Vu Tran has written a thrilling and cinematic work of sophisticated suspense and haunting lyricism set in motion by characters who can neither trust each other nor themselves. Dragonfish is a remarkable debut, a noir page-turner. Robert's ex-wife has disappeared and her new husband is blackmailing Robert into finding her for him. His search leads him to learn more about his ex-wife than he ever did in their marriage. As Robert starts illuminating the dark corners of her life, the legacy of her sins threatens to immolate them all.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
In the alternate universe of this glitteringly surreal first novel, the Aztecs rule, having conquered the European invaders. Zenzontli, Keeper of the House of Darkness, is visited by visions of a parallel world run by the Europeans, where consumerism reigns supreme. Aztecs armed with automatic weapons, totemic powers and blood sacrifice conquer and colonize 1940s Europe, as ghosts of the world wars emerge to haunt contemporary Los Angeles. Atomik Aztex is a hilarious read. A potent concoction, with influences from graphic novels, along with Ishmael Reed’s Mumbo Jumbo, the paranoia of Philip K. Dick and William Burroughs, and an outrageous cyber-Aztlán mix reminiscent of Guillermo Gómez-Peña. Sesshu Foster is the author of the critically acclaimed City Terrace Field Manual.
“Istanbul, Istanbul turns on the tension between the confines of a prison cell and the vastness of the imagination; between the vulnerable borders of the body and the unassailable depths of the mind. This is a harrowing, riveting novel, as unforgettable as it is inescapable.” —Dale Peck, author of Visions and Revisions “A wrenching love poem to Istanbul told between torture sessions by four prisoners in their cell beneath the city. An ode to pain in which Dostoevsky meets The Decameron.” —John Ralston Saul, author of On Equilibrium; former president, PEN International “Istanbul is a city of a million cells, and every cell is an Istanbul unto itself.” Below the ancient streets of Istanbul, four prisoners—Demirtay the student, the doctor, Kamo the barber, and Uncle Küheylan—sit, awaiting their turn at the hands of their wardens. When they are not subject to unimaginable violence, the condemned tell one another stories about the city, shaded with love and humor, to pass the time. Quiet laughter is the prisoners’ balm, delivered through parables and riddles. Gradually, the underground narrative turns into a narrative of the above-ground. Initially centered around people, the book comes to focus on the city itself. And we discover there is as much suffering and hope in the Istanbul above ground as there is in the cells underground. Despite its apparently bleak setting, this novel—translated into seventeen languages—is about creation, compassion, and the ultimate triumph of the imagination.
Winner of: Times Literary Supplement Book of the Year Over the last 15 years Keston Sutherland has gained the reputation of being at the forefront of the experimental movement in contemporary British poetry. This book collects all of his work into a single volume, including his recent The Odes to TL61P. Among the previous works included are Antifreeze, Hot White Andy, Neocosis, Stress Position, and The Stats on Infinity.
As a concept, 'trauma' has attracted a great deal of interest in literary studies. A key term in psychoanalytic approaches to literary study, trauma theory represents a critical approach that enables new modes of reading and of listening. It is a leading concept of our time, applicable to individuals, cultures, and nations. This book traces how trauma theory has come to constitute a discrete but influential approach within literary criticism in recent decades. It offers an overview of the genesis and growth of literary trauma theory, recording the evolution of the concept of trauma in relation to literary studies. In twenty-one essays, covering the origins, development, and applications of trauma in literary studies, Trauma and Literature addresses the relevance and impact this concept has in the field.
An indispensable collection that re-examines what it means to belong in the world. "Where are you from?" The word cosmopolitan was first used as a way of evading exactly this question, when Diogenes the Cynic declared himself a “kosmo-polites,” or citizen of the world. Cosmopolitanism displays two impulses—on the one hand, a detachment from one’s place of origin, while on the other, an assertion of membership in some larger, more compelling collective. Cosmopolitanisms works from the premise that there is more than one kind of cosmopolitanism, a plurality that insists cosmopolitanism can no longer stand as a single ideal against which all smaller loyalties and forms of belonging are judged. Rather, cosmopolitanism can be defined as one of many possible modes of life, thought, and sensibility that are produced when commitments and loyalties are multiple and overlapping. Featuring essays by major thinkers, including Homi Bhabha, Jean Bethke Elshtain, Thomas Bender, Leela Gandhi, Ato Quayson, and David Hollinger, among others, this collection asks what these plural cosmopolitanisms have in common, and how the cosmopolitanisms of the underprivileged might serve the ethical values and political causes that matter to their members. In addition to exploring the philosophy of Kant and the space of the city, this volume focuses on global justice, which asks what cosmopolitanism is good for, and on the global south, which has often been assumed to be an object of cosmopolitan scrutiny, not itself a source or origin of cosmopolitanism. This book gives a new meaning to belonging and its ground-breaking arguments call for deep and necessary discussion and discourse.
