Someone has stolen Patrick Balfour's identity. A successful headmaster of a London school, a regular broadcaster and a writer of historical novels, as well as having a fairly spicy private life, Balfour is the object of some unsurprising envy. Yet who would be so malicious as to commit identity fraud and frame Patrick as a thief and a paedophile, using his national insurance number and impersonating his handwriting? As Patrick is teased by a series of letters, it becomes apparent that his adversary is certainly better-read than him and he is sent off on a tense literary chase, picking up clues from Kafka's The Trial to R L Stevenson and to Joseph Clark, a 17th Century contortionist. Patrick's morale begins to collapse - the police don't believe him and his daughter rejects him. Desperate, he decides he must pursue his pursuer.
NEW YORK TIMES BESTSELLER • Jane Hawk’s one-woman war comes to an explosive climax as the rogue FBI agent gambles everything against a terrifying conspiracy, for vengeance, for justice, and for humanity’s freedom—from the author of The Silent Corner. “Jane Hawk is arguably the best character Koontz has created. . . . Simply put, wow.”—Associated Press A visionary young filmmaker hunted for sport across a vast Colorado ranch by the celebrated billionaire at the heart of a monstrous cabal . . . A brilliant computer hacker slipping through top-secret databases a whisper ahead of security trackers, gathering the facts to fight the all-powerful perpetrators of mass murder . . . A pair of brutal operators, methodically shadowing their targets with every cutting-edge tool in the arsenal of today’s surveillance state . . . A sequence of quiet heroes—everyday citizens—stepping up, stepping forward, intent on countering the advancing darkness . . . A Vegas mob boss teamed with a homicidal sociopath, circling a beloved boy and his protectors, aiming to secure him as leverage against his fugitive mother . . . And that fugitive mother herself, ex-agent Jane Hawk, closing in on the malevolent architects of ruin she has stalked as they stalk her, prepared to sacrifice herself to finally bring them down. These are the people and circumstances of The Night Window, the thrilling new novel in Dean Koontz’s acclaimed Jane Hawk series. Replete—and then some—with the ingenious twists, the spellbinding action, the resonant themes, the sheer heart that have characterized Jane’s journey from the start, The Night Window follows its extraordinary heroine to her long-sought objective, in a stunning, unforgettable finale. Don’t miss any of Dean Koontz’s gripping Jane Hawk thrillers: THE SILENT CORNER • THE WHISPERING ROOM • THE CROOKED STAIRCASE • THE FORBIDDEN DOOR • THE NIGHT WINDOW “The spectacular finale to Jane’s story . . . will hit series fans with all the impact of a carefully calibrated hammer blow.”—Booklist (starred review) “The best installment in the series since the first . . . [Koontz] revs it up with entertaining encounters and offbeat humor.”—Kirkus Reviews
“This evocative portrait elevates an everyday routine to a wonder-filled walk of discovery.”— School Library Journal (starred review) Before your city goes to sleep, you might head out for a walk into the almost-night, your dog at your side. Anything can happen on such a walk. And as you go down your street and around the corner, the windows around you light up one by one until you are walking through a maze of paper lanterns, each one granting you a brief, glowing snapshot of your neighbors as families come together and folks settle in for the night. In this American Library Association Notable Children’s Book, now in paperback, Julia Denos and E. B. Goodale have created a setting that feels both specific and universal. Through lyrical text and welcoming illustrations, they convey not only the idea of home and the magic of curiosity, but also how a sense of love and belonging is something to which every child is entitled.
The poems in Derek Henderson’s Songs are “translations” of a film cycle of the same name, shot by American filmmaker Stan Brakhage (1933–2003) to document his and his family’s life in Colorado in the mid-1960s. Where Brakhage’s films provide a subjective visual record of his experience bewildered by the eye, these poems let language bewilder the space a reader enters through the ear. Henderson tenders the visual experience of Brakhage’s films—films of the domestic and the wild, the private and political, the local and global—into language that insists on the ultimate incapacity of language—or of image—to fully document the comfort and the violence of intimacy. Songs expresses the ecstasy we so often experience in the company of family, but it just as urgently attests to ecstasy’s turbulent threat to family’s stability. Like Brakhage’s films, Henderson’s poems carry across into language and find family in every moment, even the broken ones, all of them abounding in hope.
Homecoming, haunting, nostalgia, desire: these are some of the themes evoked by the beguiling motif of the lighted window in literature and art. In this innovative combination of place-writing, memoir and cultural study, Peter Davidson takes us on atmospheric walks through nocturnal cities in Britain, Europe and North America, and revisits the field paths of rural England.Surveying a wide range of material, the book extends, chronologically, from early romantic painting to contemporary fiction, and geographically, from the Low Countries to Japan. It features familiar lighted windows in English literature (in the works of poets such as Thomas Hardy and Matthew Arnold and in the novels of Virginia Woolf, Arthur Conan Doyle and Kenneth Grahame) and examines the painted nocturnes of James Whistler, John Atkinson Grimshaw and the ruralist Samuel Palmer. It also considers Japanese prints of the nineteenth and twentieth centuries; German romanticism in painting, poetry and music; Proust and the painters of the French belle époque; René Magritte's 'L'Empire des Lumières'; and North American painters such as Edward Hopper and Linden Frederick. By interpreting the interactions of art, literature and geography around this evocative motif, Peter Davidson shows how it has inspired an extraordinary variety of moods and ideas, from the romantic period to the present day.
