A rich, illustrated history of the New Museum, a pioneering, internationally renowned institution. Through a detailed chronology that captures the New York museum's legendary firsts, major milestones, groundbreaking exhibitions, and prescient curatorial thinking, this book provides the first authoritative history on an institution whose bold and experimental spirit has made it a model twenty-first-century art museum. The book traces its growth, from its beginnings in a classroom at the New School, to its role as an international institution.
Aside from meeting some of the most famous artists of our time, from Marcel Duchamp to Bob Dylan, Tucker's personal story involves a tragic family life and years as a starving artist, related poignantly but without pandering. Deftly edited by close friend and artist Lou, this is an arresting tour of a life devoted to new art, with a perfectly charming guide"--PW Annex Reviews.
Anti-Museum charts the development of the anti-museum as a concept and as it has been realised in practice. Drawing on a range of case studies, including the New Museum and PS1 in New York, Mona in Australia, Art42 in Paris and Donald Judd’s Marfa, the book assesses their potential to engage museum publics in new ways. Anti-museums seek to breathe relational and theatricalised vitality into the objects they exhibit, by connecting them to the contexts of their making, to their social life outside the museum, to visitors' lives via their transformative capacities for change, and by being a place of dialogue, exchange and transformation, rather than instruction. Documenting the ways in which they have been created by artists, collectors, and curators, the book also examines the extent to which anti-museums connect with other museums through the exchange of values and resources. Critically, it asks whether, after some 40 years of ‘new museology’, such institutions are still able to offer something fresh and valuable. Anti-Museum provides a sharp and incisive account of the anti-museum as it has been imagined, realised and experienced, and as it has relevance for understanding and working in the contemporary museum world. As such, the book will be of great interest to scholars and students engaged in the study of museums, cultural economy, inclusive urban regeneration, the democratisation of art and contemporary art. It should also appeal to museum professionals around the world.
Milo is excited about her class trip to the museum. The docent leads them on a tour and afterward Milo has time to look around on her own. But something doesn't feel right, and Milo gradually realizes that the people from her community are missing from the museum. When her aunt urges her to find a solution, Milo takes matters into her own hands and opens her own museum!
New Glass Now celebrates 40 years of New Glass Review, an annual exhibition-in-print featuring 100 of the most timely, innovative projects in glass. It is curated from an open call for submissions by the curator of modern and contemporary glass at The Corning Museum of Glass and a changing panel of guest curators. This year's curators were: Aric Chen, Susanne Jøker Johnsen, Beth Lipman, and Susie J. Silbert.
The year 2009 is a landmark in the history of New York, and America. It's the 400th anniversary of Henry Hudson's arrival along the river that bears his name. With public initiatives and media attention on commemorative events and exhibits at a fever pitch throughout the year, the stage is set for New York 400, a one-of-a-kind celebration of the greatest city in America. With unprecedented access to the Museum of the City of New York's vast archive, this is a visual history of the city of New York like none other, focusing not merely on landmarks but also on everyday life in the city over the past four centuries. The people, arts, culture, politics, and drama unfold through hundreds of rarely seen photographs and a fascinating profile of the city that never sleeps. Featuring essays from leading historians of the distinct epochs of Gotham, this volume takes us from the days of Director-General Petrus Stuyvesant in the seventeenth century through to mayors Giuliani and Bloomberg in the modern melting pot that is New York in the twenty-first century. The Museum of the City of New York has a unique mandate—to explore the past, present, and future of New York, and to celebrate the city's heritage of diversity, opportunity, and perpetual transformation. Its unparalleled collections, including photography, sculpture, costumes, toys, and decorative arts, enable the museum to present a variety of exhibitions, public programs, and publications investigating what gives New York its singular character.
Based on the award-winning, critically acclaimed exhibition at the Museum of the City of New York, New York at Its Core takes readers on a whirlwind journey through the 400-year history of the five boroughs to find out how a striving village on the periphery of the Dutch trading empire became the booming metropolis that is today¿s capital of the world. New York at Its Core finds the key in four defining themes that have shaped the city since its inception: money, diversity, density, and creativity. This lavishly illustrated book features nearly 400 objects and images from the one-of-a-kind exhibition, revealing how these themes evolved and interacted to create the city we know today, a subject of fascination the world over visited by millions of people every year. Covering New York¿s entire 400-year history and inviting a look into the city¿s future, New York at Its Core chronicles the cycles of crisis and reinvention that gave rise to one of the world¿s most diverse and densely populated places, a city that has shaped the course of events for the nation and the world.
Isa Genzken is arguably one of the most important and influential female artists of the past 30 years. Genzken's work - which spans sculptures, paintings, photographs, collages, drawings, artist's books, films, installations and public works - has been part of the artistic discourse since she began exhibiting in the mid-1970s, and a new generation of artists has been inspired by her radical inventiveness over the last decade - a period in which she has redefined assemblages. Published to accompany Genzken's first comprehensive retrospective in the USA, this book is the most complete monograph on the artist available in English. It presents Genzken's career in essays exploring the unfolding of her practice from 1973 until today and an illustrated chronological overview of her most important bodies of work and key exhibitions. 0Exhibition: Museum of Modern Art, New York, USA (23.11.2013-10.03.2014) ; Museum of Contemporary Art, Chicago, USA (12.04.-03.08.2014) ; Dallas Museum of Art, Dallas, USA (14.09.2014-04.01.2015)
Published in conjunction with an exhibition held at The Metropolitan Museum of Art during 1996 and scheduled to travel to Los Angeles during 1997. The works are selected from the holdings of the Shumei Family, a religious organization based in Japan which holds to the belief that beautiful objects elevate the spirit and, therefore, that they were created to be shared (the group is currently constructing a new museum in Japan to house the collection). The works included here--antiquities from the Mediterranean, the Near East, and China--are beautifully presented in color photos, with text by a broad spectrum of curators, art historians, and conservators. Annotation copyright by Book News, Inc., Portland, OR
