The second edition of Christopher Poindexter's first book, Naked Human, is an exploration of humanity at its finest and at its worst. This is a story written between 2011-2015 about the discovery of what makes us human: doing whatever it takes to keep the loneliness away.
The interaction between new forms of biological life and new forms of social life in modern democracies. The molecular life sciences are making visible what was once invisible. Yet the more we learn about our own biology, the less we are able to fit this knowledge into an integrated whole. Life is divided into new sub-units and reassembled into new forms: from genes to clones, from embryonic stages to the building-blocks of synthetic biology. Extracted from their scientific and social contexts, these new entities become not only visible but indeed “naked”: ready to assume an essential status of their own and take on multiple values and meanings as they pass from labs to courts, from patent offices to parliaments and back. In Naked Genes, leading science scholar Helga Nowotny and molecular biologist Giuseppe Testa examine the interaction between these dramatic advances in the life sciences and equally dramatic political reconfigurations of our societies. Considering topics ranging from assisted reproduction and personalized medicine to genetic sports doping, they reveal both surprising continuities and radical discontinuities between the latest advances in the life sciences and long-standing human traditions.
Investigations into the causes of aircraft accidents have for decades focused on what happened and who did it -- very rarely Why? It is the question Why? that David Beaty has addressed here, fighting the misnomer of 'pilot error' and propounding that the cause should be sought deeper inside human beings who make apparently simple human errors. The Naked Pilot makes fascinating and compulsive reading. It should be compulsory reading for all trainee and experienced pilots alike, as well as air traffic controllers, corporate managers and aircraft manufacturers. -- Business Aviation
Bodies, bodies! Big and small, short and tall, young and old—Every BODY is different! The Bare Naked Book has been a beloved fixture in libraries, classrooms, and at-home story times since its original publication in 1986. Now, this revised edition is ready to meet a new generation of readers. The text has been updated to reflect current understandings of gender and inclusion, which are also showcased in the brand-new, vibrant illustrations by Melissa Cho. Featuring a note from the author explaining the history of the book and the importance of this updated edition, readers will delight in this celebration of all kinds of bodies.
At times, most of us would have felt that there is something not quite right with our soul. Our life may be meandering along without too many bumps on the road. We may be content with how our life is panning out. Our relationships may be stable, and our physical health is relatively good. And yet the rich and satisfying life that could potentially be ours seems to illude us. We may sense that there could be so much more to life than what we are currently experiencing. But we don’t quite know what to do or how to get there. As a result of past experiences of rejection and abandonment, we may crave acceptance and significance from our relationships and our work and yet we find the craving to never be satisfied. We may attempt to fill that void in our souls through other means such as status and outward achievements. But those too never seem to be able to deliver what they promise. When we remain disconnected from our true selves, we will never be able to identify the root cause of our shame. We may never even be aware that shame has pervaded our souls. As our eyes begin to see ourselves for who we really are, it requires humility and courage to step out into the light and cultivate intimacy with our Creator who can begin to cleanse us of the deep pain that shame has caused us. Healing from shame is never complete without immersing ourselves in genuinely caring and compassionate communities who are willing to love and accept us just as we are. Finding true acceptance and significance in such communities go a long way towards uprooting the pervasiveness nature of shame and reinstating the God-given value, dignity and worth we possess.
The representation of the nude in art remained for many centuries a victory of fiction over fact. Beautiful, handsome, flawless its great success was to distance the unclothed body from any uncomfortably explicit taint of sexuality, eroticism or imperfection. In this newly updated study, Frances Borzello contrasts the civilized, sanitized, perfected nude of Kenneth Clarks classic, The Nude: A Study in Ideal Form (1956), with todays depictions: raw, uncomfortable, both disturbing and intriguing. Grittier and more subtle, depicting variously gendered bodies, the new nude asks awkward questions and behaves provocatively. It is a very naked nude, created to deal with the issues and contradictions that surround the body in our time. Borzello explores the role of the nude in twentieth- and twenty-first-century art, looking at the work of a wide range of international artists creating contemporary nudes. Her fascinating text is complemented by a profusion of well-chosen, unusual and beautifully reproduced illustrations. The story begins with a tale of life, death and resurrection an investigation into how and why the nude has survived and flourished in an art world that prematurely announced its demise. Subsequent chapters take a thematic approach, focusing in turn on Body art and Performance art, the new perspectives of women artists, the nude in painting, portraiture and sculpture and in its most extreme and graphic expressions that intentionally push the boundaries of both art and our comfort zone. The final chapter illustrates radical developments in art and culture over the last decade, focusing in particular on artworks by women, trans artists and artists of colour. Borzello links these works to their art-historical and political predecessors, demonstrating the continually unending capacity of the nude to disrupt traditional hierarchies and gender categories in life and art.
Across America, strip clubs have come under attack by a politically aggressive segment of the Christian Right. Using plausible-sounding but factually untrue arguments about the harmful effects of strip clubs on their communities, the Christian Right has stoked public outrage and incited local and state governments to impose onerous restrictions on the clubs with the intent of dismantling the exotic dance industry. But an even larger agenda is at work, according to Judith Lynne Hanna. In Naked Truth, she builds a convincing case that the attack on exotic dance is part of the activist Christian Right’s “grand design” to supplant constitutional democracy in America with a Bible-based theocracy. Hanna takes readers onstage, backstage, and into the community and courts to reveal the conflicts, charges, and realities that are playing out at the intersection of erotic fantasy, religion, politics, and law. She explains why exotic dance is a legitimate form of artistic communication and debunks the many myths and untruths that the Christian Right uses to fight strip clubs. Hanna also demonstrates that while the fight happens at the local level, it is part of a national campaign to regulate sexuality and punish those who do not adhere to Scripture-based moral values. Ultimately, she argues, the naked truth is that the separation of church and state is under siege and our civil liberties—free speech, women’s rights, and free enterprise—are at stake.
"In the popular imagination, turn-of-the-century Vienna is a cerebral place, marked by Freud, the discovery of the unconscious, and the advent of high modernist culture. But as historian Alys George argues, this stereotype of Viennese Modernism as essentially "heady" overlooks a rich cultural history of the body in the period. Spanning 1870 to 1930, The Naked Truth is an interdisciplinary tour de force that recasts the visual, literary, and performative cultures of the era and offers an alternative genealogy of this fascinating moment in the history of the West. Starting with the Second Vienna Medical School and its innovations in anatomy and pathology, George traces an emerging culture of bodily knowledge by analyzing a variety of written and visual media, including theater and dance, and by drawing connections between scientific and artistic discourses. Paying equal attention to both low and high culture, bringing gender and class issues back to the fore, and highlighting the role of female thinkers and writers, George's book makes a signal contribution to our understanding of late nineteenth- and early twentieth-century Viennese and European culture. The Naked Truth shows us that the "inward turn" cannot be understood until it is set against the backdrop of a culture obsessed with exploring and displaying humanity in its embodied, carnal form"--
Peter Greenaway has an international reputation as one of the most innovative, stylish and intelligent of contemporary film-makers. His eight feature films, from The Draughtsman's Contract to The Pillow Book, have variously, and sometimes simultaneously, prompted controversy, infamy, acclaim and delight. However, Greenaway is an artist whose work also includes painting; collage; experimental TV; the novel/opera Rosa; and numerous exhibitions/installations, including The Stairs, a continuing series of ten projects in ten cities exploring the basic components of cinema. Being Naked Playing Dead explores the complete oeuvre, but centres firmly on Greenaway's insistence that his is 'a cinema of ideas not plots'. Each film is discussed within a thematic analysis of the full range of Greenaway's output and the wider contexts within which it is conceived. In conclusion there are two extended interviews, making this book essential reading for all Greenaway enthusiasts.
Fiction. Asian & Asian American Studies. Short Stories. A young translator living in Toronto frequently travels abroad-to Hong Kong, Macau, Prague, Tokyo-often with his unnamed lover. In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman's frequent unexplained disappearances. YOU ARE EATING AN ORANGE. YOU ARE NAKED. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King's debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature. Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.-Kyo Maclear