page number in the bottom corner. No need to fill the page numbers in by hand. Paper Quality: bright white paper suitable for pens and pencils. Bookbinding: this is a paperback book with a typical paperback bookbinding. Size: Composition book size, 7.44 by 9.69 inches
Relishing the last year together, through heartbreak and chemo Above all, this is a love story. Two strong, artistic people face the kind of diagnosis nobody wants. With searing effect, this memoir shows the full dimensions of terminal illness interspersed by tales of a colorful, unusual past. Given Time is both heart-wrenching and surprisingly uplifting.
