Chris Hoult immersed himself in the Kiwi tattoo scene from 2011 and 2012, and brought writer musician Steve Forbes along for the ride. This is a view from the studios of NZ now with profiles of leading tattooists. Includes three rich traditions - Ta moko, Maori tattoo; Tatau, Pacific tattoo and tattoo of Europe and Asia.
Maori tattooing (moko) communicates the bearer's genealogy, tribal affiliation, and spirituality. This definitive study discusses the distinctions between men and women's moko, patterns and designs, and moko in legend and song.
"Jean Tekura Mason's poetry reflects her life as a person living in two worlds - Polynesian and European. Some of her poems are reflective. Others are glib (and deliberately so). There is humour and there is passion - of love and hate, pagan faiths and Christian beliefs, ancestors and dancers, customs and politics, migrants and immigrants, and Pacific flora and fauna - all have stimulated Ms Mason to put pen to paper. At times incisive and descriptive, and at others deeply moging, this book is a collection of poems which is both retrospective perceptive"--Back cover
A detailed study of mokos, Maori tattoos. The text traces the historical development, tribal variations, design principles, and social significance of the moko. The book has 143 black and white line drawings and photographs, and 26 colour plates of paintings and carvings. A bibliography and index are included.
Moko is written by Michael King, one of New Zealand's most celebrated historians, and photographed by Marti Friedlander, one of the country¿s most eminent photographers. One of New Zealand's iconic books, originally published in 1972, it was a milestone in New Zealand publishing. Maori subject matter was not thought to be of interest to the New Zealand public at that time, and the author and photographer were relative unknowns--Moko was their first book. To research this book, King and Friedlander travelled thousands of kilometres through the hinterland of New Zealand to find and speak with those who were tattooed, or with people who had first-hand knowledge of the custom. It is also the story of the last generation of Maori women who wore the traditional moko. Marti Friedlander's photographs illustrate with skill and compassion the moko itself, the women who wore it and the environments in which they lived.
- Tattooed History: The Story of Mokomokai presents in a new way, and in a new light, the ancient art of tattooing among the Maori peopleTattooed History: The Story of Mokomokai is the first book to comprehensively explore the history of these remarkable Maori ancestors. The elaborate facial markings (ta moko) of the Maori are well-known, but less so is the unique process of preserving the tattooed heads of both enemies and loved ones. This work presents many sources, documents and illustrations for the first time to explore its subject in a new and original way.Mokomokai were first encountered by Europeans during the exploration of New Zealand by James Cook. When missionaries, traders and other visitors learnt more about mokomokai they published the first descriptions of how they were preserved and the customs surrounding them. This book examines these early nineteenth century writings and describes how mokomokai were first exhibited to curious foreign onlookers around the same time. The acquisition of mokomokai by outsiders, often in exchange for weapons, is discussed along with how these heads formed part of the earliest collections of museums and other institutions.Once European settlement expanded, the practice of preserving heads ended and there were very few left in New Zealand. While New Zealand established its own first museums they often had to acquire mokomokai from outside the country. This work describes the auction and sale of mokomokai in Britain for a period of over 150 years. It discusses the collecting of mokomokai by such renowned British collectors as Horatio Gordon Robley and W.O. Oldman, who were sometimes the source of mokomokai for New Zealand institutions.The public sale of mokomokai at auction in Britain ended when Maori mounted legal challenges to such sales. These legal strategies are discussed along with how they were replaced by comprehensive repatriation strategies that received government support and are ongoing.Tattooed History presents the 250 year-long story of mokomokai in a new and exciting way, through rich historical and illustrative documentation. This book places these unique remains in the overall context of New Zealand history, the characters who formed part of it, and the emergence of an international market for ethnography after the Second World War.
In the traditional Māori world, the moko, or facial or body tattoo, was a sign of great mana and status. Male warriors wore elaborate tattoos on their faces and bodies; women took more delicate chin tattoos. After almost dying out in the twentieth century, Māori tattooing is now experiencing a powerful revival, with many young Māori wearing the moko as a spectacular gesture of racial pride. This examines the use of tattooing by traditional and contemporary Māori and links it to other aspects of Māori culture. Gender issues are considered along with tattooing techniques both old and new. The book features case studies of modern Māori who have made a personal decision to be tattooed; the role and status of the tattooers; exploitation of the moko in popular culture around the world by figures such as rock singers and football players.
'Though stronger evidence of this horrid practice prevailing among the inhabitants of this coast will scarcely be required, we have still stronger to give.' - Captain James Cook This Horrid Practice uncovers an unexplored taboo of New Zealand history - the widespread practice of cannibalism in pre-European Maori society. Until now, many historians have tried to avoid it and many Maori have considered it a subject best kept quiet about in public. Paul Moon brings together an impressive array of sources from a variety of disciplines to produce this frequently contentious but always stimulating exploration of how and why Maori ate other human beings, and why the practice shuddered to a halt just a few decades after the arrival of Europeans in New Zealand. The book includes a comprehensive survey of cannibalism practices among traditional Maori, carefully assessing the evidence and concluding it was widespread. Other chapters look at how explorers and missionaries saw the practice; the role of missionaries and Christianity in its end; and, in the final chapter, why there has been so much denial on the subject and why some academics still deny that it ever happened. This Horrid Practice promises to be one of the leading works of New Zealand history published in 2008. It is a highly original work that every New Zealand history enthusiast will want to own and read.