Create the enormously popular look and luxurious feel of chenille in just five fun steps. Expanding on her first book, the best-selling Variations in Chenille, Nannette Holmberg introduces several new "Faux Chenille" techniques, such as incorporating ribbons, trims, and appliques to create one-of-a-kind chenille fabrics. Learn to make raw fabric edges "bloom" into soft, beautiful fabric. Discover a magical world of color and texture. --
Take a step in a new direction! Go beyond top-down or toe-up construction in New Directions in Sock Knitting. In the eighteen designs curated by knitting super star Ann Budd, you'll be treated to projects that range from traditional sock patterns to more challenging and innovative sock constructions. The socks in this collection use a variety of knitting techniques including double knitting, intarsia in the round, short-row shaping, mirrored color and texture patterns, and multi-directional knitting in both traditional and innovative ways. These techniques will have you casting on and knitting your socks from unexpected places--starting at the heel or sole or even from side to side! The instructions are all written in step-by-step detail that will ensure success, no matter which design you choose to knit. Original, innovative, and unique, it's New Directions in Sock Knitting!
Nearly three decades since the publication of the seminal "Metaphors We Live By," Cognitive Linguistics is now a mature theoretical and empirical enterprise, with a voluminous associated literature. It is arguably the most rapidly expanding school in modern linguistics, and one of the most exciting areas of research within the interdisciplinary project known as cognitive science. As such, Cognitive Linguistics is increasingly attracting a broad readership both within linguistics as well as from neighbouring disciplines including other cognitive and social sciences, and from disciplines within the humanities. This volume contains over 20 papers by leading experts in cognitive linguistics which survey the state of the art and new directions in cognitive linguistics. The volume is divided into 5 sections covering all the traditional areas of study in cognitive linguistics, as well as newer areas, including applications and extensions. Sections include: Approaches to semantics; Approaches to metaphor and blending; Approaches to grammar; Language, embodiment and cognition; Extensions and applications of cognitive linguistics."
Since 1936, the New Directions in Prose and Poetry anthologies have served as vehicles for the presentation of new and variant trends in world literature.
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
A collection of traditional quilts updated with Piece O'Cake style. The nine traditional American quilt projects are reinvented in woven plaids and stripes. Using a mix of applique, piecing and foundation piecing patterns, these designs include Pretty in Plaid, Royal Plumes and Neapolitan Nights. There are many tips and instructions to help readers get started immediately.
Southern Tufts is the first book to highlight the garments produced by northwestern Georgia’s tufted textile industry. Though best known now for its production of carpet, in the early twentieth century the region was revered for its handtufted candlewick bedspreads, products that grew out of the Southern Appalachian Craft Revival and appealed to the vogue for Colonial Revival–style household goods. Soon after the bedspreads became popular, enterprising women began creating hand-tufted garments, including candlewick kimonos in the 1920s and candlewick dresses in the early 1930s. By the late 1930s, large companies offered machine-produced chenille beach capes, jackets, and robes. In the 1940s and 1950s, chenille robes became an American fashion staple. At the end of the century, interest in chenille fashion revived, fueled by nostalgia and an interest in recycling vintage materials. Chenille bedspreads, bathrobes, and accessories hung for sale both in roadside souvenir shops, especially along the Dixie Highway, and in department stores all over the nation. Callahan tells the story of chenille fashion and its connections to stylistic trends, automobile tourism, industrial developments, and U.S. history. The well-researched and heavily illustrated text presents a broad history of tufted textiles, as well as sections highlighting individual craftspeople and manufacturers involved with the production of chenille fashion.
