La obra podría llamarse, "expresiones, sentires, enfoques, puntos de vista", intrascendentes, quizás, pero necesariamente humanos. Siguiendo a Borges, podríamos decir que son "cuentos según la expectativa del lector". Si el lector no se acerca a ellos esperando leer cuentos, pues no lo son. Son, simplemente, rasgos de vida humana objetivada, reflejos de experiencias propias o ajenas, pues también de las experiencias de otros aprendemos y vivimos. Momentos de lo humano a los que (dijo Terencio), no podemos ser ajenos, meras salidas espontáneas de las flores, de las espinas, de los abrojos y de las piedras que llevamos por dentro... No pretendemos ser el "espejo que anda por el camino", sino mostrar el camino para que el espejo del lector lo perciba y lo interprete a su manera, conforme a su propia luz...
Traditional stories from the northern Colombian coast, in both English and Spanish. These twenty-one animal tales from the Colombian Caribbean coast represent a sampling of the traditional stories that are told during all-night funerary wakes. The tales are told in the semi-sacred space of the patio (backyard) of homes as part of the funerary ritual that includes other aesthetic and expressive practices such as jokes, song games, board games, and prayer. In this volume these stories are situated within their performance contexts and represent a highly ritualized corpus of oral knowledge that for centuries has been preserved and cultivated by African-descendant populations in the Americas. Ethnomusicologist George List collected these tales throughout his decades-long fieldwork among the rural costeños, a chiefly African-descendent population, in the mid-twentieth century and, with the help of a research team, transcribed and translated them into English before his death in 2008. In this volume, John Holmes McDowell and Juan Sebastián Rojas E. have worked to bring this previously unpublished manuscript to light, providing commentary on the transcriptions and translations, additional cultural context through a new introduction, and further typological and cultural analysis by Hasan M. El-Shamy. Supplementing the transcribed and translated texts are links to the original Spanish recordings of the stories, allowing readers to follow along and experience the traditional telling of the tales for themselves.
Sarah H. Beckjord’s Territories of History explores the vigorous but largely unacknowledged spirit of reflection, debate, and experimentation present in foundational Spanish American writing. In historical works by writers such as Gonzalo Fernández de Oviedo, Bartolomé de Las Casas, and Bernal Díaz del Castillo, Beckjord argues, the authors were not only informed by the spirit of inquiry present in the humanist tradition but also drew heavily from their encounters with New World peoples. More specifically, their attempts to distinguish superstition and magic from science and religion in the New World significantly influenced the aforementioned chroniclers, who increasingly directed their insights away from the description of native peoples and toward a reflection on the nature of truth, rhetoric, and fiction in writing history. Due to a convergence of often contradictory information from a variety of sources—eyewitness accounts, historiography, imaginative literature, as well as broader philosophical and theological influences—categorizing historical texts from this period poses no easy task, but Beckjord sifts through the information in an effective, logical manner. At the heart of Beckjord’s study, though, is a fundamental philosophical problem: the slippery nature of truth—especially when dictated by stories. Territories of History engages both a body of emerging scholarship on early modern epistemology and empiricism and recent developments in narrative theory to illuminate the importance of these colonial authors’ critical insights. In highlighting the parallels between the sixteenth-century debates and poststructuralist approaches to the study of history, Beckjord uncovers an important legacy of the Hispanic intellectual tradition and updates the study of colonial historiography in view of recent discussions of narrative theory.
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
This volume features approximately 600 entries that represent the major writers, literary schools, and cultural movements in the history of Mexican literature. A collaborative effort by American, Mexican, and Hispanic scholars, the text contains bibliographical, biographical, and critical material--placing each work cited within its cultural and historical framework. Intended to enrich the English-speaking public's appreciation of the rich diversity of Mexican literature, works are selected on the basis of their contribution toward an understanding of this unique artistry. The dictionary contains entries keyed by author and works, the length of each entry determined by the relative significance of the writer or movement being discussed. Each biographical entry identifies the author's literary contribution by including facts about his or her life and works, a chronological list of works, a supplementary bibliography, and, when appropriate, critical notes. Authors are listed alphabetically and cross-referenced both within the text and the index to facilitate easy access to information. Selected bibliographical entries are also listed alphabetically by author and include both the original title and English translation, publisher, date and place of publication, and number of pages.
Este libro contiene 70 cuentos de 10 autores clásicos, premiados y notables. Los cuentos fueron cuidadosamente seleccionados por el crítico August Nemo, en una colección que encantará a los amantes de la literatura. Para lo mejor de la literatura mundial, asegúrese de consultar los otros libros de Tacet Books. Este libro contiene: Rabindranath Tagore: - El héroe. - La patria del proscrito. - Nubes y olas. - El cortejo invisible. - El fin. - La ladrona del sueño. - BendiciónAlexander Puchkin: - La Dama de Espadas. - El pescador y el pez dorado. - El jefe de posta. - El fabricante de ataúdes. - El disparo memorable. - La tempestad de nieve. - La zarevna muerta y los siete guerreros.Katherine Mansfield: - Las hijas del difunto coronel. - La mosca. - Felicidad. - Fiesta en el jardín. - Vida de Ma Parker. - Sopla el viento. - La señorita BrillJack London: - El silencio blanco. - Encender una hoguera. - Odisea en el norte. - El diente de ballena. - Amor a la vida. - Un buen bistec. - El pagano.Alejandro Dumas: - Deseo y posesión. - La Dama Negra. - Historia de un muerto contada por él mismo. - Las tumbas de Saint Denis. - Los caballeros templarios. - Un alma por nacer. - Lo que es ignorar la lengua del país.Virginia Woolf: - El vestido nuevo - Un resumen - El cuarteto de cuerdas - El foco - La casa encantada - La duquesa y el joyero - Lunes o martesF. Scott Fitzgerald: - Berenice se corta el pelo - Diamante Dick y el primer derecho de la mujer - El diamante tan grande como el Ritz - La tarde de un escritor - Último beso - Uno de mis más viejos amigos - Volver a BabiloniaRudyard Kipling: - El Hombre que pudo reinar - El gato que caminaba solo - El jardineiro - El judío errante - Georgie Porgie - La Casa de los Deseos - Rikki tikki taviJosé Enrique Rodó: - Cuento simbólico - El monje Teótimo - Hylas - Peer Gynt - Ariel - Mi retablo de Navidad - La inscripción del Faro de AlejandríaFelisberto Hernández: - Cartas a los muertos. - El acomodador. - La envenenada. - Muebles "El canario". - Nadie encendía las lámparas. - Elsa. - El corazón verde.
El ciclo de fa!bulas de animales del "e;Panchatantra"e;, compilado en sa!nscrito hace casi dos mil aaAos, reaAne los relatos hindaAes ma!s difundidos a lo largo de los siglos por todo el mundo, desde China hasta EtiopaA-a. "e;Kalila y Dimna"e; forma parte del ciclo de fa!bulas de animales del "e;Panchatantra"e;, y es sin duda una de las obras ma!s populares de la literatura universal. En Europa circulaA traducida del a!rabe, a partir del siglo XIII, y su influencia va desde Ramon Llull, Chaucer, Boccacio o Cervantes hasta La Fontaine. Esta formidable versiaAn de Ramsay Wood no saAlo moderniza los antiguos relatos Acomo antaaAo hicieron las traducciones medievalesA, sino que combina las principales versiones del sa!nscrito, el persa, el a!rabe e incluso el inglaA(c)s antiguo. Narradas por Wood A--y magnaA-ficamente ilustradas--A, las fa!bulas del sabio Bidpai recobran los brillantes colores de los tapices hindaAes y se nos revelan de nuevo como una obra maestra: el jovial relato de las aventuras de animales nobles a veces, paA-caros a menudo, pero siempre esponta!neos, nos devuelve la imagen de las pasiones humanas en toda su ambivalencia."e;Una obra que se nos presenta limpia de polvo arqueolaAgico, en un sabroso castellano contempora!neo (gran versiaAn de Nicole d'Amonville AlegraA-a), que a su vez trabaja sobre una modaA(c)lica traducciaAn moderna inglesa. AQuaA(c) nos maravilla hoy mismo en tan remoto libro? Su fresca fantasaA-a, la sabiduraA-a moral que esconde, la juguetona astucia con que cuenta los avatares de leopardos cornejas, camellos o chinches, y la condiciaAn oral que procura siempre mantener, y que permite que el argumento ofrezca deliciosos quiebros y sorpresas"e; Carles Barba, La Vanguardia Culturas
