"A modern classic....Thrilling and constantly illuminating."—Michael Dirda, Washington Post Book World Through a distinguished career of critical scholarship and translation, Robert Alter has equipped us to read the Hebrew Bible as a powerful, cohesive work of literature. In this landmark work, Alter's masterly translation and probing commentary combine to give contemporary readers the definitive edition of The Five Books. Winner of the PEN Center USA Literary Award for Translation and the Koret Jewish Book Award for Translation, a Newsweek Top 15 Book, Los Angeles Times Favorite Book, and San Francisco Chronicle Best Book.
Hebrew-English Torah: The Five books of Moses is a Study Edition of the traditional Masoretic text, placed next to the classic "word-for-word" Jewish translation; it features the most authoritative Hebrew text -- based on the Leningrad Codex and complete with cantillation marks, vocalization and verse numbers. The large format and the use of good paper are part of the design to allow a diligent Torah student to write on margins for more efficient learning. This printed edition comes with a free downloadable PDF edition of the title provided by Varda Books upon presenting to it the proof of purchase.
"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.
This translation of Genesis 1-11 follows the Hebrew text closely and leaves in what many translations leave out: physicality, ambiguity, repetition, even puns. Bray and Hobbins also draw deeply from the long history of Jewish and Christian interpretation. Their translation and notes offer the reader wisdom and delight. - Back cover.
The story of ancient Israel, from the arrival in Canaan to the destruction of the Kingdom of Judah and the Babylonian exile some six centuries later, here is the highly anticipated second volume in Everett Fox’s landmark translation of the Hebrew Bible. The personalities who appear in the pages of The Early Prophets, and the political and moral dilemmas their stories illuminate, are part of the living consciousness of the Western world. From Joshua and the tumbling walls of Jericho to Samson and Delilah, the prophet Samuel and the tragic King Saul, David and Goliath, Bathsheba and Absalom, King Solomon’s temple, Elijah and the chariot of fire, Ahab and Jezebel—the stories of these men and women are deeply etched into Western culture because they beautifully encapsulate the human experience. The four books that comprise The Early Prophets look at tribal rivalries, dramatic changes in leadership, and the intrusions of neighboring empires through the prism of the divine-human relationship. Over the centuries, the faithful have read these narratives as demonstrations of the perils of disobeying God’s will, and time and again Jews in exile found that the stories spoke to their own situations of cultural assimilation, destruction, and the reformulation of identity. They have had an equally indelible impact on generations of Christians, who have seen in many of the narratives foreshadowings of the life and death of Jesus, as well as models for their own lives and the careers of their leaders. But beyond its importance as a foundational religious document, The Early Prophets is a great work of literature, a powerful and distinctive narrative of the past that seeks meaning in the midst of national catastrophe. Accompanied by illuminating commentary, notes, and maps, Everett Fox’s masterly translation of the Hebrew original re-creates the echoes, allusions, alliterations, and wordplays that rhetorically underscore its meaning and are intrinsic to a timeless text meant to be both studied and read aloud.
Between 1780 and 1937, Jews in Germany produced numerous new translations of the Hebrew Bible into German. Intended for Jews who were trilingual, reading Yiddish, Hebrew, and German, they were meant less for religious use than to promote educational and cultural goals. Not only did translations give Jews vernacular access to their scripture without Christian intervention, but they also helped showcase the Hebrew Bible as a work of literature and the foundational text of modern Jewish identity. This book is the first in English to offer a close analysis of German Jewish translations as part of a larger cultural project. Looking at four distinct waves of translations, Abigail Gillman juxtaposes translations within each that sought to achieve similar goals through differing means. As she details the history of successive translations, we gain new insight into the opportunities and problems the Bible posed for different generations and gain a new perspective on modern German Jewish history.
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
For centuries the Jewish community in Europe possessed a copy of Matthew in the Hebrew language. The Jews' use of this document during the Middle Ages is imperfectly known. Occasionally excerpts from it appeared in polemical writings against Christianity.
For centuries, poets have turned to translation for creative inspiration. Through and in translation, poets have introduced new poetic styles, languages, and forms into their own writing, sometimes changing the course of literary history in the process. Strange Cocktail is the first comprehensive study of this phenomenon in modern Hebrew literature of the late nineteenth century to the present day. Its chapters on Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel offer close readings that examine the distinct poetics of translation that emerge from reciprocal practices of writing and translating. Working in a minor literary vernacular, the translation strategies that these poets employed allowed them to create and participate in transnational and multilingual poetic networks. Strange Cocktail thereby advances a comparative and multilingual reframing of modern Hebrew literature that considers how canons change and are undone when translation occupies a central position—how lines of influence and affiliation are redrawn and literary historiographies are revised when the work of translation occupies the same status as an original text, when translating and writing go hand in hand.
