Open up your mind, and make playing piano a no-brainer! Start with the basics, like sitting at the piano, and then move on to playing folk, rock, blues, classical, and other styles. In addition to reading sheet music, you will learn to improvise and solo over great play-along tracks. With this book, you won't just learn to play piano, you'll learn about playing in a band.
Continuing the incredible popularity of Alfred's Basic Adult Piano Course, this new book adapts the same friendly and informative style for adults who wish to teach themselves. With the study guide pages that have been added to introduce the music, it's almost like having a piano teacher beside you as you learn the skills needed to perform popular and familiar music. There are also five bonus pieces: At Last * Have Yourself a Merry Little Christmas * Laura * Over the Rainbow * Singin' in the Rain. Included is a recording containing the piano part and an engaging arrangement for each of the 65 musical examples. 192 pages.
You don't have to wait until your child begins school to start learning the piano – preschoolers can learn too! Jingle bells, Itsy Bitsy Spider and Mary had a little lamb, are just some of the tunes your preschooler will learn to play using correct fingering for both hands, following a color/number system. The method is so simple, that piano teachers who have avoided teaching preschoolers in the past, no longer have to. With brightly colored notes, fun illustrations and lively accompaniment tracks, teachers love Piano In Color just as much as preschoolers do.Even parents with no musical knowledge will find that the Piano In Color books provide the information you need to introduce your preschooler to the piano. And some parents have even been known to start learning Piano In Color for themselves!
Fifty years after the Grateful Dead was formed, the band still exerts a powerful influence over hundreds of thousands of fans around the world. Today, an entire generation of Deadheads who have never experienced a live Dead show are still drawn to the music and the complex and colorful subculture that has grown up around it. In This Is All a Dream We Dreamed, Blair Jackson and David Gans, two of the most well-respected chroniclers of the Dead, reveal the band's story through the words of its members and their creative collaborators, as well as a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Woven into this musical saga is an examination of the subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. The book traces the band's evolution from its folk/bluegrass beginnings through the Jug Band craze, an early incarnation as Rolling Stones wannabes, feral psychedelic warriors, the Americana jam band that blazed through the '70s, to the shockingly popular but still iconoclastic stadium-filling band of later years. The Dead broke every rule of the music business along the way, taking risks and venturing into new territory as they fused inspired ideas and techniques with intuition and fearlessness to create a sound-and a business model-unlike anything heard and seen before.
This book begins with an extensive review of the chords and keys previously studied, using fresh and interesting material that will provide enjoyment as well as reinforcement. Particularly noteworthy is the systematic presentation of chords in all positions in both hands. Titles: America the Beautiful * Arkansas Traveler * The Battle Hymn of the Republic * Black is the Color of My True Love's Hair * Brahms Lullaby * Canon in D (Pachelbel) * Deep River * Down in the Valley * Farewell to Thee (Aloha Oe) * Fascination * A Festive Rondeau * Frankie and Johnnie * The Hokey-Pokey * The House of the Rising Sun * Introduction and Dance * La Cucaracha * La Donna E Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road * The Marriage of Figaro * Morning Has Broken * Musetta's Waltz * Musette * Night Song * Nobody Knows the Trouble I've Seen * Polyvetsian Dances * Pomp and Circumstance No. 1 * The Riddle * Rock-a My Soul * Roman Holiday * Sakura * Scherzo * Space Shuttle Blues * Swingin' Sevenths * Theme from Symphony No. 6 (Tchaikovsky) * Tumbalalaika * Village Dance * Waves of the Danube * When Johnny Comes Marching Home * You're in My Heart
As he did in his acclaimed '77: Denver, the Broncos, and a Coming of Age and his earlier nonfiction works, Terry Frei combines reporting, historical research, memoir, and opinion, discussing his varied experiences and the diverse characters-including John and Jack Elway, plus 2010 Pro Football Hall of Fame inductees Jerry Rice and Emmitt Smith-he has encountered in covering Colorado, national, and international sports since he was a green sportswriter in the era of '77. Those diverse figures include Olympic heroes, Hall of Famers, world boxing champions, and other marquee athletes. He also displays his knack for narrative and inquisitive journalism, introducing readers to intriguing figures and taking them behind the scenes of some very high-profile events and settings. All this follows a blunt and unsparing assessment of the modern newspaper and sports journalism.
Jazz could not contain Fred Hersch. Hersch’s prodigious talent as a sideman—a pianist who played with the giants of the twentieth century in the autumn of their careers, including Art Farmer and Joe Henderson—blossomed further in the eighties and beyond into a compositional genius that defied the boundaries of bop, sweeping in elements of pop, classical, and folk to create a wholly new music. Good Things Happen Slowly is his memoir. It’s the story of the first openly gay, HIV-positive jazz player; a deep look into the cloistered jazz culture that made such a status both transgressive and groundbreaking; and a profound exploration of how Hersch’s two-month-long coma in 2007 led to his creating some of the finest, most direct, and most emotionally compelling music of his career. Remarkable, and at times lyrical, Good Things Happen Slowly is an evocation of the twilight of Post-Stonewall New York, and a powerfully brave narrative of illness, recovery, music, creativity, and the glorious reward of finally becoming oneself.