Nature's Enigma

Nature's Enigma

Author: Virginia Parker Dawson

Publisher: American Philosophical Society

Published: 1987

Total Pages: 288

ISBN-13: 9780871691743

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Two striking discoveries made 1740 a turning point in the history of 18th-century biology. Charles Bonnet established that aphids could reproduce without male fertilization. Shortly afterwards Abraham Trembley proved that a tiny aquatic animal, the fresh water polyp, or hydra, could regenerate from cuttings like some plants. The discovery of the polyp was important because of the disturbing metaphysical issues that it raised. In their letters written during the decade of the 1740s to Reaumur, the great French Academician, both Trembley & Bonnet referred to the polyp as an enigma. Not only did it seem to present a new mode of animal reproduction, previously unsuspected, but it called into question the prevailing mechanistic view of animal biology & brought into focus the problem of animal soul. Drawing on some of the most illuminating letters from the private archives of the Trembley family, this study focuses on the discovery of the polyp, using the correspondence of Bonnet & Trembley to understand their common Genevan background & their possible differences in approach from that of Reaumur.


Decoding the Enigma of "NATURAL MAN" in Mark Twain's Works

Decoding the Enigma of

Author: TARO MAEYASHIKI

Publisher: Notion Press

Published: 2024-06-05

Total Pages: 235

ISBN-13:

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"Decoding the Enigma of “Natural Man” in Mark Twain’s Works" is an unexpected journey to the very heart of the utterly brightest American author, Mark Twain, the way he presented the phenomenon of “natural man” one of Jean-Jacques Rousseau’s philosophy cornerstones. In this book, completely new for the genre, Taro Maeyashiki reveals the unique plan of Mark Twain’s fantastic worlds of literary characters using the one of the most noble and philosophical topics prisms. Maeyashiki, noticing, as the thick conceptual fog dissipates around the concept of “natural man,” explores how “natural man” can in fact be truly natural or free or innocent but at the same time, individual who has his sense of justice and injustice before a faceless society. Maeyashiki’s work is impressive not only due to derivative because, by analyzing, he tried to mean Twain’s perception of “natural man.” This work is not only to do with the literary world but venture into Twain’s internal essence analysis, his life, his philosophy, skepticism about the course of society development, and barely noticeable ideal simplification tendency, from the moral point of view. Referring to Rousseau’s theoretical notion of “natural man,” Maeyashiki writes that, essentially, Mark Twain was depicting the concept in his stories’ characters. This book is the readers’ dedication, as it allows us to look at Twain differently, through the high philosophical issues prism related to the essence of human nature and the destructibility of outer constrictions.


Endless Enigma: Eight Centuries of Fantastic Art

Endless Enigma: Eight Centuries of Fantastic Art

Author: Dawn Ades

Publisher: David Zwirner Books

Published: 2019-04-23

Total Pages: 240

ISBN-13: 9781941701881

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Endless Enigma: Eight Centuries of Fantastic Art explores the ways in which artists have sought to explain their world in terms of an alternate reality, drawn from imagination, the subconscious, poetry, nature, myth, and religion. Endless Enigma takes as its point of departure Alfred H. Barr Jr.’s legendary 1936 exhibition at The Museum of Modern Art, New York, Fantastic Art, Dada, Surrealism, which not only introduced these movements to the American public, but also placed them in a historical and cultural context by situating them with artists from earlier centuries. Presenting works from the twelfth century to the present day, this catalogue is organized into six themes—Monsters & Demons, Dreams & Temptation, Fragmented Body, Unconscious Gesture, Super Nature, and Sense of Place. Works included range from medieval gargoyles to twentieth-century works by Louise Bourgeois, Sigmar Polke, and Pablo Picasso as well as contemporary works by Michaël Borremans, Marcel Dzama, and Raymond Pettibon. Masterworks from the likes of Piero di Cosimo, Francisco de Goya, and Titian are considered alongside those by William Blake and Odilon Redon. Time folds and temporal barriers collapse when Damiano Cappelli meets Edvard Munch, and Salvator Rosa encounters Luc Tuymans and Lisa Yuskavage. Salvador Dalí, Sherrie Levine, Giuseppe Arcimboldo, Kerry James Marshall—eight centuries intersect and, as such, this wide-ranging catalogue examines affinities in intention and imagery between works executed across a broad span of time. Organized in collaboration with Nicholas Hall, a specialist in the field of Old Masters and nineteenth-century art, this fully illustrated catalogue is published on the occasion of the eponymous exhibition at David Zwirner, New York, in 2018. It includes new scholarship by Dawn Ades, Olivier Berggruen, and J. Patrice Marandel.