New Delhi Love Songs

New Delhi Love Songs

Author: MICHAEL. CREIGHTON

Publisher: Speaking Tiger Books

Published: 2017-12-10

Total Pages:

ISBN-13: 9789387164512

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A sensational debut collection of poems by a fresh new voice 'In these whimsical, deeply affectionate poems, New Delhi is both context and protagonist, alive in its dust, smog and everydayness, in the vibrant colour of the first lychees of the season, in the mysteries that lie between "city and sprawl." The city finds an ardent archivist in Michael Creighton--one who stoutly keeps the faith that "warm rains" will always "come to clear the dust." Suffused by rare tenderness, these poems return through the welter of streets and residences to an address that remains at the abiding centre of this book--the place that the poet terms "the place I imagine my heart to be."'--Arundhathi Subramaniam 'New Delhi Love Songs is a collection abounding with shakarkandiwalas, jasmine-sellers, FM radios and cyclists, the Ghaziabad flower market and Moolchand flyover; the Delhi all around us, the Delhi of "your flesh, your seeds, / your skin," of "sweat and soil / mixed with clover, sun and wind." Unusual, deeply affecting in their attentiveness to life that seldom makes headlines, these poems reinforce the skeins of humanity that sustain us. They are tender and droll--two qualities we desperately need, in the capital but also elsewhere--yet steadfast in their eschewal of easy sentimentality and facile observations. New Delhi Love Songs makes the heart ache; but also sing, from time to time, for this is where "even a dead river looks lovely."' --Karthika Nair


Love Songs

Love Songs

Author: Ted Gioia

Publisher: Oxford University Press, USA

Published: 2015

Total Pages: 332

ISBN-13: 0199357579

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Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression.


AKASHVANI

AKASHVANI

Author: All India Radio (AIR), New Delhi

Publisher: All India Radio (AIR), New Delhi

Published: 1979-06-24

Total Pages: 68

ISBN-13:

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"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 24 JUNE, 1979 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XLIV. No. 25 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 4-29, 39-65 ARTICLE: 1. Rammohan, The First Internationalist 2. Bharata Natyam 3. Saving the Sandalwood Trees 4. Prasar Bharati 5. Nutritional Diseases and their Prevention 6. Child in our Legal System 7. Modern Trends in Marine Transportation 8. Psychology of Deprivation AUTHOR: 1. Prof. R. K. Das Gupta 2. Vijayantimala 3. B. Jagannath shetty 4. K. S. Mullick 5. Dr. C. P. Gupta 6. G. N. Seshagiri Rao 7. S. Ganesan 8. Dr. Debabrata Banerjee Document ID : APE-1979 (A-J) Vol-II-13 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential


Love Poems

Love Poems

Author: Pablo Neruda

Publisher: New Directions Publishing

Published: 2008-01-17

Total Pages: 100

ISBN-13: 0811221482

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Sensual, earthy love poems that formed the basis for the popular movie Il Postino, now in a beautiful gift book perfect for weddings, Valentine's Day, anniversaries, or just to say "I love you!" Charged with sensuality and passion, Pablo Neruda’s love poems caused a scandal when published anonymously in 1952. In later editions, these verses became the most celebrated of the Noble Prize winner’s oeuvre, captivating readers with earthbound images that reveal in gentle lingering lines an erotic re-imagining of the world through the prism of a lover’s body: "today our bodies became vast, they grew to the edge of the world / and rolled melting / into a single drop / of wax or meteor...." Written on the paradisal island of Capri, where Neruda "took refuge" in the arms of his lover Matilde Urrutia, Love Poems embraces the seascapes around them, saturating the images of endless shores and waves with a new, yearning eroticism. This wonderful book collects Neruda’s most passionate verses.


AKASHVANI

AKASHVANI

Author: Publications Division (India), New Delhi

Publisher: Publications Division (India),New Delhi

Published: 1963-12-22

Total Pages: 68

ISBN-13:

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"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 22 DECEMBER, 1963 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XXVIII. No. 51 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-67 ARTICLE: 1.Sounding Rocket Range In Kerala. 2. The Vital Role Of Banks Today. 3. Sartorially Speaking. 4.Aeronautical Development and the Emergency. AUTHOR: 1. Vikram Sarabhai 2. G. S. Srivatsava. 3. M. M. Begg. 4. Dr. O. P. Mehderetta KEYWORDS : 1. Reasons for Selecting Thumba,People's Cooperation,Colobaration from Abroad. 2. Banking in India Bank's ,Investments. 3. Impressive Khaki, Association of British Raj, In the Cities 4.The Stage Operation. New Equipment Developed. Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.


THE INDIAN LISTENER

THE INDIAN LISTENER

Author: All India Radio (AIR),New Delhi

Publisher: All India Radio (AIR),New Delhi

Published: 1938-10-07

Total Pages: 92

ISBN-13:

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The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-10-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 92 VOLUME NUMBER: Vol. III, No. 20 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 1444-1523 ARTICLE: 1. The Revival Of Indian Music 2. Music For The Indian Film (A Talk Broadcast Recently From Bombay) 3. AIR At Work V. Outside Broadcasts AUTHOR: 1. K. A. Desai 2. Sir Richard Temple 3. Unknown KEYWORDS: 1. Revival of Indian Music, Bal Sangit Mala, Western India, Maula Bux, Music Schools 2. Art Soiree, Indian Film Industry, Indian Musician 3. Delhi Programme Assistant, AIR Studio, Mushaira, Outside Broadcasts, Microphone Document ID: INL - 1938 ( J-D) Vol -I (20)


The Garland Encyclopedia of World Music

The Garland Encyclopedia of World Music

Author: Alison Arnold

Publisher: Routledge

Published: 2017-09-25

Total Pages: 1126

ISBN-13: 1351544381

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In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.


Nationalism in India

Nationalism in India

Author: Debajyoti Biswas

Publisher: Routledge

Published: 2021-09-13

Total Pages: 258

ISBN-13: 1000452778

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This book offers interdisciplinary perspectives on nationalism in India and examines the ways in which literary-textual representations intervene in debates regarding Hindu, Muslim and other forms of Indian nationalism. The book interrogates questions of nationalism and nationhood in relation to literary and cultural texts, historic-linguistic contexts and new developments in queer nationalism and ecological nationalism. It adopts a nation-wide emphasis, including chapters on Northeast India and other regions that have been historically underrepresented in studies of Indian nationalism. Moreover, the volume explores a rich variety of literary works by various writers over the past two centuries that have created, enshrined and contested ideas pivotal to the development of Indian nationalism. Located in a range of disciplines, contributors bring extensive expertise in Indian literature, language and culture to the question of nationalism. The chapters challenge many of the accepted ideas on nationalism and critically examine the politics behind such nationalisms. Moving beyond an approach to Indian nationalism based exclusively in the historicist-political paradigm, this timely book challenges established ideas in Indian nationalism and critically examines the politics of nationalisms in terms of textual representations. The book will be of interest to researchers working on South Asian studies, including Indian culture, history, literature and politics.


The Body Adorned

The Body Adorned

Author: Vidya Dehejia

Publisher: Columbia University Press

Published: 2009-02-26

Total Pages: 262

ISBN-13: 9780231512664

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The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.