Peter Henry Emerson and American Naturalistic Photography

Peter Henry Emerson and American Naturalistic Photography

Author: Christian A. Peterson

Publisher: University of Washington Press

Published: 2008

Total Pages: 104

ISBN-13:

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Peter Henry Emerson (1856-1936) was a leading English photographer who spearheaded a style he termed "naturalistic photography." He argued for photography as a fine art, encouraged his colleagues to use nature as their standard, and introduced the theory of "differential focusing," whereby the main subject was in focus and everything else fell into moderate softness. Many young Americans admired Emerson's work, forming a movement of naturalistic photography in this country that lasted from the 1890s to about 1930. Like Emerson, they emphasized the beauty of Mother Nature and humankind's harmony with her, photographing the land in all its seasons. Among the photographers whose work is included are Edward Curtis, Rudolf Eickemeyer, Alfred Stieglitz, and Doris Ulman.


Marsh Leaves

Marsh Leaves

Author: P. H. Emerson

Publisher: Hoar Press

Published: 2009-03

Total Pages: 204

ISBN-13: 9781444603828

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... (6) Columns for Discount on Purchases and Discount on Notes on the same side of the Cash Book; (c) Columns for Discount on Sales and Cash Sales on the debit side of the Cash Book; (d) Departmental columns in the Sales Book and in the Purchase Book. Controlling Accounts.--The addition of special columns in books of original entry makes possible the keeping of Controlling Accounts. The most common examples of such accounts are Accounts Receivable account and Accounts Payable account. These summary accounts, respectively, displace individual customers' and creditors' accounts in the Ledger. The customers' accounts are then segregated in another book called the Sales Ledger or Customers' Ledger, while the creditors' accounts are kept in the Purchase or Creditors' Ledger. The original Ledger, now much reduced in size, is called the General Ledger. The Trial Balance now refers to the accounts in the General Ledger. It is evident that the task of taking a Trial Balance is greatly simplified because so many fewer accounts are involved. A Schedule of Accounts Receivable is then prepared, consisting of the balances found in the Sales Ledger, and its total must agree with the balance of the Accounts Receivable account shown in the Trial Balance. A similar Schedule of Accounts Payable, made up of all the balances in the Purchase Ledger, is prepared, and it must agree with the balance of the Accounts Payable account of the General Ledger." The Balance Sheet.--In the more elementary part of the text, the student learned how to prepare a Statement of Assets and Liabilities for the purpose of disclosing the net capital of an enterprise. In the present chapter he was shown how to prepare a similar statement, the Balance Sheet. For all practical...


The Old Order and the New

The Old Order and the New

Author: John Taylor

Publisher: Prestel Publishing

Published: 2006

Total Pages: 0

ISBN-13: 9783791336992

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"This ground-breaking book draws on the collections of the Royal Photographic Society at the National Museum of Photography, Film and Television in Bradford, as well as other collections to provide a unique account of Emerson's position in the history of photography. John Taylor's essays discuss Emerson's radical approach to photography, his historical and social context, his relationship to his contemporaries, as well as to debates and to technical innovations. He examines in depth several of Emerson's iconic images, and introduces an unrecorded, newly discovered albumen print (Tidal Creek and Old Warehouses south of Southwold, Suffolk)."--Rabat de la jaquette.


Photography and the Art of Chance

Photography and the Art of Chance

Author: Robin Kelsey

Publisher: Harvard University Press

Published: 2015-05-26

Total Pages: 409

ISBN-13: 0674744004

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As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.


Real Fantasies

Real Fantasies

Author: Patricia Johnston

Publisher: Univ of California Press

Published: 2023-11-10

Total Pages: 423

ISBN-13: 0520321316

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Introduction to Art: Design, Context, and Meaning

Introduction to Art: Design, Context, and Meaning

Author: Pamela Sachant

Publisher: Good Press

Published: 2023-11-27

Total Pages: 614

ISBN-13:

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Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics


Eye for Detail

Eye for Detail

Author: Florike Egmond

Publisher: Reaktion Books

Published: 2017

Total Pages: 0

ISBN-13: 9781780236407

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Image-transforming techniques such as close-up, time lapse and layering are often linked to the age of photography, but they were already being used half a millennium ago for the purposes of identification and study. This is why Renaissance drawings of plants and animals are immediately recognizable to the modern viewer. Discussing natural history images made throughout Europe during the sixteenth century, Eye for Detail traces the early history of image manipulation techniques. Florike Egmond shows how the roles and formats of images in nature study changed dramatically during this period, as high-definition naturalistic representation became the rule, and large image collections of plants and animals were created for identification and illustration. She investigates what the use of visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and focuses on how attention to visual detail reveals the overriding question that continued to occupy the minds of naturalists from antiquity well into the modern age: the secret of how life originates. Featuring many striking colour illustrations that have never been published before, this beautiful volume is an arresting guide to the large Continental collections of naturalia drawings and an absorbing study of natural history art of the sixteenth century.