Written by two practitioner-academics (who between them have more than fifty years of news industry experience), News Values analyses the shape of the news industry - a world of rolling news and multimedia platforms, and a world where broadcast news is increasingly considered another element of show business. Detailed chapters include critiques of existing theories, close study of the newspaper, radio, television and internet news channels, plus informative chapters on the many factors that shape the news we read, watch and hear including the role of the citizen journalist, user-generated content, spin doctors, and the new wave of press barons. Further chapters provide detailed analysis of the way in which the same story is treated across different media channels, and how journalists and editors work to keep breathing new life into rolling news stories.
This book focuses on journalistic news values from an audience perspective. The audience influences what is deemed newsworthy by journalists, not only because journalists tell their stories with a specific audience in mind, but increasingly because the interaction of the audience with the news can be measured extensively in digital journalism and because members of the audience have a say in which stories will be told. The first section considers how thinking about news values has evolved over the last fifty years and puts news values in a broader perspective by looking at news consumers’ preferences in different countries worldwide. The second section analyses audience response, explaining how audience appreciation and ‘clicking’ behaviour informs headline choices and is measured by algorithms. Section three explores how audiences contribute to the creation of news content and discusses mainstream media’s practice of recycling audience contributions on their own social media channels.
The Discourse of News Values breaks new ground in multimodal news discourse, offering the first book-length treatment of the discursive analysis of news values and the construction of newsworthiness. The book explores how the news is "sold" (made newsworthy) to audiences through the semiotic resources of language and image, providing a new analytical framework which can be used by other researchers in their own subsequent studies.
Collection of essays in which the author, president and publisher of the Chicago Tribune, discusses what he understands to be the underlying public values a newspaper serves and the implications of those values.
Collection of essays in which the author, president and publisher of the Chicago Tribune, discusses what he understands to be the underlying public values a newspaper serves and the implications of those values.
The Discourse of News Values breaks new ground in news media research in offering the first book-length treatment of the discursive construction of news values through words and images. Monika Bednarek and Helen Caple combine in-depth theoretical discussion with detailed empirical analysis to introduce their innovative analytical framework: discursive news values analysis (DNVA). DNVA allows researchers to systematically investigate how reported events are "sold" to audiences as "news" (made newsworthy) through the semiotic resources of language and image. With an interdisciplinary and multi-methodological approach, The Discourse of News Values analyzes authentic news discourse (both language and images) from around the English-speaking world through three new case studies: one that analyzes newsworthiness around the topic of cycling/cyclists; another that analyzes news values in images disseminated by news media organizations via Facebook; and a third that focuses on news values in "most shared" news items. Introducing readers to the possibilities of both DNVA and corpus-assisted multimodal discourse analysis (CAMDA), The Discourse of News Values brings together corpus linguistics and multimodal discourse analysis in a stimulating and unique book for researchers in Linguistics, Semiotics, Critical Discourse Analysis and Media/Journalism Studies.
In the 1960s and 70s the American press forged a new set of values. Threatened with obsolescence by the proliferation of new competitors, pressured to rectify their treatment of minorities and women, denounced as biased by both the left and the right, the country's leading news organizations made fundamental changes. They shifted from simply reporting the news to analyzing it. They adopted a more adversarial approach to those in power. They continued to strive for objectivity, but they did so in a way that left many outside their newsrooms (and many on the inside) deeply dissatisfied. In many ways they became more liberal. Powerful institutions like the New York Times and the Los Angeles Times--the two newspapers this book scrutinizes--transformed themselves, with major ramifications for the rest of the news media and for the country as a whole. On Press shows how these changes occurred, why they persisted for three decades after the 1970s, and why the media is reassessing long-held values once again in the Trump era.--
′Media and Crime is a thought-provoking and scholarly work written in a very lively style. It will be of interest to readers of SCHOLAG whether or not they have some knowledge of criminological theories.′ Jean McFadden, SCOLAG Journal `Criminologists and a bewildering array of other voices have commented on the relationship between media and crime on many occasions over many decades. Those of us who have worked and taught in this area have often sensed the lack of an authoritative, systematic and up to date text to which one could refer with confidence. Yvonne Jewkes has now given us that book and we are in her debt. Jewkes is one of the few who knows the fields of both media studies and criminology equally well. She writes with confidence, clarity, insight and style. Media and Crime does not just cover the debate, it moves it forward. This is a striking and admirable achievement. This book will be widely read and widely welcomed by students and by Jewkes′s academic peers′ - Professor Richard Sparks, University of Edinburgh `The book reviews key media and criminological debates against contemporary developments in the media and twenty-first century concerns about crime. More than that Media and Crime is intellectually provocative, lucid, astute and simply a good read′ - Dr Maggie Wykes, University of Sheffield `A thought-provoking critical analysis of how the mass media construct the issue of crime in the public realm. Clearly written and based on a wide-ranging review of research on crime and media it will be an invaluable source for students′ - Professor Robert Reiner, London School of Economics and Politcal Science `This book offers a vibrant and lucid guide to the constructions of crime in media culture, and the complex interactions between consumers and producers. Comprehensive and authoritatively written, Media and Crime should appear on all essential reading lists for students of criminology and media culture′ - Paul Mason, Southampton Institute * Why do only certain criminal events become thrust into the public sphere with sufficient vigour to shape public fears of victimization? * Why are some crimes sustained by sufficiently intense public outcry to become part of our cultural fabric, while other, almost identical incidents, fail to capture the collective imagination? * Why do some very serious crimes cast a much longer shadow than others, and some offenders take on an iconic evilness while others fade into quiet obscurity? This book points a critical spotlight on media constructions of crime and social control, developing our understanding of the relationship between media and crime, and taking existing knowledge in new directions. Media and Crime is an accessible text with a strong pedagogic purpose, making it an ideal introduction to the study of crime and the mass media for undergraduate and postgraduate students. The author interrogates the most important literature in the field as well as moving the debates forward with new ideas and values. Substantive topics of current interest are covered, including: * news reporting of crime * media constructions of children and women as victims and offenders * moral panics over paedophiles * the relationship between the media and the police * ′reality′ crime shows * surveillance and social control * new media. Chapter overviews, key terms, study questions and suggestions for further reading map the key issues in this vital and topical area of debate. The book is essential reading for students in a wide range of academic fields including criminology, media studies, sociology, gender studies and psychology.
Why was the discourse of family values so pivotal to the conservative and free-market revolution of the 1980s and why has it continued to exert such a profound influence on American political life? Why have free-market neoliberals so often made common cause with social conservatives on the question of family, despite their differences on all other issues? In this book, Melinda Cooper challenges the idea that neoliberalism privileges atomized individualism over familial solidarities, and contractual freedom over inherited status. Delving into the history of the American poor laws, she shows how the liberal ethos of personal responsibility was always undergirded by a wider imperative of family responsibility and how this investment in kinship obligations recurrently facilitated the working relationship between free-market liberals and social conservatives. Neoliberalism, she argues, must be understood as an effort to revive and extend the poor law tradition in the contemporary idiom of household debt. As neoliberal policymakers imposed cuts to health, education, and welfare budgets, they simultaneously identified the family as a wholesale alternative to the twentieth-century welfare state. And as the responsibility for deficit spending shifted from the state to the household, the private debt obligations of family were defined as foundational to socio-economic order. Despite their differences, neoliberals and social conservatives were in agreement that the bonds of family needed to be encouraged — and at the limit enforced — as a necessary counterpart to market freedom. In a series of case studies ranging from Clinton’s welfare reform to the AIDS epidemic, and from same-sex marriage to the student loan crisis, Cooper explores the key policy contributions made by neoliberal economists and legal theorists. Only by restoring the question of family to its central place in the neoliberal project, she argues, can we make sense of the defining political alliance of our times, that between free-market economics and social conservatism.
Making News at The New York Times is the first in-depth portrait of the nation’s, if not the world's, premier newspaper in the digital age. It presents a lively chronicle of months spent in the newsroom observing daily conversations, meetings, and journalists at work. We see Page One meetings, articles developed for online and print from start to finish, the creation of ambitious multimedia projects, and the ethical dilemmas posed by social media in the newsroom. Here, the reality of creating news in a 24/7 instant information environment clashes with the storied history of print journalism, and the tensions present a dramatic portrait of news in the online world. This news ethnography brings to bear the overarching value clashes at play in a digital news world. The book argues that emergent news values are reordering the fundamental processes of news production. Immediacy, interactivity, and participation now play a role unlike any time before, creating clashes between old and new. These values emerge from the social practices, pressures, and norms at play inside the newsroom as journalists attempt to negotiate the new demands of their work. Immediacy forces journalists to work in a constant deadline environment, an ASAP world, but one where the vaunted traditions of yesterday's news still appear in the next day's print paper. Interactivity, inspired by the new user-computer directed capacities online and the immersive Web environment, brings new kinds of specialists into the newsroom, but exacts new demands upon the already taxed workflow of traditional journalists. And at time where social media presents the opportunity for new kinds of engagement between the audience and media, business executives hope for branding opportunities while journalists fail to truly interact with their readers.
