Rex wants to honk the horn of his shiny dino-car—to warn the speeding driver to slow down, to say hello to a friend, and to reprimand a litterbug. All bad reasons. "No honking allowed," says his friend Stego. When Rex finally comes up with a good reason to honk his horn, there’s no stopping him! Children will enjoy the rhyming text and high-energy art, and will sympathize with Rex’s halfhearted attempts at self-regulation.
Kate and Lucie are best friends. Kate is neat and Lucie is messy. Kate wakes up early and Lucie loves to sleep in. But both girls love, love, love dogs! Unfortunately, Kate and Lucie live in apartments where dogs are not allowed. Instead of real dogs, they have dog T-shirts, dog sheets and pajamas, and dog books. But nothing is quite the same as having a real dog. One day, the girls discover sparkly pink dog necklaces at the thrift store and try them on. But when they admire themselves in the mirror and give each other high fives, there is a pop and a whoosh and the girls are turned into dogs! Now it seems like Kate and Lucie won't need their own pet dogs . . . because they'll be having furry adventures of their own!
Honk Honk! Beep Beep! Father and child rise early for a trip to watch the sunrise on the mountaintop. Along the way they meet many friendly faces, some headed the same direction, and others in their own vehicles-big rigs, bulldozers and trains--with their own places to go and things to do. Nothing beats the start of a brand new day, especially when there are many vehicles to spot along the way. With a simple, playful text and boldly colored, toy-like illustrations, Daniel Kirk captures the fun of a special drive.
Driving is a fact of life. We are all spending more and more time on the road, and traffic is an issue we face everyday. This book will make you think about it in a whole new light. We have always had a passion for cars and driving. Now Traffic offers us an exceptionally rich understanding of that passion. Vanderbilt explains why traffic jams form, outlines the unintended consequences of our attempts to engineer safety and even identifies the most common mistakes drivers make in parking lots. Based on exhaustive research and interviews with driving experts and traffic officials around the globe, Traffic gets under the hood of the quotidian activity of driving to uncover the surprisingly complex web of physical, psychological and technical factors that explain how traffic works.
Caney Paxton wanted his cafe to have the biggest and brightest sign in Eastern Oklahoma-the "opening soon" part was supposed to be just a removable, painted notice. But a fateful misunderstanding gave Vietnam vet Caney the flashiest joke in the entire state. Twelve years later, the once-busy highway is dead and the sign is as worn as Caney, who hasn't ventured outside the diner since it opened. Then one blustery December day, a thirtyish Crow woman blows in with a three-legged dog in her arms and a long-buried secret on her mind. Hiring on as a carhop, Vena Takes Horse is soon shaking up business, the locals, and Caney's heart...as she teaches them all about generosity of spirit, love, and the possibility of promise-just like the sign says.
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
This book proposes a bold idea. Living beings are distinguishing distinctions. Single cells and multicellular organisms maintain themselves distinct by drawing distinctions. This is what organisms are and what they do. From this starting point, key issues examined range across ontology, epistemology, phenomenology, logic, and ethics. Topics discussed include the origin of life, the nature and purpose of biology, the relation between life and logic, the nature and limits of formal logic, the nature of subjects, the subject-object relation, subject-subject relationships and the deep roots of ethics. The book provides a radical new foundation to think about philosophy and biology and appeals to researchers and students in these fields. It powerfully debunks mechanical thinking about living beings and shows the vast reservoir of insights into aliveness available in the arts and humanities.