Dutch Design

Dutch Design

Author: Mienke Simon Thomas

Publisher: Reaktion Books

Published: 2008-12-15

Total Pages: 513

ISBN-13: 1861894724

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Experimentation and Dutch design have long gone hand in hand, from postage stamps to the Rietveld chair to the clean simplicity of Schiphol airport. Mienke Simon Thomas skillfully details the groundbreaking accomplishments and popular products of Dutch design in Dutch Design Culture. Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about design as art, and the provocative notion of “anti-design,” Thomas argues that though Dutch design from the beginning has been driven by aims of functionality, simplicity, and affordability, it has also embraced luxury and exclusivity. The book also discusses the role played by leading Dutch designers and their works, including Wim Crouwel, Marcel Wanders, and the design collective Droog Design. An unprecedented, detailed history, Dutch Design Culture is a critical primer on one of the leading national design movements today.


Encyclopedia of Interior Design

Encyclopedia of Interior Design

Author: Joanna Banham

Publisher: Routledge

Published: 1997-05

Total Pages: 1469

ISBN-13: 1136787585

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First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.


Ca[talogus].

Ca[talogus].

Author: Amsterdam (Netherlands). Dienst der Gemeentemusea

Publisher:

Published: 1986

Total Pages: 324

ISBN-13:

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Set consists of catalogs of the exhibitions held by the Amsterdam Stedelijk Museum and by other municipal museums.


Printing Colour 1400-1700

Printing Colour 1400-1700

Author:

Publisher: BRILL

Published: 2015-08-24

Total Pages: 278

ISBN-13: 9004290117

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In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.