Once in a while somebody steps out of line and decides to live their life in a completely different way to the norm. Yoga teacher Hilary Carter is such a person. When numbers and number patterns (especially the time prompt 11:11) began to appear in her everyday life she decided to see what would happen if she used the numbers as signs and followed them. Read what happens as Hilary is led by these number signs to a ruined convent in the heart of Unesco-protected prehistoric France. Why had she been guided to buy it? What was the reason for her being in the Dordogne region of France? She travels to Canada, USA, Mexico, Turkey and the Ashrams of India in search of answers. All the time the numbers talk to her and guide her on her way. ,
Often seen as geographically marginal and of limited research interest to archaeologists, the Jornada Mogollon region of the southwestern United States and northern Mexico deserves broader attention. Late Prehistoric Hunter-Gatherers and Farmers of the Jornada Mogollon presents the major issues being addressed in Jornada research and reveals the complex, dynamic nature of Jornada prehistory. The Jornada branch of the Mogollon culture and its inhabitants played a significant economic, political, and social role at multiple scales. This volume draws together results from recent large-scale CRM work that has amassed among the largest data sets in the Southwest with up-to-date chronological, architectural, faunal, ceramic, obsidian sourcing, and other specialized studies. Chapters by some of the most active researchers in the area address topics that reach beyond the American Southwest, such as mobility, forager adaptations, the transition to farming, responses to environmental challenges, and patterns of social interaction. Late Prehistoric Hunter-Gatherers and Farmers of the Jornada Mogollon is an up-to-date summary of the major developments in the region and their implications for Southwest archaeology in particular and anthropological archaeological research more generally. The publication of this book is supported in part by the Arizona Archaeological and Historical Society and the Center for Material Culture Studies at the University of Delaware. Contributors: Rafael Cruz Antillón, Douglas H. M. Boggess, Peter C. Condon, Linda Scott Cummings, Moira Ernst, Tim Graves, David V. Hill, Nancy A. Kenmotsu, Shaun M. Lynch, Arthur C. MacWilliams, Mary Malainey, Timothy D. Maxwell, Myles R. Miller, John Montgomery, Jim A. Railey, Thomas R. Rocek, Matt Swanson, Christopher A. Turnbow, Javier Vasquez, Regge N. Wiseman, Chad L. Yost
"Nancy Pickard pushes at the presumed limits of [crime fiction]" said the Los Angeles Times Book Review, praising the award-winning creator of the Jenny Cain mysteries. Now, Pickard blurs the line between fiction and reality in a novel of gripping intensity, and premieres a superb new heroine: true-crime author Marie Lightfoot. For her next surefire bestseller, Marie is covering the trial of a Florida killer -- a case that penetrates her own life, layer by disturbing layer. Whether real like Ted Bundy, or imagined like Hannibal Lecter, few killers of our time are in the same league as Raymond Raintree. And as he stands flanked by lawyers in a Florida courtroom, waiting to be convicted for the murder of Natalie Mae McCullen, Marie Lightfoot is taking it all in. A small, gutsy blonde renowned for her true-crime bestsellers, Marie knows the graphic and disturbing case will make her best book yet -- because Raintree's shocking crime, vile beyond imagining, is also impossible to turn away from. But there is something about the case -- and Raintree's involvement -- that bothers her. No one knows where Raintree, a man as slight and immature as a preteen boy, took Natalie after he abducted her. No one knows how Natalie -- bright, independent, and with no fear of the dark -- could be lured into a stranger's boat on a lonely waterway. And only one witness saw a man who may have been Raintree motoring along in a water taxi on the night Natalie disappeared. Even if the police can't provide answers, Marie intends to leave no loose ends. Starting with a prison meeting with Raintree, the steely-nerved writer follows a twisted path that leads to Natalie's parents, to a coincidence that doesn't quite gel, and to a place she has resisted all her life: the dark recesses of her own soul, where she hides the secrets of her own lost past. When Raymond escapes, Marie -- a curious contradiction of celebrity author and introspective loner -- becomes a sitting duck for a killer who just might be smart enough to outwit her. And evil enough to take her to hell before she dies. A masterpiece of psychological suspense, The Whole Truth is a compelling look at our fascination with the horrific crimes of our time. Nancy Pickard's characters are as close to flesh and blood as fiction can get -- and her writing is as close to perfection.
Soul Songs, is an Anthology of Poems. An inspirational journey, within the flames of freedom. In depth, voice of appreciation, celebration and communication for and of life; within itself for a purpose, that has the benefits for a free society. With humility extending itself, from the perspective of a brain tumor survivor. Written as a profound testimony in Poetry. A vine of natural energy. An optimistic and vivid branch of hope. That continues on a journey, of faith and strength. Within an atmosphere of positive possibilities, and bountiful blessings from the Creator of the universe. A force of believing within, that created Soul Songs as a priceless jewel. That comprehends the human nature, for survival.
Poetry cast in mind things learned, remembered or instructional experiences. Sometimes poetry is developed by a product of necessity. This is where I am at, “I have to write”. A developed analytical mind assists the muse of perceptions to grasp those witty lines fleeting through the mind. Moving verse poetry draws on exposure to many stories, “…therefore, creating accurate, yet whimsical imagery anchored in memory and nearby conversations made public” (COT 28/06/2023). It is a great responsibility to have a way with words. So, we have to ask ourselves: “Where are my words leading people to; and Who do I want following me”. I give God the glory.
