This collection features Svetlana Vasilenko's novel Little Fool, nominated for the Russian Booker Prize. Rich in folklore, legend, and history, the story follows the transformation of Ganna, a girl from the Volga shores, into a modern-day Madonna. Also included are the novella "Shamara" and several short stories, including the acclaimed "Going After Goat Antelopes."
Now a Major Motion Picture A dazzling debut—and a publishing phenomenon—Natasha: And Other Stories is the tender, savagely funny collection from a young immigrant who has taken the critics by storm. Few readers had heard of David Bezmozgis before May 2003, when Harper's, Zoetrope, and The New Yorker all printed stories from his forthcoming collection. In the space of a few weeks, America thus met the Bermans—Bella and Roman and their son, Mark—Russian Jews who have fled the Riga of Brezhnev for Toronto, the city of their dreams. Told through Mark's eyes, the stories in Natasha possess a serious wit and uniquely Jewish perspective that recall the first published stories of Bernard Malamud and Philip Roth, not to mention the work of Jhumpa Lahiri, Nathan Englander, and Adam Haslett. Winner of the Commonwealth Writers' First Book Prize for Canada and the Caribbean, the Toronto Book Award, Reform Judaism Prize for Jewish Fiction, Koffler Centre of the Arts' Helen and Stan Vine Canadian Jewish Book Award for Fiction, the City of Toronto Book Award, the Jewish Quarterly-Wingate Prize for Fiction, and the Moment Magazine Fiction Award Shortlisted for the Guardian First Book Award, the Los Angeles Times Art Seidenbaum Award for First Fiction, and the Governor General’s Award for Literature, the Danuta Gleed Literary Award for Best First Collection of Short Fiction in the English Language Named a New York Times Book Review Notable Book of the Year, a Los Angeles Times' 1 of the 25 Best Books of the Year, a New York Public Library's 25 Best Books to Remember, and a Chicago Tribune and San Francisco Chronicle Best Book of the Year
A dozen of the very best mystery stories from crime-fiction’s maestro, including one brand new Inspector Banks story. Best known — and much admired — for his long-running and bestselling Inspector Banks series, Peter Robinson is also widely and highly praised by mystery mavens for his riveting short stories. Robinson’s versatile talent is on full display in the twelve stories that comprise his latest short story collection, The Price of Love and Other Stories. Spellbinding plots, suspense that grips and won’t let go, utterly unpredictable twists, psychological truths both sweet and scary, characters you’d like to meet (and some you’d hope never to encounter), all set in places that are characters themselves — these are the fundamentals of story and mystery that Robinson plays like the virtuoso he is.
The book Chain and Other Stories contains nine stories. The first story, Chain, is about two federal agents who go undercover in Anchorage, Alaska, with two NYC detectives to investigate whether or not an oil mogul is using kidnapped kids to make weapons sold throughout the United States if so stop him. The next story, Gradill, is about an FBI agent who is investigating a case in Chicago where a bioterrorist is using SARS and Anthrax to poison or sicken CEOs of biochemical companies and local politicians who are giving them leeway to get funding and do research. The last of the first stories is Shatter Blue Magica story dealing with a young man who is an assassin who leaves a person alive he was supposed to kill, now he is only having to kill the person before he kills him and the lady he loves. The second batch of stories starts with Shatter Blue Magic 2, which is about the assassin from the first story having to kill his younger brother and sister-in-law, who have both been assigned to kill him, his wife, son, and employers. Web is the sequel to Chain where the two federal agents from the first story go undercover in Phoenix, Arizona, with two Phoenix detectives to investigate and stop two nightclub owners in Phoenix from kidnapping teenage girls and selling them to the adult entertainment industry to work as adult film stars. Gradill 2 is where the FBI agent from the first story is going undercover in Chicago to investigate a local domestic terrorist group and stop them from wrecking havoc in Chicago. The third batch of stories is Gradill 3 where the FBI agent from the two previous stories goes undercover with her sister to investigate a growing local domestic terrorist group who is causing trouble in Chicago and to stop them. The Last Call for Shatter Blue Magic picks up where the second story left off, healing his wounds from his encounter with his brother and sister-in-law, the assassin takes one last job where he must go around the world killing criminal organizations, corrupt policemen, crooked politicians, and terrorists, or he and his family and employers will be killed. Link is the last story in the Chain series where the two federal agents must go to Honolulu, Hawaii, with two Honolulu detectives to go undercover at a local sweatshop to investigate and stop a local rich woman and her friends from using children from Asia and America to work in her sweatshop making clothes that end up in department stores.
Alexander Sergueievitch Pushkin came of a noble family, so ancient that it was traced back to that Alexander Nevsky who, in the thirteenth century, gained a great victory over the Swedes upon the ice of the River Neva, in token whereof he was surnamed "Nevsky" of the Neva. His mother, Nadejda Ossipovna Hannibal, was the grand-daughter of Abraham Petrovitch Hannibal, Peter the Great's famous negro. His father, Surguei Lvovitch Pushkin, was a frivolous man of pleasure. The poet was born on the 26th of May, 1799, at Moscow. He was an awkward and a silent child. He was educated by French tutors. A poor scholar, he read with eagerness whatever he could get in his father's library, chiefly the works of French authors. His brother states that at eleven years old Pushkin knew French literature by heart. This cannot, of course, be taken[Pg 2] literally; but it shows under what influence he grew up. In October, 1811, he entered the Lyceum of Tsarskoe Selo. Among the students a society was soon formed, whose members were united by friendship and by a taste for literature. They brought out several periodicals, in which tales and poems formed the chief features. Of this society (the late Prince Gortchakoff belonged to it) Pushkin was the leading spirit. His first printed poem appeared in the Messenger of Europe in 1814. At a public competition in 1815, at which the veteran poet Derjavin was present, Pushkin read his "Memories of Tsarskoe Selo." This poem, which contains many beautiful passages, so delighted Derjavin, that he wished to embrace the young author; but Pushkin fled in confusion from the hall. In June, 1817, Pushkin's free and careless student life ended. After finishing his course at the Lyceum he went to St. Petersburg, and, though he entered thoroughly into the dissipated pleasures of its turbulent youth, he still clung to the intellectual society of such men as Jukovsky and Karamsin, men occupied in literature, whose friendship he valued very highly. At that time society was much disturbed. Political clubs were everywhere being formed. In every drawing-room new views were freely and openly advanced; and in these discussions the[Pg 3] satire and brilliant verse of Pushkin attracted general attention. These at last brought him into great danger. But Karamsin came to his rescue, and managed to get him an appointment at Ekaterinoslavl, in the office of the Chief Inspector of the Southern Settlements. There he remained till 1824, travelling from place to place, first with the Raevskys to the Caucasus, and thence again with them through the Crimea. This journey gave him materials for his "Prisoner of the Caucasus," and "Fountain of Bachtchisarai." Both poems reveal the influence of Byron. Towards the end of 1820 he went to Bessarabia with his chief, who had just been appointed viceroy of the province. Once, on account of some quarrel, this person, Insoff by name, sent Pushkin to Ismail. There the poet joined a band of gypsies and remained with them for some time in the Steppes. In 1823 he went to Odessa, having been transferred to the office of the new governor-general, Count Vorontsoff, who succeeded Insoff. Here he wrote part of "Evguenie Onegin," a sort of Russian "Don Juan," full of sublime passages and varied by satire and bitter scorn. This work has lately been formed the subject of a very successful opera by Tchaikovski, who took from Pushkin's poems a story now known and admired by every educated Russian. The poet, however, did not get on with his new[Pg 4] chief. A scathing epigram upon Vorontsoff led the count to ask for Pushkin's removal from Odessa, "where," he said, "excessive flattery had turned the young maids head." To be continue in this ebook...
"Sologub" is a pseudonym-the author's real name is Feodor Kuzmich Teternikov. He was born in 1863. He completed a scholastic course at Petrograd. His first published story appeared in the periodical "Severny Viestnik" in 1894, but it was not until about a dozen years later that he came into his fame, which he has since then further enhanced. This is all the biographical knowledge we have of a living novelist whose place in Russian literature is secure beyond all question; the scantiness of our knowledge is all the more amazing when we consider that the author is over fifty, and that his complete works are in their twentieth volume. These include almost every possible form of literary expression-the fairy tale, the poem, the play, the essay, the novel, and the short story. Sologub's place as a poet is hardly less assured than his place as a novelist.
This collection of Pushkin's stories begins with 'The Queen of Spades', perhaps the most celebrated short story in Russian literature. The young Hermann, while watching some friends gambling, hears a rumour of how an officer's grandmother is always able to predict the three winning cards in a game. He becomes obsessed with the woman and her seemingly mystical powers, and seeks to extract the secret from her at any cost.This volume, part of a new series of the complete works of Pushkin in English, also includes 'Dubrovsky', the story of a man's desire to avenge himself after his land is unjustly taken from him by an aristocrat; 'The Negro of Peter the Great', a tale inspired by Pushkin's maternal grandfather; and the unfinished story 'Egyptian Nights', a meditation on poetry and the poet. Together, they represent some of the most striking and enduring pieces of Pushkin's prose fiction.
A collection of science fiction stories from the pages of Analog magazine by the award-winning team of Richard A. Lovett and Mark Niemann-Ross, including the 2011 Analytical Laboratory (reader's choice) Award winning novella "Phantom Sense" and the 2006 Analytical Laboratory Award winning novelette "NetPuppets." Lovett and Niemann-Ross have written some of the most thought-provoking and entertaining stories I've read in years-Nebula award winner Jerry Oltion Come explore the dark space between science and humanity - with a bonus look at the science that just might make it come true. In these pages, you will meet: Sgt. Kip McCorbin, who must choose between the military's special-ops sixth-sense and the love of his family. Courtney Brandt who lies frozen on a glacier, but warm to the touch, as her killer is already claiming another victim. Valerie Akwasi, who stumbles into the deadly side of a vineyard. Michael Graves, who could be your best friend or your worst enemy -- but who doesn't care because to him you're just an experiment. Phantom Sense . . . is a lesson in how to write a short. . . From the start it grabs you and never lets go. In every way this story reminded me how good Science Fiction shorts can be.-Tangent Online Lovett is probably Analog's best regular writer.-- Locus, July 2011 Lovett and Niemann-Ross are 'two halves' of one of the best science fiction "writers" Analog magazine has ever discovered.-Three-time Hugo nominee David R. Palmer
These fourteen stories by the acclaimed master of Jewish-Russian fiction are set in the former USSR, Western Europe, and America. Dinner with Stalin features Soviet Jews grappling with issues of identity, acculturation, and assimilation. Shrayer-Petrov explores aspects of antisemitism and persecution, problems of mixed marriages, dilemmas of conversion, and the survival of Jewish memory. Both an author and a physician, Shrayer-Petrov examines his subjects through the double lenses of medicine and literature. He writes about Russian Jews who, having suffered in the former Soviet Union, continue to cultivate their sense of cultural Russianness, even as they—and especially their children—assimilate and increasingly resemble American Jews. Shrayer-Petrov’s stories also bear witness to the ways Jewish immigrants from the former USSR interact with Americans of other identities and creeds, notably with Catholics and Moslems. Not only lovers of Jewish and Russian writing but all discriminating readers will delight in Dinner with Stalin and Other Stories.
