This richly illustrated book is a monument to modern urban construction in Naples. It features some fifty new photos by celebrated French photographer Cyrille Weiner as well as historic images and drawings of important architectonic details, and an atlas of eighteen significant buildings dating from 1930-1960 illustrated with site and floor plans, elevations, and sections. It reveals how this southern Italian metropolis developed its own form of modernism, one that combined Mediterranean culture with local materials and a strong internationalist spirit. The topical essays and concise descriptions of the documented buildings, together with the lavish illustrations make for a hugely attractive and lively portrait of Naples. This fascinating city is both famous and infamous--but its qualities and individuality in terms of architecture and urban development really should be better known.
The gods grant immortality to the mermaid Sirena when she rescues a human man from the sea and they fall in love, but his mortality creates great conflict between love and honor when he is called to defend Greece in the Trojan War.
Salz is a boy afflicted with cystic fibrosis -- though in the Middle Ages in Saxony no one can identify it as such. Instead he is an outcast, living with his unfeeling father and superstitious brothers in a hovel outside Hameln. His grandmother has kept Salz alive by having him avoid the mead and beer commonly drunk by all and by teaching him how to clear his lungs. When the townsfolk of Hameln are affected by a mold that grows on the hops -- poisoning their mead and beer -- Salz is one of the few who are unaffected. The mold's effect is hallucinogenic, and soon Hameln is in the grips of a plague of madness, followed by a plague of rats. It is only Salz who can proclaim the truth -- although it might cost him his life.
A group biography of four beloved women who fought sexism, covered decades of American news, and whose voices defined NPR In the years after the Civil Rights Act of 1964, women in the workplace still found themselves relegated to secretarial positions or locked out of jobs entirely. This was especially true in the news business, a backwater of male chauvinism where a woman might be lucky to get a foothold on the “women’s pages.” But when a pioneering nonprofit called National Public Radio came along in the 1970s, and the door to serious journalism opened a crack, four remarkable women came along and blew it off the hinges. Susan, Linda, Nina, and Cokie is journalist Lisa Napoli’s captivating account of these four women, their deep and enduring friendships, and the trail they blazed to becoming icons. They had radically different stories. Cokie Roberts was born into a political dynasty, roamed the halls of Congress as a child, and felt a tug toward public service. Susan Stamberg, who had lived in India with her husband who worked for the State Department, was the first woman to anchor a nightly news program and pressed for accommodations to balance work and home life. Linda Wertheimer, the daughter of shopkeepers in New Mexico, fought her way to a scholarship and a spot on-air. And Nina Totenberg, the network's legal affairs correspondent, invented a new way to cover the Supreme Court. Based on extensive interviews and calling on the author’s deep connections in news and public radio, Susan, Linda, Nina, and Cokie will be as beguiling and sharp as its formidable subjects.
Tired of his mother's overprotectiveness and intrigued by the life of African American explorer Matthew Henson, twelve-year-old Alvin travels north and spends a season with a trapper near the Arctic Circle.
Ugly just isn’t like the other ducklings in the clutch. His neck is too long. He stays underwater for “too many” seconds. He keeps climbing onto Mother’s back whenever he’s afraid. When all the other ducks of Dove Lake turn against him, Ugly’s mother has no choice but to protect her family and leave her darling Ugly behind. Armed with only his natural curiosity and a few good pieces of advice, the ugly duckling must find his way home. Luckily, the friendship of a few wonderful animals in the Tasmanian outback—a boxing wallaby, two brave geese, a maternal wombat, and a spunky possum—makes his journey a lot easier. But what exactly is Ugly trying to find? By setting this story in Tasmania, Donna Jo Napoli turns expectations on their heads and gives readers a fresh look at this classic tale of finding one’s identity.
Once upon a time. It began on 5th July 1984. A most beautiful day in the Italian South. With 70,000 screaming Neapolitans awaiting him and roaring out his name in the San Paolo stadium, Diego Armando Maradona arrived under the shadow of Mount Vesuvius in Naples, and for seven years all hell was let loose. For so long the ailing giant SSC Napoli criminally underachieved. Their fanatical support unequalled in both passion and size across Italy. None had ever been more feared or hated, but how they ached for success. A history dramatic, explosive and so damned tragic. Like the finest Italian operas' it always ended in despair. Then came Maradona. Blessed with a ball at his feet on the field, hopelessly cursed off it. When in the mood unplayable, but then there was a dark side. He mixed openly with the city's most feared and notorious gangsters, the Camorra. The feared Giuliano clan. Untouchable, beyond reproach. A lifestyle fuelled by cocaine. A lawless idol with thorns so deep they pricked to make Maradona believe for a while he was a God. Scarface in football boots. Nothing less. When not enjoying the decadent excesses of this Babylon by the sea, there was magic to be made on the field as the charismatic Argentinian inspired Napoli to their first ever Scudetto title. It was the stuff of Neapolitan dreams and Northerner's nightmares. Juventus, the Milan clubs, all despised as they mocked this last major European city before Africa. 'Welcome to Italy'. 'Vesuvio wash them with lava', claimed the banners on any journey North. In revenge, Maradona, this barbarian king, led the southern hordes against those who viewed Naples lower than the dirt on the Italian boot. A revolution took place every Sunday for seven years with battles raging both on and off the field. As the Napoli tifosi fell in worship at his dancing feet, Maradona continued to party on unabated. Sheltered from all prying eyes until the magic faded and he was tossed out like garbage. Once Upon a Time in Naples attempts to chronicle this unforgettable era of when Diego left his inestimable mark on Italian football and Neapolitan's hearts. Whom he raised to the stars only to ultimately break them. An alluring tale of wonderful football, glory, despair, betrayal, corruption and then came a moment many years later of redemption. In a city that lived for the day and chanced their hand on the forever changing moods of Mount Vesuvius, Diego Maradona became bigger than God himself. From a high their patron San Gennaro kept a watching eye, but even he could not promise to bring about a happy ending. Miracles are one thing, Maradona another. For in this city where the devil feared to tread, even the angels had dirt under their wings. Welcome to Naples.... (Once Upon a Time in Naples is the basis for the Diego Maradona film directed by the Oscar winning Asif Kapadia and produced by Paul Martin and James Gay Rees.) @johnludds [email protected]
While driving in the Italian countryside, eleven-year-old Jackie's father suddenly collapses at the wheel. Fear for her father's life quickly turns to terror when two Italian men kidnap her and drive to their remote home in the countryside. Jackie soon discovers that her captors are actually a family, plagued by a mysterious secret. Award-winning novelist Donna Jo Napoli has created a haunting thriller that gives life to Jackie's utter desperation and determination to escape.
A reinvention of the Rumplestiltskin story -- one spinner uses a stolen wheel, crippling his leg as he makes straw into a glittering dress for his beloved, whom he loses. A second spinner named Saskia becomes a master spinner -- until she too is forced to spin straw into gold. When they meet, a new tale must be spun.
Facebook, a platform created by undergraduates in a Harvard dorm room, has transformed the ways millions of people consume news, understand the world, and participate in the political process. Despite taking on many of journalism’s traditional roles, Facebook and other platforms, such as Twitter and Google, have presented themselves as tech companies—and therefore not subject to the same regulations and ethical codes as conventional media organizations. Challenging such superficial distinctions, Philip M. Napoli offers a timely and persuasive case for understanding and governing social media as news media, with a fundamental obligation to serve the public interest. Social Media and the Public Interest explores how and why social media platforms became so central to news consumption and distribution as they met many of the challenges of finding information—and audiences—online. Napoli illustrates the implications of a system in which coders and engineers drive out journalists and editors as the gatekeepers who determine media content. He argues that a social media–driven news ecosystem represents a case of market failure in what he calls the algorithmic marketplace of ideas. To respond, we need to rethink fundamental elements of media governance based on a revitalized concept of the public interest. A compelling examination of the intersection of social media and journalism, Social Media and the Public Interest offers valuable insights for the democratic governance of today’s most influential shapers of news.
