Noir Anxiety
Author: Kelly Oliver
Publisher: U of Minnesota Press
Published: 2003
Total Pages: 340
ISBN-13: 9781452906126
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Noir Affect
Author: Christopher Breu
Publisher: Fordham University Press
Published: 2020-06-02
Total Pages: 180
ISBN-13: 0823287785
DOWNLOAD EBOOKNoir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective disposition rather than a specific cycle of films or novels associated with a given time period or national tradition. Instead, the essays in Noir Affect trace noir’s negativity as it manifests in different national contexts from the United States to Mexico, France, and Japan and in a range of different media, including films, novels, video games, and manga. The forms of affect associated with noir are resolutely negative: These are narratives centered on loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal. Moreover, noir often asks us to identify with those on the losing end of cultural narratives, especially the criminal, the lost, the compromised, the haunted, the unlucky, the cast-aside, and the erotically “perverse,” including those whose greatest erotic attachment is to death. Drawing on contemporary work in affect theory, while also re-orienting some of its core assumptions to address the resolutely negative affects narrated by noir, Noir Affect is invested in thinking through the material, bodily, social, and political–economic impact of the various forms noir affect takes. If much affect theory asks us to consider affect as a space of possibility and becoming, Noir Affect asks us to consider affect as also a site of repetition, dissolution, redundancy, unmaking, and decay. It also asks us to consider the way in which the affective dimensions of noir enable the staging of various forms of social antagonism, including those associated with racial, gendered, sexual, and economic inequality. Featuring an Afterword by the celebrated noir scholar Paula Rabinowitz and essays by an array of leading scholars, Noir Affect aims to fundamentally re-orient our understanding of noir. Contributors: Alexander Dunst, Sean Grattan, Peter Hitchcock, Justus Nieland, Andrew Pepper, Ignacio Sánchez Prado, Brian Rejack, Pamela Thoma, Kirin Wachter-Grene
The One Month Boyfriend
Author: Roxie Noir
Publisher: Clever Capybara Press
Published: 2022-05-24
Total Pages: 423
ISBN-13:
DOWNLOAD EBOOKFake dating my sworn enemy to make my ex so jealous he can't see straight? Worth it. Silas and I agree on one thing, and one thing only: my ruthless, heartless, narcissistic jerk of an ex-fiance needs to be taken down a notch. So we do what anyone would do: we pretend to be a couple. Even though Silas and I are polar opposites. Silas is a loud, cheerful, over the top showboat. He’s his hometown’s golden boy, the Marine who came back to rescue kittens from trees and walk old ladies across the street. And me? I'm the awkward new girl who freezes up around strangers and can’t make small talk to save my life. It shouldn’t work. We can barely have a conversation without arguing. There's no way we should be friends, let alone dating, except... Everyone believes it. Especially my ex. Now I'm having way too many real fantasies about the man who gets on my last nerve. My fake boyfriend is starting to feel a whole lot like a real one. The kisses feel real. The way he protects me feels real. The night we spend together in a hotel bed feels very real. This was supposed to be fake, but I think I might have fooled myself most of all. The One Month Boyfriend is the first book in the Wildwood Society series, and can be read as a total standalone. It's for fans of high heat enemies-to-lovers romantic comedies, and features two enemies who fake date for revenge, a quirky, charming small town, a former military cinnamon roll hero, a grumpy heroine who's charmed despite herself, anxiety and PTSD representation, and plenty of steamy scene. Of course, there's an HEA. This series is for fans of Kathyrn Nolan, Elizabeth O'Roark, Kate Canterbary, and Melanie Harlow.
Neo-Noir
Author: Mark Bould
Publisher: Columbia University Press
Published: 2009-06-30
Total Pages: 278
ISBN-13: 0231850476
DOWNLOAD EBOOKNeo-noir knows its past. It knows the rules of the game – and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japan, South Korea, Hong Kong and New Zealand; key figures, such as David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; major conventions, such as the femme fatale, paranoia, anxiety, the city and the threat to the self; and the use of sound and colour.
International Noir
Author: Pettey Homer B. Pettey
Publisher: Edinburgh University Press
Published: 2014-11-11
Total Pages: 404
ISBN-13: 074869112X
DOWNLOAD EBOOKFollowing World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing.
The Blacklisted Bible
Author: Daniel L. Smith-Christopher
Publisher: Wipf and Stock Publishers
Published: 2022-03-24
Total Pages: 180
ISBN-13: 1666706825
DOWNLOAD EBOOKChoosing ten films that were considered “suspicious,” “un-American,” or even “dangerous” by the conservative media, and especially the infamous “House Un-American Affairs Committee” (HUAC) between 1947–1953, each chapter briefly outlines how progressive Christians should have supported the message of the film rather than condemned it. Each chapter explains why the film was considered controversial, and then proposes a number of arguments drawing heavily on Scripture, arguing that Christians should have, and still should, consider these films about social justice issues to be deeply biblical, and not “un-American.” Intended for an adult education series, this book can serve as a kind of “handbook” for a church or parish “Film Series” that raises serious questions of social justice and Christian response.
A Companion to Film Noir
Author: Andre Spicer
Publisher: John Wiley & Sons
Published: 2013-06-27
Total Pages: 662
ISBN-13: 1118523717
DOWNLOAD EBOOKAn authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars
Noir Urbanisms
Author: Gyan Prakash
Publisher: Princeton University Press
Published: 2010-09-27
Total Pages: 286
ISBN-13: 140083662X
DOWNLOAD EBOOKDystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience. In addition to the editor, the contributors are David R. Ambaras, James Donald, Rubén Gallo, Anton Kaes, Ranjani Mazumdar, Jennifer Robinson, Mark Shiel, Ravi Sundaram, William M. Tsutsui, and Li Zhang.
What Price Hollywood?
Author: Elyce Rae Helford
Publisher: University Press of Kentucky
Published: 2020-06-23
Total Pages: 202
ISBN-13: 0813179327
DOWNLOAD EBOOKDuring the early Hollywood sound era, studio director George Cukor produced nearly fifty films in as many years, famously winning the Best Director Oscar at the 1964 Academy Awards for My Fair Lady. His collaborations with so-called difficult actresses such as Katharine Hepburn, Judy Garland, and Marilyn Monroe unsettled producers even as his ticket sales lined their pockets. Fired from Gone with the Wind for giving Vivien Leigh more screen time than Clark Gable, Cukor quickly earned a double-sided reputation as a "woman's director." While the label celebrated his ability to help actresses deliver their best performances, the epithet also branded the gay director as suitable only for work on female-centered movies such as melodramas and romantic comedies. Desperate for success after a failed drag film nearly ended his career, Cukor swore to work within Hollywood's constraints. Nevertheless, What Price Hollywood? Gender and Sex in the Films of George Cukor finds that Cukor continued to explore gender and sexuality on-screen. Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor's award-winning films—titles including My Fair Lady and The Philadelphia Story—as well as his lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, What Price Hollywood? tells the story of a once-in-a-generation director who produced some of the best films in history.
A Foreign Affair
Author: Gerd Gemünden
Publisher: Berghahn Books
Published: 2008
Total Pages: 214
ISBN-13: 9781845454180
DOWNLOAD EBOOKWith six Academy Awards, Billy Wilder counts as one of the most accomplished filmmakers to work in Hollywood. Yet how American is Billy Wilder, the Jewish emigre from Central Europe? This work projects Wilder as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture.
