Horror anthology comics of ghost, spooks, specters, along with other monsters and creatures that gave us nightmares...Filled with high quality chilling stories and amazing artworks.
A Best Book of 2022 by the New York Public Library • One of the Best SFF Books of 2022 (Gizmodo) • One of the Best SF Mysteries of 2022 (CrimeReads) • A GoodReads Choice Award finalist for Best Science Fiction! Titanic meets Event Horizon in this SF horror novel in which a woman and her crew board a decades-lost luxury cruiser and find the wreckage of a nightmare that hasn't yet ended. Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate. What they find is shocking: the Aurora, a famous luxury spaceliner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick search of the ship reveals something isn’t right. Whispers in the dark. Flickers of movement. Messages scrawled in blood. Claire must fight to hold on to her sanity and find out what really happened on the Aurora before she and her crew meet the same ghastly fate. "Truly un-put-downable in its purest sense.” Chloe Gong, #1 New York Times bestselling author of These Violent Delights At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Emma can't believe her luck when her phone mysteriously reappears after she dropped it in the ocean. She thought she'd lost her vacation pictures forever! But when Emma returns home, her phone starts flashing strange underwater images and receiving calls with no sound but crashing waves. Turns out Emma didn't just bring back souvenirs from the beach, but a spirit who is tired of swimming alone . . . In this Scary Graphics tale, easy-to-read text and eerie, full-color art combine to deliver just-right scares for kids who crave chills and thrills.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Collects Ghost Rider (2022) #1-5. Ghost Rider goes back to flaming-skulled basics! Johnny Blaze is in a haze. He has the perfect life: idyllic small town, wife and kids, dog - the American dream. Except for the nightmares. Blaze is having terrifying visions and has a constant, pounding headache - like something inside is trying to get out. This world he's living in is too good to be true. In fact, it's more like a prison. But who would purposely be keeping the Spirit of Vengeance on the sidelines - and how? Meanwhile, the FBI has recently discovered a frightening and unexplained surge in supernatural activity. And that can mean only one thing: It's time for Blaze to hit the dark roads of the Marvel Universe once more, confronting its monsters and battling his demons. Let's ride!
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.
Howard Nostrand's brilliant horror comics art was done during the height of the criticism against comics that resulted in government investigations and the Comics Code. Nostrand's style was an incredibly skilled, perfect mashup of the EC artists Wally Wood and Jack Davis. Nostrand assisted Bob Powell (the subject of the popular book Bob Powell's Terror), but these comics are pure Nostrand, the very best of his fearsome comics! Like Powell, Nostrand could be as innovative as Will Eisner, another influence on the artist. Featuring five stories painstakingly reproduced from rare, original art, Nostrand's Nightmares includes a profusely illustrated Introduction by Eisner-winner Craig Yoe.
Hungry Ghosts is cooked up by the best selling author and veteran chef, Anthony Bourdain (Kitchen Confidential, Emmy-Award winning TV star of Parts Unknown) and acclaimed novelist Joel Rose (Kill, Kill, Faster, Faster) back again from their New York Times #1 best seller, Get Jiro!. Featuring real recipes cooked up by Bourdain himself, this horror anthology is sure to please--and scare! On a dark, haunted night, a Russian Oligarch dares a circle of international chefs to play the samurai game of 100 Candles--where each storyteller tells a terrifying tale of ghosts, demons and unspeakable beings--and prays to survive the challenge. Inspired by the Japanese Edo period game of Hyakumonogatari Kaidankai, Hungry Ghosts reimagines the classic stories of yokai, yorei, and obake, all tainted with the common thread of food. Including stellar artists Sebastian Cabrol, Vanesa Del Rey, Francesco Francavilla, Irene Koh, Leo Manco, Alberto Ponticelli, Paul Pope, and Mateus Santolouco as well as amazing color by Jose Villarrubia, a drop-dead cover by Paul Pope.
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