Neues Museum Berlin

Neues Museum Berlin

Author: Julian Harrap

Publisher: Walther Konig

Published: 2009

Total Pages: 286

ISBN-13: 9783865607041

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This book, edited by David Chipperfield, documents his most important project to date: the Neues Museum, the centrepiece of the Berlin Museumsinsel. Here he connects the old and new in a completely novel way. As he says himself, he proceeded like a painter, who painstakingly considers every dab of paint. Photographs by Candida Höfer show the rooms after their completion and before they were furnished. As Höfer avoided using artificial light, the rooms are bathed in a soft natural light. These critical moments are perfectly reproduced in the book as matt colour plates. The photographer is inspired by the empty rooms and grandiose corridors of space to then dedicate her attention to the architects interventions. This artistic-photographic documentation is complemented by texts from wellknown architects, architectural historians, art historians and conservation architects. They highlight the fundamental principles of the project of conservation and complementation. Kenneth Frampton discusses the almost historical endeavour to restore such a building and responds to Chipperfields architectural interventions, purely abstract forms that avoid any trace of kitsch. Joseph Rykwert describes the fragmented history of which this building is evidence, thanks to its many layers. An interview with David Chipperfield byWolfgangWolters imparts insights into the problems and questions that the restoration posed, and in his contribution, ThomasWeski takes a closer look at Candida Höfers photography. In addition, a chronology offers an overview of the history of the building, the request for proposals for its reconstruction and the restoration itself.


Neues Museum

Neues Museum

Author: Elke Blauert

Publisher: Nicholaische Verlagsbuchhandlung Gmbh

Published: 2012

Total Pages: 0

ISBN-13: 9783894796747

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This lavish publication presents the Neues Museum, badly damaged during the Second World War and recently restored and reopened, in all its glory. Numerous full-page photographs magnificently showcase both the museum's architecture and its collection One of the great museums of the 19th century, the Neues Museum in Berlin, built between 1843 to 1855 to a design by Friedrich August Stuler, was celebrated both for its important collections and its innovative integration of exhibition concept and magnificent interior designs. Badly damaged during the Second World War, the building has been sympathetically restored by the British architect David Chipperfield and his team, whose work skilfully combines a rigorous respect for the original architecture on the one hand, with a commitment to modern design and contemporary exhibition needs on the other. This lavish publication presents the reopened Neues Museum in all its glory. Numerous full-page photographs magnificently showcase both the museum's architecture and its collection. The famous Mythological Room, Roman Room and the Room of the Niobids, as well as the extensive wall paintings of Wilhelm von Kaulbach and the historic floors, are described in detailed individual chapters. Other chapters re-examine the museum's eventful history and detail the extensive programme of restoration. Historical and current illustrations and floorplans complete this comprehensive and beautifully illustrated work on one of the finest museums in the world.


The Museum Is Open

The Museum Is Open

Author: Andrea Meyer

Publisher: Walter de Gruyter

Published: 2013-12-12

Total Pages: 272

ISBN-13: 3110298821

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Museumswissenschaft, Museumsanalyse, Museumsgeschichte, Museumstheorien ... – neben Bezeichnungen wie Museologie und Museumskunde haben in den letzten Jahren Komposita Verwendung gefunden, die vor allem eines vor Augen führen: das zunehmende wissenschaftliche Interesse an Museen. Bis heute kehrt dabei das Argument stets wieder, dass die Institution maßgeblicher Schauplatz nationaler Identitätsbildung gewesen sei. Der Band rückt hingegen das Museum als Produkt grenzüberschreitender Austausch- und Transferprozesse von circa 1750 bis 1940 in den Mittelpunkt.


Frank Gehry

Frank Gehry

Author: Jeremy Gilbert-Rolfe

Publisher: Psychology Press

Published: 2002

Total Pages: 158

ISBN-13: 9780415239950

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This book focuses on two projects, Gehry's unrealised proposal for the rehabilitation of Berlin's Museum Island and his soon to be completed Disney Concert Hall in Los Angeles.


Museum Making

Museum Making

Author: Suzanne Macleod

Publisher: Routledge

Published: 2012-03-15

Total Pages: 488

ISBN-13: 1136445749

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Over recent decades, many museums, galleries and historic sites around the world have enjoyed an unprecedented level of large-scale investment in their capital infrastructure, in building refurbishments and new gallery displays. This period has also seen the creation of countless new purpose-built museums and galleries, suggesting a fundamental re-evaluation of the processes of designing and shaping of museums. Museum Making: Narratives, Architectures, Exhibitions examines this re-making by exploring the inherently spatial character of narrative in the museum and its potential to connect on the deepest levels with human perception and imagination. Through this uniting theme, the chapters explore the power of narratives as structured experiences unfolding in space and time as well as the use of theatre, film and other technologies of storytelling by contemporary museum makers to generate meaningful and, it is argued here, highly effective and affective museum spaces. Contributions by an internationally diverse group of museum and heritage professionals, exhibition designers, architects and artists with academics from a range of disciplines including museum studies, theatre studies, architecture, design and history cut across traditional boundaries including the historical and the contemporary and together explore the various roles and functions of narrative as a mechanism for the creation of engaging and meaningful interpretive environments.


Neues Museum Berlin

Neues Museum Berlin

Author: Adrian von Buttlar

Publisher: Deutscher Kunstverlag (Dkv)

Published: 2010

Total Pages: 104

ISBN-13: 9783422069800

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David Chipperfield's spectacular reconstruction of the Neues Museum marks a further stage in the conservation and modernisation of the Museum Island in Berlin. The original museum, erected from 1841 to 1859 to designs by Friedrich August Stüler, was itself a notable attraction, celebrated for its use of the latest construction technology and for its conception as a total work of art in which architecture, pictorial imagery and the exhibits worked together to acquaint visitors with 'exotic' cultures ranging from the ancient world to the more recent past. All parts of the building that survived the Second World War and a half-century of neglect as a ruin have been carefully conserved. They are joined by outstanding modern additions made in sympathy with the original. The Neues Museum can now take its place as a building worthy of the UNESCO World Heritage site. This book traces the genesis of the building, describes its former and current splendour and explains its significance. The author also outlines the heated debate over the right way to reconstruct the museum.


The Contemporary Museum

The Contemporary Museum

Author: Simon Knell

Publisher: Routledge

Published: 2018-10-11

Total Pages: 444

ISBN-13: 1351106392

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The Contemporary Museum issues a challenge to those who view the museum as an artefact of history, constrained in its outlook as much by professional, institutional and disciplinary creed, as by the collections it accumulated in the distant past. Denying that the museum can locate its purpose in the pursuit of tradition or in idealistic speculation about the future, the book asserts that this can only be found through an ongoing and proactive negotiation with the present: the contemporary. This volume is not concerned with any present, but with the peculiar circumstances of what it refers to as the ‘global contemporary’ – the sense of living in a globally connected world that is preoccupied with the contemporary. To situate the museum in this world of real and immediate need and action, beyond the reach of history, the book argues, is to empower it to challenge existing dogmas and inequalities and sweep aside old hierarchies. As a result, fundamental questions need to be asked about such things as the museum’s relationship to global time and space, to systems and technologies of knowing, to ‘the life well lived’, to the movement and rights of people, and to the psychology, permanence and organisation of culture. Incorporating diverse viewpoints from around the world, The Contemporary Museum is a follow-up volume to Museum Revolutions and, as such, should be essential reading for students in the fields of museum and heritage studies, cultural studies, communication and media studies, art history and social policy. Academics and museum professionals will also find this book a source of inspiration.


Antiquity on Display

Antiquity on Display

Author: Can Bilsel

Publisher: Oxford University Press

Published: 2012-07-19

Total Pages: 310

ISBN-13: 0199570558

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"Antiquity on Display" offers an insight into the history of the imaginative reproductions of architecture housed in Berlin's Pergamon Museum and the shifting regimes of the authentic in museum displays from the 19th century to the present.


Nefertiti’s Face

Nefertiti’s Face

Author: Joyce Tyldesley

Publisher: Harvard University Press

Published: 2018-03-12

Total Pages: 249

ISBN-13: 0674983750

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Little is known about Nefertiti, the Egyptian queen whose name means “a beautiful woman has come.” She was the wife of Akhenaten, the pharaoh who ushered in the dramatic Amarna Age, and she bore him at least six children. She played a prominent role in political and religious affairs, but after Akhenaten’s death she apparently vanished and was soon forgotten. Yet Nefertiti remains one of the most famous and enigmatic women who ever lived. Her instantly recognizable face adorns a variety of modern artifacts, from expensive jewelry to cheap postcards, t-shirts, and bags, all over the world. She has appeared on page, stage, screen, and opera. In Britain, one woman has spent hundreds of thousands of pounds on plastic surgery in hope of resembling the long-dead royal. This enduring obsession is the result of just one object: the lovely and mysterious Nefertiti bust, created by the sculptor Thutmose and housed in Berlin’s Neues Museum since before World War II. In Nefertiti’s Face, Egyptologist Joyce Tyldesley tells the story of the bust, from its origins in a busy workshop of the late Bronze Age to its rediscovery and controversial removal to Europe in 1912 and its present status as one of the world’s most treasured artifacts. This wide-ranging history takes us from the temples and tombs of ancient Egypt to wartime Berlin and engages the latest in Pharaonic scholarship. Tyldesley sheds light on both Nefertiti’s life and her improbable afterlife, in which she became famous simply for being famous.


Art of Illusion

Art of Illusion

Author: Dan Karlholm

Publisher: Peter Lang

Published: 2006

Total Pages: 280

ISBN-13: 9783039109586

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To survey art history as a whole was a pressing task for a generation of German scholars around the mid-nineteenth century. Their projections of a historicist chain of artworks ranged from textual narratives without illustrations, to separate picture compendia as well as images of a more allegorical kind. Other means with which to picture art history as part of a virtually all-encompassing cultural history were the museums of art erected in Germany at the time, in Berlin and Munich especially. This book deals with practices of representing art history in various media. This includes post-Hegelian texts and engravings of art history from the 1840s onwards, by Franz Kugler, Julius Schnorr and others. In addition, works of art of the late twentieth century, by Andy Warhol, Anselm Kiefer and others, provide opportunities to speculate on the after-effects and discursive traces of the old regime. Extending the concept of historiography to include not just textual or institutional endeavours, but a host of different images as well, from reproductive prints to pop paintings and visual archives of the digital era, this study is intended to contribute in new ways to a critical historiography of the field of art history and visual culture today.