Mark Twain wrote: "Humor is mankind's greatest blessing." Consider yourself blessed a thousand-fold with the new compilation Great American Humor by Gerd de Ley. Great American Humor collects 1000 wise and witty jokes, clever sayings and smart one-liners from well-known American humorists, actors, comedians, politicians, and personalities into a terrific volume guaranteed to generate laughs. Great American Humor features quips and quotes from well-known figures such as Mark Twain, Steve Martin, Bette Midler, Milton Berle, Ellen DeGeneres, Rodney Dangerfield, Robin Williams, Mae West, Mitch Hedberg, Joan Rivers, George Carlin, and the list goes on. Carefully researched and culled for maximum guffaws, Great American Humor captures the unique spirit of American wit and features more than enough jokes, puns and riddles to have everyone laughing.
"Before Katrina, Modine Gunch was Everywoman who fought with pantyhose until they went out of style, shoved dirty dishes into the oven when her mother-in-law was coming up the walk, shudderingly oversaw school science projects involving roaches, and insisted that a dish that didn't survive the dishwasher didn't deserve to live. Her family's adventures have tickled the funnybones of New Orleans Magazine readers for 25 years and have appeared in two books: Never heave your bosom in a front-hook bra and Never sleep with a fat man in July. But in 2005, home was where the levees broke. The Gunch family's houses, strung comfortably close together along one block, were among those washed away. So the Gunches found out that they were double-wide and their FEMA trailers weren't; 'Don't come knockin' if this trailer's rockin' meant somebody was stretched out in the vibrating recliner; and the talent God gave Modine was for cleaning out putrid refrigerators. But five years later, the Gunches are still standing--when they're not second-lining"--Publisher description.
From the bestselling coauthor of Wittgenstein's Poker, a fascinating tour through the history of moral philosophy A runaway train is racing toward five men who are tied to the track. Unless the train is stopped, it will inevitably kill all five men. You are standing on a footbridge looking down on the unfolding disaster. However, a fat man, a stranger, is standing next to you: if you push him off the bridge, he will topple onto the line and, although he will die, his chunky body will stop the train, saving five lives. Would you kill the fat man? The question may seem bizarre. But it's one variation of a puzzle that has baffled moral philosophers for almost half a century and that more recently has come to preoccupy neuroscientists, psychologists, and other thinkers as well. In this book, David Edmonds, coauthor of the bestselling Wittgenstein's Poker, tells the riveting story of why and how philosophers have struggled with this ethical dilemma, sometimes called the trolley problem. In the process, he provides an entertaining and informative tour through the history of moral philosophy. Most people feel it's wrong to kill the fat man. But why? After all, in taking one life you could save five. As Edmonds shows, answering the question is far more complex—and important—than it first appears. In fact, how we answer it tells us a great deal about right and wrong.
In this clever compendium, hundreds of notables share their wise and witty admonitions on everything from dating to dentists, poker to punctuality, tipping to temptation.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
From Sadat to Saddam offers a fresh perspective on the politicization of the U.S. diplomatic corps and the militarization of U.S. foreign policy in the Middle East. This book begins with the 1981 assassination of Egyptian president Anwar Sadat, continues through two Gulf wars, and ends with the U.S. withdrawal of combat troops from Iraq in 2011. This firsthand account of thirty years in the diplomatic trenches of U.S. foreign policy in the Middle East addresses the basic questions of how and why we find ourselves today in endless military conflict and argues that it is directly related to the decline in reliance on our diplomatic skills. From Sadat to Saddam offers an in-depth look by a career diplomat at how U.S. soft power has been allowed to atrophy. It chronicles three decades of dealing not just with foreign policy challenges and opportunities but also with the frustrations of working with bureaucrats and politicians who don’t understand the world and are unwilling to listen to those who do. The book makes clear that the decline of our diplomatic capability began well before the election of Donald Trump. It recommends that instead of trying to make soldiers into diplomats and diplomats into soldiers, we invest in a truly professional diplomatic service.
From the creator of Your Fat Friend and co-host of the Maintenance Phase podcast, an explosive indictment of the systemic and cultural bias facing plus-size people. Anti-fatness is everywhere. In What We Don’t Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people’s experiences. Unlike the recent wave of memoirs and quasi self-help books that encourage readers to love and accept themselves, Gordon pushes the discussion further towards authentic fat activism, which includes ending legal weight discrimination, giving equal access to health care for large people, increased access to public spaces, and ending anti-fat violence. As she argues, “I did not come to body positivity for self-esteem. I came to it for social justice.” By sharing her experiences as well as those of others—from smaller fat to very fat people—she concludes that to be fat in our society is to be seen as an undeniable failure, unlovable, unforgivable, and morally condemnable. Fatness is an open invitation for others to express disgust, fear, and insidious concern. To be fat is to be denied humanity and empathy. Studies show that fat survivors of sexual assault are less likely to be believed and less likely than their thin counterparts to report various crimes; 27% of very fat women and 13% of very fat men attempt suicide; over 50% of doctors describe their fat patients as “awkward, unattractive, ugly and noncompliant”; and in 48 states, it’s legal—even routine—to deny employment because of an applicant’s size. Advancing fat justice and changing prejudicial structures and attitudes will require work from all people. What We Don’t Talk About When We Talk About Fat is a crucial tool to create a tectonic shift in the way we see, talk about, and treat our bodies, fat and thin alike.
ONE OF NPR’S BEST BOOKS OF 2019 A “warm and funny and honest…genuinely unputdownable” (Curtis Sittenfeld) memoir chronicling what it’s like to live in today’s world as a fat man, from acclaimed journalist Tommy Tomlinson, who, as he neared the age of fifty, weighed 460 pounds and decided he had to change his life. When he was almost fifty years old, Tommy Tomlinson weighed an astonishing—and dangerous—460 pounds, at risk for heart disease, diabetes, and stroke, unable to climb a flight of stairs without having to catch his breath, or travel on an airplane without buying two seats. Raised in a family that loved food, he had been aware of the problem for years, seeing doctors and trying diets from the time he was a preteen. But nothing worked, and every time he tried to make a change, it didn’t go the way he planned—in fact, he wasn’t sure that he really wanted to change. In The Elephant in the Room, Tomlinson chronicles his lifelong battle with weight in a voice that combines the urgency of Roxane Gay’s Hunger with the intimacy of Rick Bragg’s All Over but the Shoutin’. He also hits the road to meet other members of the plus-sized tribe in an attempt to understand how, as a nation, we got to this point. From buying a Fitbit and setting exercise goals to contemplating the Heart Attack Grill in Las Vegas, America’s “capital of food porn,” and modifying his own diet, Tomlinson brings us along on a candid and sometimes brutal look at the everyday experience of being constantly aware of your size. Over the course of the book, he confronts these issues head-on and chronicles the practical steps he has to take to lose weight by the end. “What could have been a wallow in memoir self-pity is raised to art by Tomlinson’s wit and prose” (Rolling Stone). Affecting and searingly honest, The Elephant in the Room is an “inspirational” (The New York Times) memoir that will resonate with anyone who has grappled with addiction, shame, or self-consciousness. “Add this to your reading list ASAP” (Charlotte Magazine).