An overview of US fiction since 1940 that explores the history of literary forms, the history of narrative forms, the history of the book, the history of media, and the history of higher education in the United States.
Besides the groundbreaking novels and stories that brought him fame, William Faulkner throughout his life wrote letters—to his publisher, his lovers, his family, and his friends. In this first major study of epistolarity in Faulkner's work, James G. Watson examines Faulkner's personal correspondence as a unique second canon of writing, separate from his literary canon with its many fictional letters but developing along parallel lines. By describing the similarity of forms and conventions in Faulkner's personal and fictional correspondence, Watson clearly demonstrates that Faulkner's personal experience as a writer of letters significantly shaped his imaginative work early and late. Letters are always about themselves; they re-create a world between the sender and the receiver. In this illuminating study, Faulkner's personal letters are treated as a form of reflexive writing: first-person narratives in which Sender self-consciously portrays Self to a specific Receiver, likewise portrayed in the letter-text. This duality of actual experience and imaginative re-creation measures the personal distances between the life of the writer and the written self-image. It reveals that letters are at once fragments of autobiography and fictions of self. Such "laws of letters" apply equally to the letters that appear throughout Faulkner's novels and stories. The twenty-one letters and telegrams in The Sound and the Fury, for example, portray character, propel plot, and convey important themes of failed communication and broken identity. From Soldiers' Pay to his last work, Faulkner's carefully lettered canon of fiction is dramatic evidence of his understanding of epistolarity and of the extent to which he adapted letters, including some of his own, to shape his fictional world.
This collection reviews what has been categorized as the 'good' and the 'bad' of Steinbeck's short novels, looking beyond the careless labeling that has characterized a great deal of commentary on Steinbeck's writing to the true strengths and weaknesses of the works.
Celebrates the American writer who in his works confronted and explored the social fabric of the United States in the early 20th century. More than 500 entries include synopses of his novels, short stories, and nonfiction; descriptions of his characters, details about family, friends, and associates.
This volume presents nine authors awarded both the Pulitzer Prize and the Nobel Prize for Literature. In addition to biographical sketches of each laureate, emphasis is given to the decision making processes by juries for the Pulitzer awards in New York as well as the discussions within the Nobel Prize committees in Stockholm. Main parts of the Nobel Lectures by the recipients follow, and each winner is characterized by one of his most important works, including a content synopsis and style samples. Necessary background materials came from the Pulitzer Prize Archive at Columbia University, New York, and the Nobel Prize Archive of the Swedish Academy, Stockholm.