Spanning nearly two centuries from first contact through to settlement and apology, this major work focuses on the human impact of the war in the Waikato, its origins and aftermath.
As a group of islands in the far south-west Pacific Ocean, New Zealand has a history that is steeped in the sea. Its people have encountered the sea in many different ways: along the coast, in port, on ships, beneath the waves, behind a camera, and in the realm of the imagination. While New Zealanders have continually altered their marine environments, the ocean, too, has influenced their lives. A multi-disciplinary work encompassing history, marine science, archaeology and visual culture, New Zealand and the Sea explores New Zealand’s varied relationship with the sea, challenging the conventional view that history unfolds on land. Leading and emerging scholars highlight the dynamic, ocean-centred history of these islands and their inhabitants, offering fascinating new perspectives on New Zealand’s pasts. ‘The ocean has profoundly shaped culture across this narrow archipelago . . . The meeting of land and sea is central in historical accounts of Polynesian discovery and colonisation; European exploratory voyaging; sealing, whaling and the littoral communities that supported these plural occupations; and the mass migrant passage from Britain.’ – Frances Steel
By any measure, New Zealand must confront monumental issues in the years ahead. From the future of work to climate change, wealth inequality to new populism – these challenges are complex and even unprecedented. Yet why does New Zealand’s political discussion seem so diminished, and our political imagination unequal to the enormity of these issues? And why is this gulf particularly apparent to young New Zealanders? These questions sit at the centre of Max Harris’s ‘New Zealand project’. This book represents, from the perspective of a brilliant young New Zealander, a vision for confronting the challenges ahead. Unashamedly idealistic, The New Zealand Project arrives at a time of global upheaval that demands new conversations about our shared future.
In this timely book, New Zealand's best-known commentator on population trends, Distinguished Professor Paul Spoonley, shows how, as New Zealand moves into the 2020s, the demographic dividends of the last 70 years are turning into deficits. Our population patterns have been disrupted. More boomers, fewer children, an ever bigger Auckland, and declining regions are the new normal. We will need new economic models, new ways of living. Spoonley says: "It is not a crisis (even if at times it feels like it), but rather something that needs to be understood and responded to. But I fear that policy-makers and politicians are not up to the challenge. That would be a crisis."
INTELLECTUAL PROPERTY IN NEW ZEALAND offers the most up-to-date and comprehensive information and analysis of this dynamic field. It provides commercially focused material for practitioners, in a style accessible to undergraduate students. Intellectual property law is an integral part of almost all commercial endeavours, including the creative industries, inventions, and the rapidly changing world of information technology.
The aim of this book is to provide the reader with an overview of New Zealand's international relations. It is a country that has often shown an international presence that is out of proportion to the modest spectrum of national economic, military and diplomatic capabilities at its disposal.In this volume, the editors have called upon a range of specialists representing a range of views drawn from the worlds of academia, policy-making, and civil society. It is an attempt to present a rounded picture of New Zealand's place in the world, one that does not rely exclusively on any particular perspective. The book does not claim to be exhaustive. But it does seek to present a more wide-ranging treatment of New Zealand's foreign relations than has generally been the case in the past.Five broad themes help shape and organize the contributions to the text:
The New Zealand Wars were a series of conflicts that profoundly shaped the course and direction of our nation’s history. Fought between the Crown and various groups of Māori between 1845 and 1872, the wars touched many aspects of life in nineteenth century New Zealand, even in those regions spared actual fighting. Physical remnants or reminders from these conflicts and their aftermath can be found all over the country, whether in central Auckland, Wellington, Dunedin, or in more rural locations such as Te Pōrere or Te Awamutu. The wars are an integral part of the New Zealand story but we have not always cared to remember or acknowledge them. Today, however, interest in the wars is resurgent. Public figures are calling for the wars to be taught in all schools and a national day of commemoration was recently established. Following on from the best-selling The Great War for New Zealand, Vincent O'Malley's new book provides a highly accessible introduction to the causes, events and consequences of the New Zealand Wars. The text is supported by extensive full-colour illustrations as well as timelines, graphs and summary tables.
From one of America's preeminent historians comes a magisterial study of the development of open societies focusing on the United States and New Zealand
Girl of New Zealand presents a nuanced insight into the way violence and colonial attitudes shaped the representation of Māori women and girls. Michelle Erai examines more than thirty images of Māori women alongside the records of early missionaries and settlers in Aotearoa, as well as comments by archivists and librarians, to shed light on how race, gender, and sexuality have been ascribed to particular bodies. Viewed through Māori, feminist, queer, and film theories, Erai shows how images such as Girl of New Zealand (1793) and later images, cartoons, and travel advertising created and deployed a colonial optic. Girl of New Zealand reveals how the phantasm of the Māori woman has shown up in historical images, how such images shape our imagination, and how impossible it has become to maintain the delusion of the “innocent eye.” Erai argues that the process of ascribing race, gender, sexuality, and class to imagined bodies can itself be a kind of violence. In the wake of the Me Too movement and other feminist projects, Erai’s timely analysis speaks to the historical foundations of negative attitudes toward Indigenous Māori women in the eyes of colonial “others”—outsiders from elsewhere who reflected their own desires and fears in their representations of the Indigenous inhabitants of Aotearoa, New Zealand. Erai resurrects Māori women from objectification and locates them firmly within Māori whānau and communities.
Over a thousand years ago, the wind, sea currents and stars brought people to the islands that became known as Aotearoa, the land of the long white cloud. Navigate your way through this sumptuously illustrated story of New Zealand. Explore the defining moments of our history, captured by celebrated children's book creator Gavin Bishop, from the Big Bang right through to what might happen tomorrow. Discover Maori legends, layers of meaning and lesser-known facts. A truly special book, Aotearoa- The New Zealand Story deserves a space on every bookshelf, to be taken off and pored over, thumbed and treasured, time and again. Margaret Mahy Book of the Year, New Zealand Book Awards for Children and Young Adults 2018 Elsie Locke Award for Non-fiction, New Zealand Book Awards for Children and Young Adults 2018 Storylines Notable Non-Fiction Award 2018 Best Children's Book, PANZ Book Design Awards 2018 NZ Listener 50 Best Books for Kids 2017 The Sapling Best Books List 2017