Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.
An anthropologist explores the politics and society of Kyrgyzstan through a study of one influential man’s life. A pioneering study of kinship, patronage, and politics in Central Asia, Blood Ties and the Native Son tells the story of the rise and fall of a man called Rahim, an influential and powerful patron in rural northern Kyrgyzstan, and of how his relations with clients and kin shaped the economic and social life of the region. Many observers of politics in post-Soviet Central Asia have assumed that corruption, nepotism, and patron-client relations would forestall democratization. Looking at the intersection of kinship ties with political patronage, Aksana Ismailbekova finds instead that this intertwining has in fact enabled democratization—both kinship and patronage develop apace with democracy, although patronage relations may stymie individual political opinion and action. “This book is an important contribution to a growing literature on Central Asian politics and society, and by complicating dominant narratives about the dangers of weak state institutions, Ismailbekova has much to offer to the broader research project on democratization and clientelism.” —Europe-Asia Studies
Traces the life and achievements of the twentieth-century African American novelist, whose early life was shaped by a strict grandmother who had been a slave, an illiterate father, and a mother educated as a schoolteacher.
James Baldwin was beginning to be recognized as the most brilliant black writer of his generation when his first book of essays, Notes of a Native Son, established his reputation in 1955. No one was more pleased by the book’s reception than Baldwin’s high school friend Sol Stein. A rising New York editor, novelist, and playwright, Stein had suggested that Baldwin do the book and coaxed his old friend through the long and sometimes agonizing process of putting the volume together and seeing it into print. Now, in this fascinating new book, Sol Stein documents the story of his intense creative partnership with Baldwin through newly uncovered letters, photos, inscriptions, and an illuminating memoir of the friendship that resulted in one of the classics of American literature. Included in this book are the two works they created together–the story “Dark Runner” and the play Equal in Paris, both published here for the first time. Though a world of difference separated them–Baldwin was black and gay, living in self-imposed exile in Europe; Stein was Jewish and married, with a growing family to support–the two men shared the same fundamental passion. Nothing mattered more to either of them than telling and writing the truth, which was not always welcome. As Stein wrote Baldwin in a long, heartfelt letter, “You are the only friend with whom I feel comfortable about all three: heart, head, and writing.” In this extraordinary book, Stein unfolds how that shared passion played out in the months surrounding the creation and publication of Baldwin’s Notes of a Native Son, in which Baldwin’s main themes are illuminated. A literary event published to honor the eightieth anniversary of James Baldwin’s birth, Native Sons is a celebration of one of the most fruitful and influential friendships in American letters.
Walter Harper, Alaska Native Son illuminates the life of the remarkable Irish-Athabascan man who was the first person to summit Mount Denali, North America's tallest mountain. Born in 1893, Walter Harper was the youngest child of Jenny Albert and the legendary gold prospector Arthur Harper. His parents separated shortly after his birth, and his mother raised Walter in the Athabascan tradition, speaking her Koyukon-Athabascan language. When Walter was seventeen years old, Episcopal archdeacon Hudson Stuck hired the skilled and charismatic youth as his riverboat pilot and winter trail guide. During the following years, as the two traveled among Interior Alaska's Episcopal missions, they developed a father-son-like bond and summited Denali together in 1913. Walter's strong Athabascan identity allowed him to remain grounded in his birth culture as his Western education expanded and he became a leader and a bridge between Alaska Native peoples and Westerners in the Alaska territory. He planned to become a medical missionary in Interior Alaska, but his life was cut short at the age of twenty-five, in the Princess Sophia disaster of 1918 near Skagway, Alaska. Harper exemplified resilience during an era when rapid socioeconomic and cultural change was wreaking havoc in Alaska Native villages. Today he stands equally as an exemplar of Athabascan manhood and healthy acculturation to Western lifeways whose life will resonate with today's readers.
New York Times Bestseller One of the Best Books of 2021 by Time magazine, the Chicago Tribune, the Boston Globe and Esquire, and one of Oprah’s 15 Favorite Books of the Year “The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.” —Kiese Laymon A major literary event: an explosive, previously unpublished novel about race and violence in America by the legendary author of Native Son and Black Boy Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of this scorching novel, a never-before-seen masterpiece by Richard Wright. Written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers, it would see publication in Wright's lifetime only in drastically condensed and truncated form, and ultimately be included in the posthumous short story collection Eight Men. Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.
In 1963 Birmingham, Alabama, was the site of cataclysmic racial violence: Police commissioner "Bull" Connor attacked black demonstrators with dogs and water cannons, Martin Luther King, Jr., wrote his famous letter from the Birmingham jail, and four black children were killed in a church bombing. This incendiary period in Birmingham's history is the centerpiece of an intense and affecting memoir. A disaffected Birmingham native, Paul Hemphill decides to live in his hometown once again, to capture the events and essence of that summer and explore the depth of social change in Birmingham in the years since -- even as he tries to come to terms with his family, and with himself. -- back cover.
Wright's works most often have been judged by his own ideological polemics, seldom by the terms of art. This, however, is a study of Wright's poetics, rich in a black aesthetic force that was the elemental voice in his writings.
