Newman University Church, Dublin

Newman University Church, Dublin

Author: Niamh Bhalla

Publisher: UCL Press

Published: 2024-07-01

Total Pages: 236

ISBN-13: 1800087004

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In 1854, John Henry Newman, one of the foremost intellectual figures of the nineteenth century, was officially installed as the rector of the first Catholic university in Ireland. University Church (constructed in 1855–6) was Newman’s first objective when he agreed to the rectorship and it can be considered as a tangible manifestation of the idea behind the unprecedented Catholic university in Dublin – the posing of an erudite Catholic alternative to post-Enlightenment secularism and Protestant hegemony through a style-based analogy to the early Church. Despite physically embodying what Newman wished to achieve in and through his new university, this ‘early Christian' style church, which drew upon Roman and Byzantine basilicas, has received little attention. This book charts for the first time the significant place that the building occupies within the history of Victorian revivalist architecture. Niamh Bhalla explores the meaningful connection between the church’s context and the ambiguity of its ‘early Christian’ style. In the intersection of these two things, a significant monument was created. The study of University Church therefore provides an effective lens to understand more comprehensively the architectural revivalism that dominated the nineteenth century, particularly the first stirrings of basilican and Byzantine revivalist architectures in the British Isles. Praise for Newman University Church, Dublin 'Newman University Church, Dublin is an important contribution to the burgeoning study of historistic architecture of the nineteenth century. In studying the larger contexts of the church, Niamh Bhalla illumines the aspirations of Cardinal Newman for the university that he directed and Catholicism in Ireland and the United Kingdom.' Robert S. Nelson, Yale University 'A riveting analysis of the University Church and its intellectual background. Niamh Bhalla steers us effortlessly through the many strands of architectural and religious thought that lie behind Newman’s church, while revealing its seminal place in the history of the Byzantine revival.' Roger Stalley, Trinity College Dublin


Carson-Newman University

Carson-Newman University

Author: Melody Marion

Publisher: Univ. of Tennessee Press

Published: 2023

Total Pages: 428

ISBN-13: 162190816X

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"Melody Marion and Amanda Ford trace the formation of this Jefferson City, Tennessee, institution from its founding as Mossy Creek Missionary Baptist Seminary in 1850 to the one-hundred-and-twenty acre university campus that is Carson-Newman today. Along the way, Marion and Ford discuss the school's Baptist foundations, its coeducational merger in the late nineteenth century, a string of presidents both exceptional and misguided, and its expansion from college to university in the twenty-first century"--


Allegories of Encounter

Allegories of Encounter

Author: Andrew Newman

Publisher: UNC Press Books

Published: 2018-11-05

Total Pages: 237

ISBN-13: 1469643464

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Presenting an innovative, interdisciplinary approach to colonial America's best-known literary genre, Andrew Newman analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, Scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one's own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations.


John Henry Newman: Fifteen Sermons Preached Before the University of Oxford

John Henry Newman: Fifteen Sermons Preached Before the University of Oxford

Author: James David Earnest

Publisher: OUP Oxford

Published: 2006-08-31

Total Pages: 556

ISBN-13: 9780191513527

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Newman himself called the Oxford University Sermons, first published in 1843, `the best, not the most perfect, book I have done'. He added, `I mean there is more to develop in it'. Indeed, the book is a precursor of all his major later works, including especially the Essay on the Development of Christian Doctrine and the Grammar of Assent. Dealing with the relationship of faith and reason, the fifteen sermons represent Newman's resolution of the conflict between heart and head that so troubled believers, non-believers, and agnostics of the nineteenth century, Their controversial nature also makes them one of the primary documents of the Oxford Movement. This new edition provides an introduction to the sermons, a definitive text with textual variants, extensive annotation, and appendices containing previously unpublished material.


Video Revolutions

Video Revolutions

Author: Michael Z. Newman

Publisher: Columbia University Press

Published: 2014-04-15

Total Pages: 160

ISBN-13: 0231169515

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Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the presentÑoften the very problems associated with television and the society shaped by itÑand to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.


The Transformation of American Abolitionism

The Transformation of American Abolitionism

Author: Richard S. Newman

Publisher: Univ of North Carolina Press

Published: 2002

Total Pages: 276

ISBN-13: 9780807849989

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Newman traces the abolition movement's transformation from the American Revolution to 1830, showing how what began in late-18th-century Pennsylvania as an elite movement espousing gradual legal reform had by the 1830s become a radical, egalitarian mass movement based in Massachusetts.