This beautifully illustrated diary contains some of the finest paintings from the National Gallery's permanent collection. Featuring 56 carefully reproduced paintings in a week-to-view format, this diary highlights some of the finest Irish and European works on view in the Gallery.
This beautifully illustrated diary contains some of the finest paintings from the National Gallery of Ireland's permanent collection. Featuring 56 carefully reproduced paintings in a week-to-view format, this diary highlights some of the stunning Irish and European works on view in the Gallery. Following the format and style of the popular 2021 edition, the National Gallery of Ireland Diary 2022 promises to be the must-have desk diary of the year.
The Material Culture of Writing opens up avenues for understanding writing through scholarship in material culture studies. Contributors to this volume each interrogate an object, set of objects, or writing environment to reveal the sociomaterial contexts from which writing emerges. The artifacts studied are both contemporary and historical, including ink, a Victorian hotel visitors’ book, Moleskine notebooks, museum conservators’ files, an early twentieth-century baby book, and a college campus makerspace. Close study of such artifacts not only enriches understanding of what counts as writing but also offers up the potential for rich current and historical inquiry into writing artifacts and environments. The collection features scholars across the disciplines—such as art, art history, English, museum studies, and writing studies—who work as teachers, historians, museum curators/conservators, and faculty. Each chapter features methods and questions from contributors’ own disciplines while at the same time speaking to writing studies’ interest in writers, writing identity, and writing practice. The authors in this volume also work with a variety of methodologies, including literary analysis, archival research, and qualitative research, providing models for the types of research possible using a material culture studies framework. The collection is organized into three sections—Writing Identity, Writing Work, Writing Genre—each with a contextualizing introduction from the editors that introduces the chapters themselves and imagines possible directions for writing studies research facilitated by material culture studies. The Material Culture of Writing serves as an accessible introduction to work in material culture studies for writing studies scholars, graduate students, and undergraduates, especially as it makes a distinctive contribution to writing studies in its material culture studies approach. Because of the interdisciplinarity of material culture studies and this volume’s contributors, this collection will appeal to a wide range of scholars and readers, including those interested in writing studies, the history of the book, print culture, genre studies, archival methods, and authorship studies. Contributors: Cydney Alexis, Debby Andrews, Diane Ehrenpreis, Keri Epps, Desirée Henderson, Kevin James, Jenny Krichevsky, Anne Mackay, Emilie Merrigan, Laura R. Micciche, Hannah J. Rule, Kate Smith
The complete translations of the poet Seamus Heaney, a Nobel laureate and prolific, revolutionary translator. Seamus Heaney’s translation of Beowulf, published in 1999, was immediately hailed as an undisputed masterpiece, “something imperishable and great” (James Wood, The Guardian). A few years after his death in 2013, his translation of Virgil’s Aeneid Book VI caused a similar stir, providing “a remarkable and fitting epilogue to one of the great poetic careers of recent times” (Nick Laird, Harper’s Magazine). Now, for the first time, the poet, critic, and essayist’s translations are gathered in one volume. Heaney translated not only classic works of Latin and Old English but also a great number of poems from Spanish, Romanian, Dutch, Russian, German, Scottish Gaelic, Czech, Ancient and Modern Greek, Middle and Modern French, and Medieval and Modern Italian, among other languages. In particular, the Nobel laureate engaged with works in Old, Middle, and Modern Irish, the languages of his homeland and early education. As he said, “If you lived in the Irish countryside as I did in my childhood, you lived in a primal Gaeltacht.” In The Translations of Seamus Heaney, Marco Sonzogni has collected Heaney’s translations and framed them with the poet’s own writings on his works and their composition, sourced from introductions, interviews, and commentaries. Through this volume, we come closer to grasping the true extent of Heaney’s extraordinary abilities and his genius.
The block is no more than the land and building area defined by streets. It is the nature of the interface between the two, which has a critical impact on the quality of the spaces between those buildings. The importance of the block to city life is well rehearsed, and in any case, we seldom find ourselves in the business of making cities from scratch. But we are in the business of making new houses, neighbourhoods and new local centres, and we need lots of them: 250,000 a year to be imprecise. Against the background of a burgeoning housing shortage in the UK, there are varied issues to be reconciled. The Urban Block charts the fall and rise of the perimeter block as the staple of urban form and structure from ancient times. It takes you through the process of understanding, defining, structuring and designing the block. Carefully selected urban and suburban case examples explain “do's and don'ts” of good block layout and will help you to produce better masterplans, while staying in touch with commercial realities.
A race-against-the-clock narrative that finally illuminates a history-changing event: the IRA’s attempt to assassinate Margaret Thatcher and the epic manhunt that followed. A bomb planted by the Irish Republican Army exploded at 2:54 a.m. on October 12, 1984. It was the last day of the Conservative Party Conference at the Grand Hotel in the coastal town of Brighton, England. Rooms were obliterated, dozens of people wounded, five killed. Prime Minister Margaret Thatcher was in her suite when the explosion occurred; had she been just a few feet in another direction, flying tiles and masonry would have sliced her to ribbons. As it was, she survived—and history changed. There Will Be Fire is the gripping story of how the IRA came astonishingly close to killing Thatcher, in the most spectacular attack ever linked to the Northern Ireland Troubles. Journalist Rory Carroll reveals the long road to Brighton, the hide-and-seek between the IRA and British security services, the planting of the bomb itself, and the painstaking search for clues and suspects afterward. In There Will Be Fire, Carroll draws on his own interviews and original reporting, reveals new information, and weaves together previously unconnected threads. There Will Be Fire is journalistic nonfiction that reads like a thriller, propelled by a countdown to detonation.