Contributors to this volume explore the dynamic between war and the physical environment from a variety of provocative viewpoints. The subjects of their essays range from conflicts in colonial India and South Africa to the U.S. Civil War and twentieth-century wars in Japan, Finland, and the Pacific Islands. Among the topics explored are: - the ways in which landscape can influence military strategies - why the decisive battle of the American Civil War was fought - the impact of war and peace on timber resources - the spread of pests and disease in wartime.
The Long Shadows is the first book to offer global perspectives on the environmental history of World War II. Based on long-term research, the selected essays represent the best available studies in different fields and countries. With contributions touching on Europe, America, Asia, and Africa, the book has a truly global approach. The Long Shadows considers the profound and lasting impact World War II has had on global environments, encompassing polar, temperate, and tropical ecological zones. The first section of the book offers an introduction to and holistic overview of the war. The second section examines the social and environmental impacts of the conflict, while the third focuses on the history and legacy of resource extraction. A final section offers conclusions and hypotheses. Numerous themes and topics are explored in these previously unpublished essays, including the control of typhus fever, the environmental policies of the Third Reich, Japanese imperialism and marine resources, and the new and innovative field of acoustic ecology. Aimed at researchers and students in the fields of environmental history, military history, and global history, The Long Shadows will also appeal to general readers interested in the environmental impact of the greatest military conflict in the history of the world. Book jacket.
Since the appearance of Homo sapiens on the planet hundreds of thousands of years ago, human beings have sought to exploit their environments, extracting as many resources as their technological ingenuity has allowed. As technologies have advanced in recent centuries, that impulse has remained largely unchecked, exponentially accelerating the human impact on the environment. Humans versus Nature tells a history of the global environment from the Stone Age to the present, emphasizing the adversarial relationship between the human and natural worlds. Nature is cast as an active protagonist, rather than a mere backdrop or victim of human malfeasance. Daniel R. Headrick shows how environmental changes--epidemics, climate shocks, and volcanic eruptions--have molded human societies and cultures, sometimes overwhelming them. At the same time, he traces the history of anthropogenic changes in the environment--species extinctions, global warming, deforestation, and resource depletion--back to the age of hunters and gatherers and the first farmers and herders. He shows how human interventions such as irrigation systems, over-fishing, and the Industrial Revolution have in turn harmed the very societies that initiated them. Throughout, Headrick examines how human-driven environmental changes are interwoven with larger global systems, dramatically reshaping the complex relationship between people and the natural world. In doing so, he roots the current environmental crisis in the deep past.
Godzilla, a traditional natural monster and representation of cinema's subgenre of natural attack, also provides a cautionary symbol of the dangerous consequences of mistreating the natural world--monstrous nature on the attack. Horror films such as Godzilla invite an exploration of the complexities of a monstrous nature that humanity both creates and embodies. Robin L. Murray and Joseph K. Heumann demonstrate how the horror film and its offshoots can often be understood in relation to a monstrous nature that has evolved either deliberately or by accident and that generates fear in humanity as both character and audience. This connection between fear and the natural world opens up possibilities for ecocritical readings often missing from research on monstrous nature, the environment, and the horror film. Organized in relation to four recurring environmental themes in films that construct nature as a monster--anthropomorphism, human ecology, evolution, and gendered landscapes--the authors apply ecocritical perspectives to reveal the multiple ways nature is constructed as monstrous or in which the natural world itself constructs monsters. This interdisciplinary approach to film studies fuses cultural, theological, and scientific critiques to explore when and why nature becomes monstrous.
In the Shenandoah Valley and Peninsula Campaigns of 1862, Union and Confederate soldiers faced unfamiliar and harsh environmental conditions--strange terrain, tainted water, swarms of flies and mosquitoes, interminable rain and snow storms, and oppressive
