After a serious accident, a then virgin Dex is nursed back to health by the sexual lip language of his uncle's new girlfriend, Catwalk. From that first climatic experience, Dex is turned out, behind it fathering seven children. After life dealing lows and problems within himself, Dex seeks help, but is instead mentored by Coke: A childhood companion who'd been in Dex's life since the unexpected departure of his estranged father. Coke appears to be sincere in his efforts to reform Dex of his unproductive ways, but when Dex finally finds love in his ex-bestfriends wife, and want to put Coke aside, Coke is anything but excepting and this sexually intensed cat and mouse game turns deadly.
A mother's secret pain. A son's need to break free. Two decades after a virus raged through the world and took most of humanity, Daya, the prince of the settlement his mother founded, longs to break out of the fences that have kept him safe his entire life and explore the new world. Taught to fight and survive by his parents, Daya wanted to use his skills, but he was sheltered, protected. Then one day, his parents let him go. Using the training he'd received, Daya set out on his own to discover the harsh world the virus had left in its wake. Warnings of pirates and marauders rang in his mind as he hunted and camped, ever wary. A father's crimes. A son's need to break free. Alastar, raised with those pirates, was out hunting. He'd gotten away from his camp for a couple of glorious days. Away from the vicious and cruel life he knew. The two met, fought, finding each other equal in strength. They decided to talk instead and developed a friendship that quickly heated into something more. Being complete opposites didn't stop the hidden passion and love that developed. Daya wanted to take Alastar away to his home, give him the life he deserved, but Alastar knew his father, the leader of the pirate group, would hunt him down until everyone in his path was dead. A battle comes, and each thinks the other is dead. Daya chooses revenge, killing every pirate he finds. Alastar, free of his father at last, finds a loving community that embraces him. Will they find one another again, and if they do, will they discover they weren't truly strangers after all? PLEASE NOTE: This is a TABOO GAY Romance Duet. Please heed the warnings inside cover!
Raised among humans, Ori Jones only discovered he was an avian shifter six months ago. Unable to complete a full shift until he reaches his avian maturity, he still can't be sure of his exact species. But with species comes rank, and rank is everything to the avians. When a partial shift allows the elders to announce that they believe Ori to be a rather ugly little duckling, he drops straight to the bottom rung of their hierarchy. Life isn't easy for Ori until he comes to the attention of a high ranking hawk shifter. Then the only question is, is Ori really a duck-and what will his new master think when the truth eventually comes out? Please Note: This is the second edition of this title. It has been tweaked and re-edited but the plot has not been changed.
Be careful what you fantasise. Your dreams may just come true… What is real? What is imaginary? This is the line Jessica Seaques walks, ever since she won a commission to write erotica for the indulgence of an anonymous patron. Her stories are inspired by the strange working environment the patron provides – a bizarre, mirror-walled office where Jess liaises with his beautiful yet cruel ‘agent’ and the awkward, long-suffering receptionist. All the while, the mirrors watch as the writer gets drawn… deeper and deeper… into this eccentric world of erotic fantasy. What is real? What is imaginary? What’s the difference? Who’s the man behind the mirror and the mystery? Through the looking glass, Jess will go… into the dark depths. Do you dare to follow? MIRROR SECRET MIRROR is dangerous, decadent, BDSM erotica. This book is a corrupting force, an evil seduction, a delicious poison… a trap! It’s the story of a young woman being lured, baited, manipulated… hunted, captured, enslaved. The villain is dark-eyed, devilish and dominant. The villainess is sleek, sadistic and sexy. The predators work together to ensnare their prey. This story is offensive, dishonest and depraved. It twists romance, perverts love and mocks morality. Consider yourself warned!
Two hot guys. One desert island. Troy Tanner walks out on his boy band’s world tour rather than watching his little brother snort his life away. Screw it. He’ll take a private jet home and figure out his life away from the spotlight. But Troy doesn’t make it home. The plane crashes on a jungle island in the South Pacific. Forget dodging the paparazzi—now Troy’s desperate for food and water. The turquoise ocean and white sand beach looks like paradise, but danger lurks everywhere. Thank God the pilot survived too. At least Troy’s not alone. He has Brian. Brian’s smart and brave and strong. He doesn’t care that Troy’s famous. Brian’s real. As days turn into weeks with no sign of rescue, Troy and Brian rely on each other. They make each other laugh despite being stranded. They go from strangers to friends. What happens when they want more? Although he and Brian both identify as straight, their growing desire burns hotter than the tropical sun. If they explore their sexuality a thousand miles from anything or anyone, can their newfound love survive in the real world if they're finally rescued? This slow-burn LGBT romance from Keira Andrews features bisexual awakening, scorching m/m first times, an age gap, and of course a happy ending.
“Far more than a conventional novel. It is a meditation on life, on the erotic, on the nature of men and women and love . . . full of telling details, truths large and small, to which just about every reader will respond.” — People In The Unbearable Lightness of Being, Milan Kundera tells the story of two couples, a young woman in love with a man torn between his love for her and his incorrigible womanizing, and one of his mistresses and her humbly faithful lover. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel "the unbearable lightness of being" not only as the consequence of our pristine actions but also in the public sphere, and the two inevitably intertwine. This magnificent novel is a story of passion and politics, infidelity and ideas, and encompasses the extremes of comedy and tragedy, illuminating all aspects of human existence.
Jeremiah N. Reynolds (1799-1858), an American newspaper editor, lecturer, explorer and author who became an influential advocate for scientific expeditions. Reynolds gathered first-hand observations of Mocha Dick, an albino sperm whale off Chile who bedeviled a generation of whalers for thirty years before succumbing to one. Mocha Dick survived many skirmishes (by some accounts at least 100) with whalers before he was eventually killed. In May 1839, The Knickerbocker, or New-York Monthly Magazine published Reynolds' "Mocha Dick: Or the White Whale of the Pacific," the inspiration for Herman Melville's 1851 novel Moby-Dick. In Reynolds' account, Mocha Dick was killed in 1838, after he appeared to come to the aid of a distraught cow whose calf had just been slain by the whalers. His body was 70 feet long and yielded 100 barrels of oil, along with some ambergris. He also had several harpoons in his body.
Majgull Axelson is the author of four works of non-fiction as well as one previous novel, Far from Nitetheim, for which she was awarded the 1994 Moa Stipend. The 1997 publication of April Witch in Sweden earned her the prestigious August Prize. She is married, has two children and lives in Stockholm.
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
