Something Coming

Something Coming

Author: Gail E. Husch

Publisher: UPNE

Published: 2000

Total Pages: 332

ISBN-13: 9781584650065

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This major contribution to the study of antebellum religious art offers a detailed case study of American postmillennialism and its many visual expressions. Treating paintings as "intersections of cultural expression," Gail E. Husch begins with a single painting to spin out an interpretation in many directions, from the specific aesthetic and social concerns of artist and patron to the wider political and cultural concerns of Americans in the mid-19th century. Arguing that "genuine apocalyptic faith" was fundamental to American Protestants, Husch shows how artists, patrons, and ordinary citizens actively engaged contemporary questions of peace and war, freedom and slavery, and the equality of human beings before God in their visual arts. Part of an emerging revaluation of the role of the religious in American art, Husch asks us to read ideas as they function in works, rather than see images merely as passive illustrations of ideas. Weaving images drawn from high and low culture, politics, and religion, she develops a complex cultural narrative of the times, thus showing the truth of one picture being worth a thousand words.


Circulation and Control

Circulation and Control

Author: Marie-Stéphanie Delamaire

Publisher: Open Book Publishers

Published: 2021-10-08

Total Pages: 334

ISBN-13: 1800641494

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The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.


Manifest Destiny's Underworld

Manifest Destiny's Underworld

Author: Robert E. May

Publisher: Univ of North Carolina Press

Published: 2003-04-03

Total Pages: 447

ISBN-13: 0807860409

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This fascinating study sheds new light on antebellum America's notorious "filibusters--the freebooters and adventurers who organized or participated in armed invasions of nations with whom the United States was formally at peace. Offering the first full-scale analysis of the filibustering movement, Robert May relates the often-tragic stories of illegal expeditions into Cuba, Mexico, Ecuador, Nicaragua, and other Latin American countries and details surprising numbers of aborted plots, as well. May investigates why thousands of men joined filibustering expeditions, how they were financed, and why the U.S. government had little success in curtailing them. Surveying antebellum popular media, he shows how the filibustering phenomenon infiltrated the American psyche in newspapers, theater, music, advertising, and literature. Condemned abroad as pirates, frequently in language strikingly similar to modern American denunciations of foreign terrorists, the filibusters were often celebrated at home as heroes who epitomized the spirit of Manifest Destiny. May concludes by exploring the national consequences of filibustering, arguing that the practice inflicted lasting damage on U.S. relations with foreign countries and contributed to the North-South division over slavery that culminated in the Civil War.


History of the Portrait Collection, Independence National Historical Park

History of the Portrait Collection, Independence National Historical Park

Author: Doris Devine Fanelli

Publisher: American Philosophical Society

Published: 2001

Total Pages: 384

ISBN-13: 0871692422

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This volume provides a history and catalog of the portraits by Charles Willson Peale, who painted heroes of the American revolution, founders of American government, statesmen, jurists, men of science, and individuals who contributed art and letters. The three chapters by Fanelli (Cultural Resources Management, Independence National Historical Park) discuss the collection from its inception through the period in which the shrine that housed it became a museum. Each of the 250 entries (mostly b&w, with a few in color) in the catalog includes a brief biography of the subject, a physical description of the painting, the circumstances under which it was created, and its provenance. They are arranged alphabetically by sitter. Edited by Karie Diethorn, chief curator, Independence National Historical Park, Philadelphia, Pennsylvania. Annotation copyrighted by Book News, Inc., Portland, OR


Crying the News

Crying the News

Author: Vincent DiGirolamo

Publisher: Oxford University Press, USA

Published: 2019

Total Pages: 745

ISBN-13: 0195320255

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Crying the News: A History of America's Newsboys is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chroniclingtheir exploits in every region of the country, as well as on the railroads that linked them.


The Nation's Newsbrokers: The formative years, from pretelegraph to 1865

The Nation's Newsbrokers: The formative years, from pretelegraph to 1865

Author: Richard Allen Schwarzlose

Publisher: Northwestern University Press

Published: 1989

Total Pages: 396

ISBN-13: 9780810108189

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Richard A. Schwarzlose's long-awaited two-volume The Nation's Newsbrokers makes a major contribution to the history of journalism in the United States. Schwarzlose traces the development of the Associated Press and the predecessors of United Press International from scattered beginnings in the 1840s to their emergence as a mature national institution in the World War I era. In Volume 1, Schwarzlose analyzes the problems of communication and transportation in the eighteenth and nineteenth centuries and examines the news media before and during the Civil War.


Independence Hall in American Memory

Independence Hall in American Memory

Author: Charlene Mires

Publisher: University of Pennsylvania Press

Published: 2015-11-04

Total Pages: 369

ISBN-13: 0812204239

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Independence Hall is a place Americans think they know well. Within its walls the Continental Congress declared independence in 1776, and in 1787 the Founding Fathers drafted the U.S. Constitution there. Painstakingly restored to evoke these momentous events, the building appears to have passed through time unscathed, from the heady days of the American Revolution to today. But Independence Hall is more than a symbol of the young nation. Beyond this, according to Charlene Mires, it has a long and varied history of changing uses in an urban environment, almost all of which have been forgotten. In Independence Hall, Mires rediscovers and chronicles the lost history of Independence Hall, in the process exploring the shifting perceptions of this most important building in America's popular imagination. According to Mires, the significance of Independence Hall cannot be fully appreciated without assessing the full range of political, cultural, and social history that has swirled about it for nearly three centuries. During its existence, it has functioned as a civic and cultural center, a political arena and courtroom, and a magnet for public celebrations and demonstrations. Artists such as Thomas Sully frequented Independence Square when Philadelphia served as the nation's capital during the 1790s, and portraitist Charles Willson Peale merged the arts, sciences, and public interest when he transformed a portion of the hall into a center for natural science in 1802. In the 1850s, hearings for accused fugitive slaves who faced the loss of freedom were held, ironically, in this famous birthplace of American independence. Over the years Philadelphians have used the old state house and its public square in a multitude of ways that have transformed it into an arena of conflict: labor grievances have echoed regularly in Independence Square since the 1830s, while civil rights protesters exercised their right to free speech in the turbulent 1960s. As much as the Founding Fathers, these people and events illuminate the building's significance as a cultural symbol.


John E. Owens

John E. Owens

Author: Thomas A. Bogar

Publisher: McFarland

Published: 2002-01-01

Total Pages: 230

ISBN-13: 9780786413607

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"This biography chronicles his childhood and apprenticeship with William Burton, his early lead roles, his first efforts at management, and his marriage to Mary C. Stevens. It then discusses how he developed the roles of Solon Shingle and Caleb Plummer that brought him so much fame, his performances in the West and expansion of his repertoire, and the loss and recovery of his audiences amid the rise of Joseph Jefferson. It ends with a discussion of his theatrical success, financial loss and exhaustion with acting and managing, and his illness and death."--BOOK JACKET.