Near Eastern Jewelry

Near Eastern Jewelry

Author: Maurice Dimand

Publisher: Metropolitan Museum of Art

Published: 1940-11-07

Total Pages: 32

ISBN-13:

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This picture book was composed in 1940 to display choice pieces from the Museum's Near East jewelry collection. Along with its array of photographs, the assembling curators have provided an introductory essay on the history and cultures that surround each of these carefully crafted ornaments, as well as the techniques used to produce them.


Ancient Egyptian Jewelry

Ancient Egyptian Jewelry

Author: Ambrose Lansing

Publisher: Metropolitan Museum of Art

Published: 2015-02-04

Total Pages: 32

ISBN-13:

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This picture book features images of Ancient Egyptian Jewelry covering works from Pre-dynastic shell necklaces to intricately designed gold earrings of the Roman period. A brief introductory essay discusses the history of jewelry and the evolution of Ancient Egyptian jewelry craftsmanship.


Metropolitan Jewelry

Metropolitan Jewelry

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 1991

Total Pages: 118

ISBN-13: 0870996169

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This book highlights pieces of jewellery from ancient and modern cultures in every part of the globe. Of special interest are the objects that appear in paintings and other works of art: jewel-studded gowns, glittering Renaissance brooches and an Egyptian beaded collar are among the featured works from the "Metropolitan Museum"'s collection. Necklaces, earrings, rings and bracelets fill this book and also included are objects of religious significance, military honours and other kinds of personal decoration. The captions relate anecdotes concerning the artists and wearers and describe the history and style of the jewellery pictured.


Near Eastern Archaeology

Near Eastern Archaeology

Author: Suzanne Richard

Publisher: Eisenbrauns

Published: 2003

Total Pages: 506

ISBN-13: 1575060833

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Annotation Filling a gap in classroom texts, more than 60 essays by major scholars in the field have been gathered to create the most up-to-date and complete book available on Levantine and Near Eastern archaeology. The book is divided into two sections: "Theory, Method, and Context," and "Cultural Phases and Topics," which together provide both methodological and areal coverage of the subject. The text is complemented by many line drawings and photographs. Includes a foreword by W.G. Dever.


A Companion to Ancient Near Eastern Art

A Companion to Ancient Near Eastern Art

Author: Ann C. Gunter

Publisher: John Wiley & Sons

Published: 2018-09-08

Total Pages: 703

ISBN-13: 1118336755

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Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.


Desert Silver

Desert Silver

Author: Sigrid van Roode

Publisher: Kit Pub

Published: 2010

Total Pages: 0

ISBN-13: 9789460220470

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Some of the oldest civilizations in the world originated along the fertile banks of the Nile, Tigris and Euphrates rivers, and the countries of the Middle East and North Africa have been cultural melting pots ever since. The trade routes adopted by the regione(tm)s nomads linked colorful cultures and time-long traditions like so many beads on a string. And indeed it is in the regione(tm)s jewelery that its many-layered history of tribes and empires, nomads and villagers is perhaps best seen. From an archaeological point of view, decorative details and motifs can be traced back centuries, sometimes even millennia. This book, Desert Silver, explores the social, economic and religious background of this jewelery. The traditional silver jewelery of the region combines a variety of aspects of desert life. As the unalienable property of a woman, it has practical, economic value; it serves as a social indicator and reveals where the wearer comes from, how rich she is and her status as a wife and mother. Perhaps more importantly it is frequently worn as a powerful amulet. Jewelery plays a subtle role in everyday society as communicator, messenger and bank account, and all of these aspects are discussed in the book and illustrated with rich examples, from Palestinian wedding necklaces made from fragrant cloves to the brightly enamelled bracelets of the Maghreb. The different functions fulfilled by jewelery are rooted deep within society, so changes within that society inevitably impact its jewellery. Now that traditional societies are changing fast, what does the future hold for the traditional silver jewellery of the Middle East and North Africa, jewelery that has remained unchanged for centuries?