Presents the historical context behind the 19th-century's artistic movements, including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting , Academic Painting, and Impressionist Painting.
This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.
In the nineteenth century, it became highly fashionable for aristocratic and upper-class homeowners in Europe to commission watercolor paintings of their domestic interiors and to collect them in albums to be passed on to children, given as gifts to visiting royalty, and displayed in drawing rooms. House Proud commemorates the recent gift of a group of eighty-five nineteenth-century watercolor interior drawings - the largest collection of its kind in America - to Cooper-Hewitt, National Design Museum by Eugene V. and Clare E. Thaw. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of home. AUTHOR: Gail S. Davidson, Ph.D., is curator and head of drawings, prints, and graphic design department at Cooper-Hewitt, National Design Museum. Her published articles and books include Rococo: The Contining Curve, 1730-2008 and Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape. Floramae McCarron-Cates is associate curator of the drawongs, prints, and graphic design department at Cooper-Hewitt National Design Museum. She is the co-author of Frederic Church, Winslow Homwe, and Thomas Moran: Tourism and the American Landscape. Charlotte Gere is a nineteenth-century decorative arts specialist who has pbulished numerous scholarly books and articles on a wide variety of subjects, including Nineteenth-Century Design from Pugin to Mackintosh, An Album of 19th-century Interiors, The House Beautiful, and Shock of the Old: Christopher Dresser. ILLUSTRATIONS 125 images
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
This new revised edition of an established survey of 19th century European painting from David through Cézanne includes new chapters with fifteen new illustrations on four notable women artists-- Angelika Kauffmann, Elizabeth Vigée-Lebrun, Berthe Morisot, and Mary Cassatt. This edition also contains further text revisions and updates to the bibliographies. The focus of 19th Century European Painting remains on the important artists and movements of the period with chapters on each artist's life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time.Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered and the following artists receive substantial monographic treatment: David and his followers, Goya, Ingres, Géricault, Delacroix, Corot, Courbet, Millet and the Barbizon painters, Manet, Monet, Degas, Renoir, Sisley, Pissarro, and Cézanne. There are 435 illustrations, suggested readings and references, and an index..