For the first time, the lavishly illustrated series of "Beautiful" books New England states, have been combed for the best examples of historic architecture, sketched and photographed by Wallace Nutting. Shown are interior and exterior images of staircases, fireplaces, entryways, furnished sitting rooms, and even bedchambers from important landmarks including popular inns, churches, and notable residences, as well as the picturesque barns and rural landscapes which have made Nutting's work such treasured keepsakes.
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The now venerable firm of Royal Barry Wills was founded in a one-room office on Boston's Beacon Street in 1925. Initially fueled by word of mouth and occasional newspaper exposure, the firm gained admiration for Wills’s fresh take on various New England styles, including Georgian, Tudor, French Provincial, and Colonial American. Driven by the country's desire for both aesthetic appeal and practicality, the firm's popularity increased dramatically with its focus on the creation of modern homes inspired by the one-and-a-half-story Cape Cod houses, which perfectly balanced the classic and the new. Now run by his son, Richard Wills, the firm has been designing elegant private homes in the classically inspired Colonial New England tradition for more than eighty-five years. As time has passed, their Cape Cod-style homes have proven remarkably adaptable to the demands of contemporary life, while staying true to Wills's original flair for intermingling past and present. This book features examples of the firm's work from its founding to the present, with an emphasis on more recent houses that have been built throughout New England.
This book offers the first full-scale examination of the architecture associated with the Arts and Crafts movement that spread throughout New England at the turn of the twentieth century. Although interest in the Arts and Crafts movement has grown since the 1970s, the literature on New England has focused on craft production. Meister traces the history of the movement from its origins in mid-nineteenth-century England to its arrival in the United States and describes how Boston architects including H. H. Richardson embraced its tenets in the 1870s and 1880s. She then turns to the next generation of designers, examining buildings by twelve of the region's most prominent architects, eleven men and a woman, who assumed leadership roles in the Society of Arts and Crafts, founded in Boston in 1897. Among them are Ralph Adams Cram, Lois Lilley Howe, Charles Maginnis, and H. Langford Warren. They promoted designs based on historical precedent and the region's heritage while encouraging well-executed ornament. Meister also discusses revered cultural personalities who influenced the architects, notably Ralph Waldo Emerson and art historian Charles Eliot Norton, as well as contemporaries who shared their concerns, such as Louis Brandeis. Conservative though the architects were in the styles they favored, they also were forward-looking, blending Arts and Crafts values with Progressive Era idealism. Open to new materials and building types, they made lasting contributions, with many of their designs now landmarks honored in cities and towns across New England.
New England is the oldest and most influential region of America. Although it has changed much through the centuries, it remains a place that even the Colonials may still recognize. Through a collection of photos, illustrations, history, and stories, this book explores the architectural history of New England and how, although it has changed much through the centuries, it remains a place that even the Colonials might still recognize. The book begins with the influence of climate and geography on the architectural choices and follows with the basics of the well-known New England homes––the cape, the saltbox, the colonial––all of which were created to serve the very specific needs of this corner of America, the people, the land and the climate. We look at the earliest settlers, understanding the challenges they faced, and follow their descendants as they convert and adapt the traditional New England home into something still clearly New England but different, newer and, ultimately, even modern. We watch how the people and houses evolve and how they become what are still clearly identifiable as New England––and all over New England, from Connecticut’s Gold Coast to the rocky shores of Maine. Sprinkled throughout the story of this evolution are sidebars such as A New England State of Mind and I Live Here, etc… where we meet the quintessential New England personalities and characters, who speak through letters, epitaphs, remembrances, books, newspapers, and others, and hear and see in their own words and images what they make or made of this place and life in it. People who buy this book will enjoy a very visual sense of what it’s like to be a New Englander and what it’s like to live in New England––whose houses have been copied and adapted in every state, city and neighborhood of America.
Loaded with hundreds of photographs of high-end custom homes, these gorgeous books are a treat for lovers of residential architecture and a resource for people planning to build their own one-of-a-kind houses. Profiles of top architects and information on local builders and suppliers provide an overview of regional styles and preferences in each locality. Representing all facets of northeastern architecture and home design, highly regarded architects present their captivating ocean-side residences of Nantucket, rustic woodland homes in upstate New York, and Boston's aesthetic modern dwellings. Talented local architects Patrick Ahearn and Kevin Schopfer explain their "hybrid" approach, while Jim Kellerher of Axiom Architects shares his philosophies on the significance of conservatively sized spaces and the effects of hurricane rebuilds.
A dazzling showcase of hidden jewels by the masters of twentieth-century modernist architecture in New England. Tomorrow's Houses is a richly photographed presentation of the best modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined realizations in houses designed by such masters as Frank Lloyd Wright, Philip Johnson, Mies van der Rohe, Richard Meier, Paul Rudolph, Marcel Breuer, and Walter Gropius, all of whose work is featured in these pages. Photographer Geoffrey Gross has captured in stunning full-color images these precisely composed structures and their exquisitely appointed interiors, all against the breathtaking variety of the landscapes of New England. Lauded architect and critic Alexander Gorlin places these beautiful houses in their proper historical context as examples of the best of early- and mid-twentieth-century American modernist architecture.
