Natus sapientia
Natus sapientia

Author: Cristina Cassia

Publisher: A-R Editions, Inc.

Published:

Total Pages: 55

ISBN-13: 1987208714

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The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. Although most known motetti missales cycles appear within the Milanese Libroni, two unique anonymous cycles appear together in Munich, Bayerische Staatsbibliothek Mus. Ms. 3154 (the Leopold Codex), a source evidently compiled in Innsbruck. The cycle Natus sapientia, like the Milanese motetti missales cycles, consists of eight motets, but with texts focusing on the crucifixion of Jesus rather than Marian themes. This edition improves upon previously published versions by providing full text underlay for all voices and correcting apparent mistakes while retaining the unusual dissonances that characterize this cycle.

Ave, Domine Iesu Christe
Ave, Domine Iesu Christe

Author: Daniele V. Filippi

Publisher: A-R Editions, Inc.

Published:

Total Pages: 73

ISBN-13: 1987208757

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The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. The anonymous motet cycle Ave, Domine Iesu Christe, transmitted uniquely in Librone 1 of the Milanese Libroni, consists of eight motets for four and five voices on Christological texts; the first four, each of which begins with the words “Ave, Domine Iesu Christe,” take their text from a prayer to Christ popular in contemporary prayer books. Despite the anonymous transmission, several notable stylistic features of the cycle—including use of the technique of “split tenors”—suggest a possible attribution to Loyset Compère (ca. 1450–1518). All eight motets bear loco rubrics indicating their placement in the mass liturgy.

Salve, mater Salvatoris
Salve, mater Salvatoris

Author: Franchinus Gaffurius

Publisher: A-R Editions, Inc.

Published:

Total Pages: 69

ISBN-13: 1987208692

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The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. Of the six motetti missales cycles in the Milanese Libroni, which were copied under the supervision of Franchinus Gaffurius (1451–1522), only the cycle Salve, mater Salvatoris was composed by Gaffurius himself. Unlike the other five motetti missales cycles in the Libroni, Salve, mater Salvatoris consists not of eight motets but only four, each with two to three internal subsections. Also distinct among the motetti missales cycles is Gaffurius’s choice of texts, which, though still on Marian themes, are not centones but adaptations of two twelfth-century sequences with interpolations from the Litany of Loreto.

Sapientia Astrologica: Astrology, Magic and Natural Knowledge, ca. 1250-1800
Sapientia Astrologica: Astrology, Magic and Natural Knowledge, ca. 1250-1800

Author: H Darrel Rutkin

Publisher: Springer

Published: 2019-04-24

Total Pages: 591

ISBN-13: 3030107795

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This book explores the changing perspective of astrology from the Middle Ages to the Early Modern Era. It introduces a framework for understanding both its former centrality and its later removal from legitimate knowledge and practice. The discussion reconstructs the changing roles of astrology in Western science, theology, and culture from 1250 to 1500. The author considers both the how and the why. He analyzes and integrates a broad range of sources. This analysis shows that the history of astrology—in particular, the story of the protracted criticism and ultimate removal of astrology from the realm of legitimate knowledge and practice—is crucial for fully understanding the transition from premodern Aristotelian-Ptolemaic natural philosophy to modern Newtonian science. This removal, the author argues, was neither obvious nor unproblematic. Astrology was not some sort of magical nebulous hodge-podge of beliefs. Rather, astrology emerged in the 13th century as a richly mathematical system that served to integrate astronomy and natural philosophy, precisely the aim of the “New Science” of the 17th century. As such, it becomes a fundamentally important historical question to determine why this promising astrological synthesis was rejected in favor of a rather different mathematical natural philosophy—and one with a very different causal structure than Aristotle's.

Collected Works of C.G. Jung
Collected Works of C.G. Jung

Author: C.G. Jung

Publisher: Taylor & Francis

Published: 2023-09-08

Total Pages: 11491

ISBN-13: 1003837832

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The Collected Works of C. G. Jung is a multi-volume work containing the writings of psychiatrist Carl Jung. Contains revised versions of works previously published, works not previously translated, and new translations of virtually all of Jung's writings. Prior to his death he supervised the textual revision. Several of the volumes are extensively illustrated; each contains an index and most a bibliography.

Delphi Collected Works of Ambrose (Illustrated)
Delphi Collected Works of Ambrose (Illustrated)

Author: Saint Ambrose

Publisher: Delphi Classics

Published: 2020-09-30

Total Pages: 3624

ISBN-13: 1913487385

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Saint Ambrose, a fourth century Bishop of Milan, is a prominent figure of the early Christian Church, initiating ideas that widely impacted medieval conceptions of church and state relations. Serving as a model bishop that viewed the church as rising above the ruins of the Roman Empire, Ambrose is also remembered as the teacher that converted and baptised St. Augustine of Hippo, the great Christian theologian. Ambrose’s literary works, principally sermons, have been acclaimed as masterpieces of Latin eloquence, providing invaluable models of the transmission of Greek philosophy and theology in the West. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Latin texts. This comprehensive eBook presents Ambrose’s collected works, with illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Ambrose’s life and works * Features the collected works of Ambrose, in both English translation and the original Latin * Translations by H. de Romestin, E. de Romestin and H. T. F. Duckworth, for ‘Nicene and Post-Nicene Fathers’, 1896 * Also features the pseudo Ambrose text, ‘Concerning the Sacraments’ (tr. T. Thompson, 1919) * Ambrose’s ‘Letters’, translated by Members of the English Church in 1881 * Excellent formatting of the texts * Easily locate the sections you want to read with individual contents tables * Provides a special dual English and Latin text, allowing readers to compare the sections paragraph by paragraph — ideal for Biblical studies * Features two biographies — discover Ambrose’s ancient world * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set CONTENTS: The Translations On the Duties of the Clergy On the Holy Spirit On the Decease of His Brother Satyrus Exposition of the Christian Faith On the Mysteries Concerning Repentance Concerning Virgins Concerning Widows Memorial of Symmachus Sermon against Auxentius Selected Hymns Letters Concerning the Sacraments (Pseudo Ambrose) The Latin Texts List of Latin Texts The Dual Texts Dual Latin and English Texts The Biographies Saint Ambrosius, Bishop of Milan (1911) by John Llewelyn Davies St. Ambrose (1913) by James Francis Loughlin Please visit www.delphiclassics.com to browse through our range of exciting titles

Ave, mundi domina
Ave, mundi domina

Author: Gaspar van Weerbeke

Publisher: A-R Editions, Inc.

Published:

Total Pages: 83

ISBN-13: 1987208676

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The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. The cycle Ave, mundi domina by Gaspar van Weerbeke (ca. 1452–1517) consists of eight four-voice motets on assorted Marian texts. All eight motets are preserved in Librone 1 of the Milanese Libroni (Gaffurius Codices), with two also appearing in Librone 2. Of all the surviving motetti missales cycles, Ave, mundi domina is the only cycle whose component motets can also be found in sources from outside Milan; particularly notable in this regard is its fourth motet, “Anima mea liquefacta est,” on a highly expressive text from the Song of Songs, which with seven concordant sources is not only the single most transmitted motet within the motetti missales repertory but also in Weerbeke’s entire output.