Italian Painters of the Renaissance
Author: Bernard Berenson
Publisher:
Published: 2011-09
Total Pages: 536
ISBN-13: 9781258103200
DOWNLOAD EBOOKRead and Download eBook Full
Author: Bernard Berenson
Publisher:
Published: 2011-09
Total Pages: 536
ISBN-13: 9781258103200
DOWNLOAD EBOOKAuthor: Bernard Berenson
Publisher:
Published: 1907
Total Pages: 366
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Berenson
Publisher:
Published: 1907
Total Pages: 378
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Berenson
Publisher:
Published: 1909
Total Pages: 246
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Berenson
Publisher:
Published: 1897
Total Pages: 228
ISBN-13:
DOWNLOAD EBOOKAuthor: Alexander Nagel
Publisher: University of Chicago Press
Published: 2011-09
Total Pages: 372
ISBN-13: 0226567729
DOWNLOAD EBOOKSansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. --
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
Published: 2012
Total Pages: 82
ISBN-13: 1588394530
DOWNLOAD EBOOKCatalog of an exhibition held at the Metropolitan Museum of Art, New York, May 15-Sept. 3, 2012.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 1987
Total Pages: 174
ISBN-13: 0870994344
DOWNLOAD EBOOK"In this volume, the work of the German, Dutch, Flemish, French, and English masters of the fifteenth and sixteenth centuries is explored in more than one hundred reproductions. In addition to such well-known masterpieces as Van Eyck's Crucifixion and Last Judgment, Memling's Tommaso Portinari and Maria Baroncelli, Bruegel's Harvesters, Durer's woodcut The Four Horsemen of the Apocalypse, Cranach's Judgment of Paris, and Holbein's Erasmus of Rotterdam, this volume includes many lesser-known works in oil and on paper, as well as sculpture, decorative arts, and armor from the collections of The Metropolitan Museum of Art."--Page [2] of cover.
Author: Stephen J. Campbell
Publisher:
Published: 2017
Total Pages: 722
ISBN-13: 9780500293348
DOWNLOAD EBOOKA new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.
Author: Frederick Hartt
Publisher: Pearson College Division
Published: 2003
Total Pages: 768
ISBN-13: 9780130620118
DOWNLOAD EBOOKThis volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.