The most action-packed banana-peel gag ever! What happens when mischievous Hyena puts a banana peel on unsuspecting Giraffe's path? A lot of hilarious chaos, it turns out. Kids will laugh and laugh at the crazy chain of events Hyena's practical joke sets in motion. In the end though, the joke's on Hyena, and readers will learn the smelly consequences of laughing too much at others' misfortunes.
A 2022 Best Comedy Book, Vulture A rousing call for liberals and progressives to pay attention to the emergence of right-wing comedy and the political power of humor. "Why do conservatives hate comedy? Why is there no right-wing Jon Stewart?" These sorts of questions launch a million tweets, a thousand op-eds, and more than a few scholarly analyses. That's Not Funny argues that it is both an intellectual and politically strategic mistake to assume that comedy has a liberal bias. Matt Sienkiewicz and Nick Marx take readers––particularly self-described liberals––on a tour of contemporary conservative comedy and the "right-wing comedy complex." In That's Not Funny, "complex" takes on an important double meaning. On the one hand, liberals have developed a social-psychological complex—it feels difficult, even dangerous, to acknowledge that their political opposition can produce comedy. At the same time, the right has been slowly building up a comedy-industrial complex, utilizing the humorous, irony-laden media strategies of liberals such as Jon Stewart, Samantha Bee, and John Oliver to garner audiences and supporters. Right-wing comedy has been hiding in plain sight, finding its way into mainstream conservative media through figures ranging from Fox News's Greg Gutfeld to libertarian podcasters like Joe Rogan. That's Not Funny taps interviews with conservative comedians and observations of them in action to guide readers through media history, text, and technique. You will find many of these comedians utterly appalling, some surprisingly funny, and others just plain weird. They are all, however, culturally and politically relevant—the American right is attempting to seize spaces of comedy and irony previously held firmly by the left. You might not like this brand of humor, but you can't ignore it.
Not Funny Ha-Ha is a bold, slightly wry graphic novel illustrating the lives of two young women from different cultural, family, and financial backgrounds who go through two different abortions (medical and surgical). It follows them through the process of choosing a clinic, reaching out to friends, partners, and/or family, and eventually the procedure(s) itself. It simply shows what happens when a woman goes through it, no questions asked. Despite the fact that so many women and girls have abortions every day, in every city, all around us, it can be a lonely experience. Not Funny Ha-Ha is a little bit technical, a little bit moving, and often funny, in a format uniquely suited to communicate. The book is meant to be a non-judgmental, comforting, even humorous look at what a woman can go through during an abortion. Although the subject matter is heavy, the illustrations are light. The author takes a step back from putting forth any personal opinion whatsoever, simply laying out the events and possible emotional repercussions that could, and often do occur.
!--[if gte mso 9] ![endif]--New York Times bestselling author of This Is a Book and Point Your Face at This, Demetri Martin is back with another collection of hilarious drawings: IF IT'S NOT FUNNY IT'S ART Packed with hundreds of new illustrations and one-liners, IF IT'S NOT FUNNY IT'S ART is a peek into the ingenious mind of author/comedian/filmmaker Demetri Martin. Exploring the meaning of art, life, death, ennui and the elegant fart joke with a sensibility all its own, this collection is a perfect gift for word lovers, art appreciators and fans of Demetri's unique brand of comedy. Sure to make you laugh out loud, and if it doesn't, then you know it's art.
Delve into the first-hand account of a life dedicated to making a difference through performing humanitarian work. At 7 years of age, after being emotionally moved by a documentary depicting the suffering of humans caused by humans in conflict, Gerard Robertson immediately knew that somehow he would be a part of easing the pain that he witnessed. The path that best suited his ideals was to volunteer with the Red Cross in his homeland of New Zealand in 1995. This eventually led to the opportunity to work for the International Committee of the Red Cross. Reluctant to call himself a hero, he has nonetheless put his own life on the line traveling to the most dangerous and terrible places on this planet in an effort to make a difference. Discover the potential risks from exposure to diseases and the perilous conditions that are commonplace, and yet are not enough to deter the most loyal workers. About the Author: Gerard Robertson was born and raised in a small town in New Zealand. He met his wife while they were both working in Liberia in 2004. After a one year sabbatical, the two are looking forward to a one year mission in Kyrgyzstan. He is the father of an eighteen year old daughter. Publisher's website: http: //www.strategicpublishinggroup.com/title/NotFunnyThenButFunnyNow.html
"Friedman's debut collection, Not Funny, takes on the third rails of modern life in Jena's bold and subversive style, with essays that explore cancel culture, sexism, work, celebrity worship, and...dead baby jokes. In a moment where women's rights are being rolled back, fascism is on the rise, and so many of us could use a breather as we struggle to get by, Jena applies her unique gifts to pull a laugh from things deemed too raw, too precious, and too scary to joke about. She shares her stories of taking on those who told her she was too brash, too edgy, and too "unlikable" to make it. She deftly dissects how we get coerced into silence on the issues that matter most, until they've gone too far afield to be turned back around again. And she shares her struggles to make it (-ish) in a world that, more often than not, would rather tune out than listen to a woman confronting the indignities we've been told to bear."--Dust jacket flap.
"Smart, knowing, and deeply reported, the definitive history of one of modern American humor’s wellsprings." —Kurt Andersen, author of Fantasyland, host of NPR’s Studio 360 Labor Day, 1969. Two recent college graduates move to New York to edit a new magazine called The National Lampoon. Over the next decade, Henry Beard and Doug Kenney, along with a loose amalgamation of fellow satirists including Michael O’Donoghue and P. J. O’Rourke, popularized a smart, caustic, ironic brand of humor that has become the dominant voice of American comedy. Ranging from sophisticated political satire to broad raunchy jokes, the National Lampoon introduced iconoclasm to the mainstream, selling millions of copies to an audience both large and devoted. Its excursions into live shows, records, and radio helped shape the anarchic earthiness of John Belushi, the suave slapstick of Chevy Chase, and the deadpan wit of Bill Murray, and brought them together with other talents such as Harold Ramis, Christopher Guest, and Gilda Radner. A new generation of humorists emerged from the crucible of the Lampoon to help create Saturday Night Live and the influential film Animal House, among many other notable comedy landmarks. Journalist Ellin Stein, an observer of the scene since the early 1970s, draws on a wealth of revealing, firsthand interviews with the architects and impresarios of this comedy explosion to offer crucial insight into a cultural transformation that still echoes today. Brimming with insider stories and set against the roiling political and cultural landscape of the 1970s, That’s Not Funny, That’s Sick goes behind the jokes to witness the fights, the parties, the collaborations—and the competition—among this fraternity of the self-consciously disenchanted. Decades later, their brand of subversive humor that provokes, offends, and often illuminates is as relevant and necessary as ever.
“Highly recommended reading for those hungry for surprise” (A.J. Jacobs, New York Times bestselling author)—a rollicking collection of personal stories and essays on relationships, technology, and contemporary society from the news editor at Funny or Die and former artistic director at the Upright Citizens Brigade Theater. This hilarious collection of essays spans a wide variety of topics. There’s the open letter to Charles Manson, a brave archeologist’s journey into a suburban man cave, and a long overdue, sternly worded letter from Leif Erikson to Christopher Columbus. Walt Whitman even teaches a spin class. Nate Dern’s razor-sharp eye examines modern society and technology, man buns, dating apps, and juicing crazes. Anyone who’s ever scrunched their eyes at WiFi Terms & Conditions, listened to the reasons that led a vegetarian to give up meat, or looked on in horror at the evolving audacity of reality TV will appreciate Dern’s wicked and funny take on modern life. Not Quite a Genius is fun, and funny, “a breath of fresh air that you can eat up bit by bit or all at once” (Abbi Jacobson, cocreator and star of Broad City).
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.
When he and his grandfather go to town, Alfie finds humor in seeing unpleasant things happen to other people, but he feels differently when an elephant lands on him at the circus.
