A captivating look at the past New England Ruins is the collective body of work by photographer ROB DOBI and his homage to abandoned buildings across the Northeast. The result of twenty years of exploration and documentation, this book features a rare look at structures that no longer serve their original purpose and have been otherwise forgotten. Dobi’s work is an ongoing quest to study neglected structures and the stories people left behind. Approaching subjects of industry, education, institutions, and everything in-between, the collection of interior photographs evokes feelings of loss and nostalgia, but also rouses the imagination about the past.
The English landscape is steeped in ruins. Markers of the nation’s rich and often turbulent history, ruins represent not only the passing of time but also the constant presence of the past. In English Ruins, renowned architectural historian Jeremy Musson explores some of England’s most evocative derelict and abandoned buildings, from churches, castles and forts to country houses, industrial works and even entire villages. Following a wide-ranging introduction examining the role of the English ruin in defining the nation’s identity, Musson surveys each of the featured sites, revealing its past, present and future in fascinating detail. Lavishly illustrated throughout with stunning images by Paul Barker, one of the country’s foremost architectural photographers, English Ruins is an invaluable guide to a much-loved aspect of English history.
The area known as Dogtown -- an isolated colonial ruin and surrounding 3,000-acre woodland in storied seaside Gloucester, Massachusetts -- has long exerted a powerful influence over artists, writers, eccentrics, and nature lovers. But its history is also woven through with tales of witches, supernatural sightings, pirates, former slaves, drifters, and the many dogs Revolutionary War widows kept for protection and for which the area was named. In 1984, a brutal murder took place there: a mentally disturbed local outcast crushed the skull of a beloved schoolteacher as she walked in the woods. Dogtown's peculiar atmosphere -- it is strewn with giant boulders and has been compared to Stonehenge -- and eerie past deepened the pall of this horrific event that continues to haunt Gloucester even today. In alternating chapters, Elyssa East interlaces the story of this grisly murder with the strange, dark history of this wilderness ghost town and explores the possibility that certain landscapes wield their own unique power. East knew nothing of Dogtown's bizarre past when she first became interested in the area. As an art student in the early 1990s, she fell in love with the celebrated Modernist painter Marsden Hartley's stark and arresting Dogtown landscapes. She also learned that in the 1930s, Dogtown saved Hartley from a paralyzing depression. Years later, struggling in her own life, East set out to find the mysterious setting that had changed Hartley's life, hoping that she too would find solace and renewal in Dogtown's odd beauty. Instead, she discovered a landscape steeped in intrigue and a community deeply ambivalent about the place: while many residents declare their passion for this profoundly affecting landscape, others avoid it out of a sense of foreboding. Throughout this richly braided first-person narrative, East brings Dogtown's enigmatic past to life. Losses sustained during the American Revolution dealt this once thriving community its final blow. Destitute war widows and former slaves took up shelter in its decaying homes until 1839, when the last inhabitant was taken to the poorhouse. He died seven days later. Dogtown has remained abandoned ever since, but continues to occupy many people's imaginations. In addition to Marsden Hartley, it inspired a Bible-thumping millionaire who carved the region's rocks with words to live by; the innovative and influential postmodernist poet Charles Olson, who based much of his epic Maximus Poems on Dogtown; an idiosyncratic octogenarian who vigilantly patrols the land to this day; and a murderer who claimed that the spirit of the woods called out to him. In luminous, insightful prose, Dogtown takes the reader into an unforgettable place brimming with tragedy, eccentricity, and fascinating lore, and examines the idea that some places can inspire both good and evil, poetry and murder.
There once may have been 250,000 miles of stone walls in America's Northeast, stretching farther than the distance to the moon. They took three billion man-hours to build. And even though most are crumbling today, they contain a magnificent scientific and cultural story-about the geothermal forces that formed their stones, the tectonic movements that brought them to the surface, the glacial tide that broke them apart, the earth that held them for so long, and about the humans who built them. Stone walls layer time like Russian dolls, their smallest elements reflecting the longest spans, and Thorson urges us to study them, for each stone has its own story. Linking geological history to the early American experience, Stone by Stone presents a fascinating picture of the land the Pilgrims settled, allowing us to see and understand it with new eyes.
NATIONAL BESTSELLER • Trapped in the Mexican jungle, a group of friends stumble upon a creeping horror unlike anything they could ever imagine in "the best horror novel of the new century" (Stephen King). Also a major motion picture! Two young couples are on a lazy Mexican vacation—sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site ... and the terrifying presence that lurks there. "The Ruins does for Mexican vacations what Jaws did for New England beaches.” —Entertainment Weekly “Smith’s nail-biting tension is a pleasure all its own.... This stuff isn’t for the faint of heart.” —New York Post “A story so scary you may never want to go on vacation, or dig around in your garden, again.” —USA Today
Are you ready to solve a mystery? One that disproves accepted archeology and history? Then you need to get Celtic Mysteries in New England by Philip Imbrogno and Marianne Horrigan. You see, there are over sixty-five mysterious small buildings throughout New England. Archeologists dismiss them as root cellars from colonial times. But if they are just root cellars, why are there no records of them being made by the colonists? Why is it that in one record a colonist - who found one already made and on his property - was told by a priest to avoid it? Why is it that many are aligned to certain stars that are associated with the ancient Druids? Why do some have intricate carvings on the walls? In order to answer these and many more questions, the authors start on a journey of discovery, and take you along on a wild ride that threatens to shake the very foundations of history! You will go along with them as they discover factual evidence of European explorers visiting the Americas nearly 1,000 years before Columbus. You will learn how the Druids came over and built these constructions as part of their religion. In Europe, such constructions are known to appear along lines of energy and power. So are these. You will discover how they are frequently the center for the appearance of odd lights and UFOs. Scientific evidence shows them to be centered on weird, magnetic field anomalies. If you are ready to discover the Celtic past of the Americas, you need to get this book. It will also intrigue and thrill archeologists, paranormalists, and people who just want to know the truth.
A gripping story of a family tragedy brought about by witch-hunting in Puritan New England that combines history, anthropology, sociology, politics, theology and psychology. “The best and most enjoyable kind of history writing. Malcolm Gaskill goes to meet the past on its own terms and in its own place…Thought-provoking and absorbing." —Hilary Mantel, best-selling author of Wolf Hall In Springfield, Massachusetts in 1651, peculiar things begin to happen. Precious food spoils, livestock ails, property vanishes, and people suffer convulsions as if possessed by demons. A woman is seen wading through the swamp like a lost soul. Disturbing dreams and visions proliferate. Children sicken and die. As tensions rise, rumours spread of witches and heretics and the community becomes tangled in a web of distrust, resentment and denunciation. The finger of suspicion soon falls on a young couple with two small children: the prickly brickmaker, Hugh Parsons, and his troubled wife, Mary. Drawing on rich, previously unexplored source material, Malcolm Gaskill vividly evokes a strange past, one where lives were steeped in the divine and the diabolic, in omens, curses and enchantments. The Ruin of All Witches captures an entire society caught in agonized transition between superstition and enlightenment, tradition and innovation.
